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Published by Alexander von der Becke, Munich, Germany, 1963
Seller: Tennyson Williams Books and Fine Art, Williamsburg, VA, U.S.A.
Art / Print / Poster
Single Sheet. Condition: Collectible-Fine. Käthe Kollwitz (illustrator). Restrike. Original drypoint and soft ground etching printed on thick, soft ivory vellin (wove) paper. The image is 9 inches by 5 1/2 inches on a sheet that is 13 1/2 inches by 9 1/4 inches (230X141mm). Archivally matted in an off-white passe-partout. From a posthumous edition printed in Munich by the wife and son of art dealer Alexander von der Becke circa 1963/65 with the publisher's 2-line blindstamp ("AVDBECKE MUENCHEN22") at the lower right corner of the image. Käthe Kollwitz is considered by many art critics to be the greatest German expressionist of the 20th century. Her etchings portraying women have become particularly sought-after in recent years. The etching offered here is a superb impression on a clean and bright sheet of paper. Size: 9" by 5 1/2". Fine Art Print.
Published by Unknown, 1950
Seller: Presentations Studio, Bennet, NE, U.S.A.
Art / Print / Poster First Edition
No Binding. Condition: Near Fine. No Jacket. 1st Edition. Käthe Kollwitze Drawings 9 prints 11.5" X 14.5" art folio. No date, no publisher and probably earlier than 1950.
Published by München, Georg D. W. Callwey o. J.
Seller: Versandantiquariat Boller, Staufenberg, Germany
Art / Print / Poster
2° Folio, Sondereinband. Condition: Gut. 2 S. + 13 Tafn. Hrsg. vom Kunstwart. Mit montierten s/w Abb. Die Abb. sind vollständig. Der Vorderdeckel der Mappe hat im oberen und im unteren Bereich leichte oberflächliche Knickspuren. Die Fußecke des Vorderdeckels der Mappe hat eine leichte Knickspur. Sprache: Deutsch Gewicht in Gramm: 930.
Published by San Francisco: Pasquale Iannetti Art Gallery., 1990
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Poster. 29 x 21 inches. Image of "Tod und Frau (Death and Woman).".
Published by A.D.V. Becke München, 1893
Seller: Worpswede Fineart, Worpswede, Germany
Art / Print / Poster
Kein Einband. Condition: Sehr gut. Käthe Kollwitz (8.Juli 1967 Königsberg - 22. April 1945 Moritzburg). Titel: Weberzug. Technik: originale Radierung. Format der Platte: 21,5 x 29,8 cm, Format des Blattes: 39,5 x 53 cm. Unsigniert. Auflage unbekannt. Werkverzeichnis: Knesebeck 36 V c (von d). Anmerkung: Späterer Druck durch A.D.V. Becke/München-22, Mit dem Blindstempel unten rechts am Plattenrand. Blatt 4 (von 6) der Folge "Ein Weberaufstand" 1893 bis 1897, erschienen bei von der Becke zwischen 1946/48 und 1963/65. Zustand: Schönes sauberes Blatt. An den Blatträndern minimal griffknickig. Käthe Kollwitz (8 July 1967 Königsberg - 22 April 1945 Moritzburg). Title: Weberzug. Technique: original etching. Plate format: 21.5 x 29.8 cm, sheet format: 39.5 x 53 cm. Unsigned. Edition unknown. Catalog raisonné: Knesebeck 36 V c (from d). Note: Later printing by A.D.V. Becke/München-22, With the blind stamp lower right on the plate edge. Sheet 4 (of 6) from the series "Ein Weberaufstand" 1893 bis 1897, published by von der Becke between 1946/48 and 1963/65. Condition: Nice clean sheet. Minimal handling creases at the sheet edges.
