Alexander Büchel – Christian's Music Musings

Revisiting My Favorite German Rock Band: BAP

If you have followed my blog for some time, you may recall seeing the name BAP. The group around singer-songwriter Wolfgang Niedecken was founded in the West German city of Cologne in 1976. They entered my radar screen in 1981 after their national breakthrough with their third studio album Für Usszeschnigge! (translation: to cut out). BAP remain my favorite German rock band, which I realized once again the other day when listening to some of their music. This triggered my decision to do another post on them. And it may not by my last!

One of BAP’s defining features is that Niedecken performs their songs in Kölsch, the regional dialect spoken in the area of Cologne. While I think they are on par with many English singing bands, undoubtedly this has largely limited their appeal to Germany, though they have ventured out to neighboring countries and even once to China. BAP have seen many line-up changes over the decades, and Niedecken remains the only original member. Since September 2014 after the departure of two longtime members, Niedecken announced that going forward the band would perform under the name Niedeckens BAP and no longer have a standing line-up.

BAP in 2016 — Current members of BAP (from left): Wolfgang Niedecken (guitar, vocals), Werner Kopal (bass), Anne De Wolff (multi-instrumentalist), Ulrich Rode (lead guitar), Michael Nass (keyboards) and Sönke Reich (drums)

Niedecken has been BAP’s driving creative force. His key influences are Bob Dylan, Bruce Springsteen, The Kinks and The Rolling Stones. Niedecken has a friendly relationship with Springsteen. In fact, I previously read that whenever the Boss performs in Germany and Niedecken is around, he likes to invite him on stage to play a song together – to me this sounds like something Springsteen would do. BAP have released 17 studio albums, eight live recordings and three compilations to date – more than enough fodder for another playlist, so let’s get to it. Unlike the first chronological playlist I published here, this time, I’m going randomly.

Let’s kick it off with a nice blues rocker called Diego Paz Wohr Nüngzehn (Diego Paz was 19). Co-written by then-guitarist Helmut Krumminga and Niedecken, the tune has a cool ZZ Top La Grange vibe. It appeared on BAP’s 15th studio album Radio Pandora from May 2008.

The next song takes us all the way back to 1980 and Affjetaut (defrosted), BAP’s sophomore release. Here’s the opener Ne schöne Jrooß (greetings) co-written by Niedecken and Klaus Heuser, who had joined the band as their lead guitarist prior to the recording sessions and would become Niedecken’s key musical partner until his departure in 1999. While perhaps not surprisingly the sound is a bit dated, I still dig that tune.

In August 1996, BAP released their 10th studio album Amerika (America), one of my favorites. Here’s the great opener Nix Wie Bessher (nothing like it used to be), another Niedecken-Heuser co-write. As you can hear, BAP’s sound had significantly matured by then.

Time Is Cash, Time Is Money, a humorous take on organized vacation travel, appeared on the band’s sixth studio record Ahl Männer, Aalglatt (old slick guys). The song was co-written by Niedecken and producer Reinhold Mack. Mack had produced, co-produced and sound-engineered for Queen, Billy Squier and E.L.O. According to Wikipedia, it was the first time BAP relied on a “professional” producer – I assume by this they mean somebody who had worked with international acts.

Next up: Do Kanns Zaubere (you can do magic), one of my favorite BAP ballads, and yet another co-write by Niedecken and Heuser. The tune is from their fourth studio album Vun Drinne Noh Drusse (from the inside to the outside) released in August 1982.

Over their long history, BAP have released a number of songs addressing social and political issues, including racism/hostility against foreigners and nationalism – sadly topics I never thought would remain as relevant as they are today in the 21st Century. Here’s Denn Mer Sinn Widder Wer (Coz we’re great again – sound fucking familiar?) The track appeared on BAP’s eighth studio album X Für ‘e U (an “x” for a “u”) released in October 1990 in the wake of Germany’s reunification. And, yes, in case you wondered, Niedecken and Heuser teamed up for this tune as well. The clip I found is not an official video but was put together by the guy who uploaded it YouTube.

How ’bout Shoeshine? Ask and you shall receive. This great song, written by Niedecken, is from BAP’s 13th studio album Aff Un Zo (every now and then) from June 2001. It was an important record for the band after the departure of longtime members Heuser and keyboarder Alexander Büchel. The only YouTube clip of the tune I could find is this version from the 2014 unplugged live album Das Märchen Vom Gezogenen Stecker – Live (the tale of the pulled plug – live). While it’s a bit different from the studio recording, I think it’s actually pretty cool.

A BAP playlist without a tune from their aforementioned breakthrough album would be incomplete. Since I previously featured what is perhaps their best-known song Verdamp Lang Her (such a long time ago), I’m going with the road tune Frau, Ich Freu Mich (Can’t wait to see you, baby). Given this record appeared in 1981, guess who co-wrote the rocker? Yep, Niedecken and Heuser had done it again!