Published by Germania-Verlag Leipzig, 1926
Seller: Worpswede Fineart, Worpswede, Germany
Art / Print / Poster Signed
Kein Einband. Condition: Gut bis sehr gut. Limitierte Ausgabe. "Käthe Kollwitz (Königsberg 1867 - 1945 Moritzburg), Titel: Der Agitationsredner (II. Fassung). Entstehungsjahr: 1926. Technik: Lithografie auf Büttenkarton. Format Motiv: ca.31 x 21,7 cm, Format Blatt: (40 x 30) cm. Rechts unter der Darstellung mit Bleistift von Hand signiert. Unter Passebartout montiert. Auflage: Eines von insgesamt 100 Exemplaren, erschienen im Zyklus "Typen". Angaben aus Werkverzeichnis: Klipstein 224 b, Knesebeck 230 c. Verleger: Germania-Verlag Leipzig. Zustand: Altersgemäß sehr gut, der Rand unter dem Passepartout leicht gebräunt.". Signatur des Verfassers.
Published by Alexander von der Beeke, München, 1912
Seller: Worpswede Fineart, Worpswede, Germany
Art / Print / Poster
Kein Einband. Condition: Sehr gut. Käthe Kollwitz, Titel: Selbstbildnis. Entstehungsjahr: 1912 (späterer Druck). Technik: Originale Radierung. Platte: 14 x 10 cm, Blatt: 35 x 26 cm, Rahmen: 42 x 32 cm. Werkverzeichnis: Knesebeck 126; Klipstein 122. Gedruckt bei Alexander von der Beeke, München. Mit dem Blindstempel rechts unten am Plattenrand: A.D.V.Becke/München 22. In vergoldeter Holzleiste mit Ornamenten unter säurefreiem Passepartout gerahmt. Zustand: Altersgemäß sehr guter Zustand.
Published by Emil Richter, Dresden, 1921
Seller: Worpswede Fineart, Worpswede, Germany
Art / Print / Poster
Kein Einband. Condition: Gut bis sehr gut. "Käthe Kollwitz, Titel: Tod und Frau. Technik: Radierung, Kaltnadel und Vernis-mou in Braun auf Kupferdruckpapier. Motiv/Platte: ca. 44,7 x 44,40 cm, Blatt; 56,5 x 52,2 cm. Werkverzeichnis: Knesebeck 197 VI (von VIII b). Anmerkung: Aus der Auflage bei Emil Richter, Dresden 1921. Mit der gestochenen Schrift im unteren Rand der Darstellung, links "Original Radierung von Käthe Kollwitz" rechts "Drucker v. Otto Felsing, Berlin. Chlttbg." und mittig "Verlag von Emil Richter, Dresden. Zustand: Altersgemäß guter Zustand. Prachtvoller gratiger Druck! Kurzer, kaum merklicher Einriss (ca. 5mm) am linken Blattrand. Handlingspuren.
Published by Alexander von der Becke, München, 1893
Seller: Worpswede Fineart, Worpswede, Germany
Art / Print / Poster
Kein Einband. Condition: Sehr gut. Käthe Kollwitz (1867-1945), Titel: Selbstbildnis am Tisch. Entstehungsjahr: um 1893. Technik: Aquatinta Radierung. Papier: Velin. Platte: 18 x 13 cm, Blatt: ca. 35 x 26,5 cm. Drucker: Alexander von der Becke, München. Mit dem Blindstempel unter der Darstellung rechts. A.V.D. Becke/München 22. Posthumer Druck um 1963/1964. Zustand: Altersgemäß sehr gut erhalten. Werkverzeichnis: Alexandra von Knesebeck / Käthe Kollwitz, Catalog of Prints und Bernd Kornfeld 2002 WVZ Nr. 21, VI b.
Published by Alexander von der Beeke, München
Seller: Worpswede Fineart, Worpswede, Germany
Art / Print / Poster
Kein Einband. Condition: Sehr gut. Käthe Kollwitz, Titel: Betendes Mädchen, Technik: Originale Radierung. Entstehungsjahr: 1892 (späterer Druck). Platte: 19 x 14,5 cm, Blatt: 34,9 x 26 cm, Rahmen: 42 x 32 cm. Gedruckt bei Alexander von der Beeke, München. Mit dem Blindstempel rechts unten am Plattenrand, A.V.D. Becke / München 22. Rahmung: In vergoldeter Holzleiste unter säurefreiem Passepartout gerahmt. Zustand: Altersgemäß sehr gut, an der unteren rechten Blattkante eine kleine Stauchung.