For the next tune, let’s jump to a track from BAP’s most recent studio release, Lebenslänglich (for a lifetime), which appeared in early 2016: Et Ess Lang Her (long ago). The song was co-written by Niedecken and keyboarder Michael Nass. I dig the beautiful acoustic roots sound, which reminds me a bit of John Mellencamp. Since I couldn’t find a clip of the initial studio recording, here’s a similar version that appeared on a 2017 Niedecken solo compilation album titled Reinrassije Stroossekööter – das Familienalbum (pure breed street dogs – the family album)

The last tune I’d like to highlight is from Halv Su Wild (not a big deal) another of my favorite BAP albums. It is from their 16th and the last studio record to date released under the name BAP. It also marked the final album with longtime drummer Jürgen Zöller (1987-2014) and Helmut Krumminga, who had been the band’s lead guitarist from 1999 until 2014. Here’s a live version of Et Levve Ess En Autobahn (life is a highway), which apparently was captured during an open-air gig in Germany in 2012. Written by Niedecken, it’s an autobiographic song about the band’s long history.

During an interview with Swiss newspaper Tagblatt, Niedecken confirmed BAP are working on a new studio album that will likely appear sometime this year, followed by a tour in 2021. Mentioning his most recent solo effort Das Familienalbum (the family album), which was recorded in New Orleans and came out in 2017, Niedecken also hinted the band’s next record is going to feature some of the same U.S. horn players. For a long-time BAP fan like myself, this does sound intriguing.

Sources: Wikipedia; Tagblatt; YouTube

My Playlist: BAP

For more than 40 years, BAP has been one of the most successful rock bands in Germany

While in the U.S. and other countries Rammstein, Scorpions and Kraftwerk may be the best known German bands, Germany has much more to offer. A great example is BAP, a band that has been popular there for 40-plus years but isn’t known much beyond Germany and some of its immediate neighbor countries. They also happen to be one of my long-time favorite German rock bands. BTW, I also like the Scorpions. Since unlike the English-singing German hard rockers BAP performs most of their songs in a German dialect, I’m under no illusion that winning over non-German speaking readers is likely going to be a long shot at best. Nevertheless, I decided to put together this post and playlist, if only to prove that German contemporary music is more than heavy rock and electronic music.

The origins of BAP go back to 1976, when singer-songwriter Wolfgang Niedecken formed an acoustic trio with guitarist Hans Heres and percussionist Afro Bauermann, and they started playing in the West German city of Cologne. Prior to that, Niedecken already had gained some local prominence as a solo artist performing Bob Dylan songs and as a painter. Dylan is one of his key music influences, along with Bruce Springsteen, The Kinks and The Rolling Stones. In fact, Niedecken is friends with the Boss who occasionally has invited him on stage to play a song during Springsteen gigs in Germany.

BAP in 1980s — BAP in the early ’80s (from left): Wolfgang Boecker (drums), Manfred Boecker (percussion), Steve Borg (bass, cello), Wolfgang Niedecken (guitar, vocals), Klaus Heuser (guitar, vocals), Alexander Büchel (keyboards) and Hans Wollrath (sound engineer)

In November 1979, the band that by then had grown to a six-piece recorded their debut studio album Wolfgang Niedecken’s BAP rockt andere kölsche Leeder. In English this means something like “Wolfgang Niedecken’s BAP rocks other Kölsch songs.” The remainder of this post includes rough translations of song and album titles in parentheses. Kölsch is a German dialect spoken in the city of Cologne and surrounding areas. To this day, most BAP songs are performed in that dialect, with band leader and lead vocalist Niedecken remaining as the only original member. As somebody who grew up not far from Cologne, I can’t deny this dialect sounds charming to me and has a certain sentimental value.

Starting with their third studio album für usszeschnigge! (to cut out) from 1981, the band shortened their name from Wolfgang Niedecken’s BAP to just BAP. “Bap,” which is derived from the word “papa” (as in Madonna’s Papa Don’t Preach) was the nickname for Niedecken, who used to call his father that way. The band, which went through various line-up changes over the decades, kept the name BAP until two long-time members Jürgen Zöller (drums) and Helmut Krumminga (lead guitar) left in September 2014. Following their departure, out what appears to be some frustration over yet another line-up change, Niedecken announced that going forward the band would perform under the name Niedeckens BAP and no longer have a standing line-up.

To date BAP have released 17 studio albums, seven live records and three compilations. With more than 5.9 million records sold and eleven no. 1 and 19 top 10 albums, BAP is one of the most successful German language rock bands. After their breakthrough album für usszeschnigge! from October 1981, BAP started touring throughout Germany. Eventually, they expanded to other European countries, including Austria, Switzerland, Belgium, Netherlands, Denmark and Luxembourg. In October 1987, they even went to China, playing eight dates there. Niedecken who is politically active has also performed in Nicaragua and Mozambique. Yet BAP haven’t gained a footprint beyond the above European countries, which is likely due to the language barrier. Time for some music!