Publication Date: 1922
Seller: Worpswede Fineart, Worpswede, Germany
Art / Print / Poster Signed
Kein Einband. Condition: Sehr gut. Käthe Kollwitz (Königsberg 1867 - 1945 Moritzburg) Titel: Hunger Datierung: 1922 Technik: Holzschnitt Material: Festes, strukturiertes Bütten. Motiv Maße: 22 x 22,8 cm Papier Maße: ca. 51,2 x 34,5 cm. Signatur: Unter der Darstellung rechts von Hand mit Bleistift signiert. Zustand: Altersgemäß sehr guter Zustand. Sauberes Papier. Das Blatt wird im Passepartout und inklusive sehr wertigem Rahmen angeboten. Bemerkung: Nach der Verwendung des Druckstocks als Flugblatt wurde Titel und Signatur herausgeschnitten. Werkverzeichnis: Knesebeck 192 VI. Klipstein 169. Signatur des Verfassers.
Publication Date: 1911
Seller: Worpswede Fineart, Worpswede, Germany
Art / Print / Poster
Kein Einband. Condition: Sehr gut. Käthe Kollwitz, Titel: Tod und Frau um das Kind ringend. Technik: Radierung und Vernis-mou. Motiv: 22 x 28 cm, Platte: ca 23 x 29 cm, Blatt: 32 x 44 cm. Entstehungsjahr: 1911. Papier: auf festem Büttenpapier. Mit dem Trockenstempel MÜNCHEN 22, rechts unter der Darstellung. Werkverzeichnis: Knesebeck 121 IX g.Das Werk ist wertig in säurefreiem Passepartout und in einem hellen Goldrahmen gerahmt. Zustand: altersgemäß sehr guter Zustand.
Publication Date: 1901
Seller: Rolf Nölkes - kunstinsel.ch, Baar, Switzerland
Art / Print / Poster
Kein Einband. Condition: Befriedigend. Zertretene, 1901, Käthe Kollwitz (1867 - 1945), Original-Kaltnadelradierung aus: Zeitschrift für Bildende Kunst N.F. XX, Heft 8, 1909 Stockfleckig auf dem Rand. Radierung auf gelblichem China, auf weißem Kupferdruckpapier aufgewalzt. Unsigniert. Ausgabe des Verlages Seemann in "Zeitschrift für bildende Kunst". Die ursprüngliche Radierplatte zu »Zertretene« fertigte Käthe Kollwitz nach der 1900 entstandenen Vorzeichnung »Das Leben« Noch vor dem Mai 1901 zerschnitt die Künstlerin die Platte, da sie die Darstellung plötzlich als sentimental empfand und »nur noch den linken Teil, wo der Mann der Frau den Strick reicht« für gültig erklärte: »das andere ist mir jetzt fatal.« Die Darstellung erhielt den neuen Titel »Arme Familie«. Als Zeichen für Verzweiflung und Hoffnungslosigkeit hält der Mann hinter Mutter und Kind eine Schlinge in der Hand direkt neben dem Kinderkopf. Bildgrösse: 22.7 x 19.5 cm, Blattgrösse: 33.7 x 24.3 cm.
Published by Kunsthändler und -verleger Paul Cassirer, Berlin, 1914
Seller: Antiquariat Reinhold Berg eK Inh. R.Berg, Regensburg, Germany
Art / Print / Poster
Other. Lithographie auf gelblichem Velin. Im unteren Rand Hinweise zur Zeitschrift sowie das Impressum. Rückseitig eine weitere Graphik von Max Liebermann. Selbstportrait von Käthe Kollwitz. In ausgezeichnetem Zustand. Kräftiger Druck mit dem vollen Rand. 360 by 270mm (14¼ by 10¾ inches).