The first tune I’d like to highlight is Helfe Kann Dir Keiner (nobody can help you) from BAP’s second studio album Affjetaut (defrosted). Niedecken writes all of BAP’s lyrics. Sometimes, he has taken songs written by others, such as Dylan’s Like A Rolling Stone or Death Of A Clown by The Kink’s Dave Davies and his brother Ray Davies, and translated/adapted them to Kölsch. The music is often written or co-written by other band members, in this case guitarist Klaus Heuser, who frequently assumed that role during his 19-year tenure with BAP.

Verdamp Lang Her (it’s been a long time) is one of BAP’s best known songs and remains a crowd pleaser during live shows to this day. Another Heuser/Niedecken co-write, the tune was first recorded by the band for their above mentioned studio release für usszeschnigge! The opening chord progression is the same as for Knockin’ On Heaven’s Door. Given Dylan’s influence on Niedecken, this may not be a coincidence, though I don’t know.

Next up: Alexandra, Nit Nur Do (Alexandra, you’re not the only one). Credited to Niedecken (lyrics) and BAP (music), the tune appeared on the band’s fifth studio album Zwesche Salzjebäck un Bier (between salt pretzels and beer), which appeared in May 1983.

In August 1989, BAP released their seventh studio record Da Capo. It was the first with Jürgen Zöller who replaced Pete King on drums, following his untimely death from cancer in 1987. Here is the great opener Stadt Im Niemandsland (city in no man’s land), which was co-written by Niedecken and Heuser. Check out the nice double lead guitar lines, which are bit reminiscent of Boston.

Amerika (America), another Niedecken/Heuser co-write, is the title track of BAP’s 10th studio release from August 1996. The song describes the impressions of a child witnessing the liberation of Nazi Germany by the Americans after the end of World War II. To give you a flavor, here’s a translated excerpt: So that’s how they look/check it out, there’s also a black guy among them/Look at the fellow on the tank, he’s eighteen at the most, and he liberated us/They warned us about them/Why did we believe all this crap?/These guys have been through so much/walking through mines from the [English] Channel all the way to here/It’s now nighttime where they are coming from/They are still sleeping there across the ocean/They have buildings higher than the dome [of Cologne]/ There’s jazz on the radio all day long…

The follow-on album to Amerika was Comics & Pin-Ups from January 1990. Here is the official video of Lena, a song co-written by Jens Streifling (horns, guitar) and Niedecken.

By the time BAP released their 13th studio album Aff Un Zo (every now and then) in June 2001, long-time members Klaus Heuser (guitar) and Alexander Büchel (keyboards) had left and been replaced by Helmut Krumminga and Michael Nass, respectively. Especially the departure of Heuser, who had been instrumental in writing the music for many of the band’s best known songs, marked the end of an era. But his successor, who like Heuser is a talented guitarist, quickly established himself and helped shape BAP’s sound for the next 15 years. In case you didn’t think Germans could play reggae, here’s the record’s title track.

In May 2008, Radio Pandora appeared. BAP’s 16th studio album was a major release featuring a plugged and an unplugged version. Eight of the 14 tracks on each record were different versions of the same songs, while the remaining six tunes were entirely different. Here’s a cool blues rocker from the plugged edition called Diego Paz Wohr Nüngzehn (Diego Paz was nineteen). It would make a good ZZ Top tune!

Another title track I’d like to highlight is Halv Su Wild (not a big deal). Co-written by Krumminga and Niedecken, the song appeared on BAP’s 17th studio album, the last featuring the guitarist and the band’s long-time ace drummer Jürgen Zöller. Here’s a nice live clip of the catchy rock song.

The last tune I want to highlight is from the band’s most recent 18th studio album Lebenslänglich, (sentenced to life), which came out in January 2016. Released as Niedeckens BAP, the record features Ulrich Rode as replacement for Krumminga. Sönke Reich took over on drums for Zöller. As noted on BAP’s official website, the 35-year-old from the Northern German city of Hamburg is the only member who is younger than the band. Here’s a live clip of Dä Herrjott Meint Et Joot Met Mir (god has been good to me).

In March 2016, during a short trip to Germany, I had a chance to catch BAP in the Bavarian town of Neu-Ulm during their 40th anniversary tour. With the departure of Krumminga and Zöller, I wasn’t quite sure what to expect, but it turned out to be a great show. BAP continues to rock on. Niedecken, who turned 67 in March, had a stroke in November 2011 from which he fully recovered. In addition to him, Rode and Reich, the band’s current line-up includes Werner Kopal (bass), Anne De Wolff (multi-instrumentalist) and Michael Nass (keyboards). The band is currently on a 2018 tour, which is mostly focused on Germany.

Sources: Wikipedia, BAP official website, YouTube