Published by 1902/1903 (1921)., 1902
Seller: Antiquariat Michael Solder, Münster, NRW, Germany
Art / Print / Poster Signed
Condition: Gut. Klipstein IX, In der Platte signiert und datiert, mit der gestochenen Jahreszahl '1921' in der unteren rechten Darstellungsecke, Der Sturm bricht los, die Empörung der Bauern verschafft sich Luft. Damals las ich den Zimmermannschen Bauernkrieg, und da wurde von der Schwarzen Anna erzählt, einer Bäuerin, die die Bauern angetrieben hat. Ich machte nun das große Blatt mit dem losbrechenden Bauernhaufen.« Käthe Kollwitz, Tagebuchblätter und Briefe, 1948 Käthe Kollwitz Äußerung bezieht sich auf die Schwarze Hofmännin , eine der wenigen historisch belegten Frauengestalten des Bauernkrieges, welche die Bauern vor der Erstürmung von Weinsberg segnete und anfeuerte. Indem die Schwarze Hofmännin auf dem »Losbruch« in Rückenansicht darstellt ist, bietet sie dem Betrachter eine Identifikationsmöglichkeit. Die früheste bekannte Kompositionsstudie zeigt, dass die Künstlerin unter Einfluss ihres Pariser Aufenthaltes ursprünglich auch dieses Blatt als farbige Lithographie geplant hat. Käthe Kollwitz selbst bezeichnet das Blatt »Losbruch« in einem Brief von März 1903 als ihre »beste Arbeit« bis zu dieser Zeit. Ende 1902 stellt sie die Radierung, die erste fertige Arbeit des Bauernkrieges, bei der Berliner Secession aus." Sprache: Deutsch Gewicht in Gramm: 1200 52,3 cm x 59,8 cm (Plattengrösse) 59 x76 cm (Blattgröße).
Published by ca. 1890s., 1890
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster Signed
Condition: Good. Etching. 216 x 294 mm. Sheet 4 from the cycle A Weavers' Revolt. Knesebeck state 3 of 4. Signed and annotated in pencil "Ausstellungsexemplar"; annotated on the mount: "Millard Sheets from Jake Zeitlin.".
"The Parents" high-quality facsimile in giclée print with a narrow, white border on 250g Schwarzwaldmühle art print cardboard (21x30cm) based on a charcoal drawing by Käthe Kollwitz from 1920.
Published by Wien Verlag der Gesellschaft für vervielfältigende Kunst (ca ), 1903
Seller: Antiquariat Schleifer, Kobersdorf, BGLD, Austria
Art / Print / Poster
Motiv: 20,2 x 28 cm; Blatt: 30 x 40,7 cm Minmimal angestaubt, Seidenhemdchen etwas knittrig, gutes Blatt Sprache: Deutsch 1001 gr.
Published by (1920)., 1920
Seller: Antiquariat Braun, Gengenbach, Germany
Art / Print / Poster
Condition: Sehr gut. Format: 23 x 20,5 cm. Blattgröße: 32,5 x 23,5 cm. *Knesebeck 162. Klipstein 145 I, b. - Originallithographie aus der programmatischen Publikation des Expressionismus "Deutsche Graphiker der Gegenwart", hrsg. von Pfister in einer Auflage von 600 Exemplaren. - Sauber und sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 800.
Published by Wien Verlag der Gesellschaft für vervielfältigende Kunst (), 1903
Seller: Antiquariat Schleifer, Kobersdorf, BGLD, Austria
Art / Print / Poster
Motiv: 27,5 x 14,5 cm; Blatt: 40,8 x 29,8 cm Minimal randknittrig, auf der Rückseite unten etwas stockfleckig, gutes Blatt Sprache: Deutsch 1001 gr.
Published by Gesellschaft für vervielfältigende Kunst, Wien, 1903
Seller: ANTIQUARIAT.WIEN Fine Books & Prints, Wien, Austria
Art / Print / Poster
original Radierung, Plattengröße 28 x 14,5 cm [=Die graphischen Künste 1903] de 170 Grafik.
Published by Galerie Emil Richter, Dresden, 1926
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.
Art / Print / Poster Signed
Original woodcut printed in black on Japan paper. Signed, titled, and numbered in pencil by Kollwitz. Numbered 2 of 100 copies. But one of 25 copies on thick, white Japan, conforming to Klipsten's variant state VIII.b. Plate mark: (14 1/8 x 11 3/4 inches). The great unemployment during Germany's inflationary years after WWI prompted Käthe Kollwitz, a master of social protest art, to represent the plight of Weimar's workers. A numbered, signed woodcut on Japan paper in fine condition. In Erwerbslos, Kollwitz shows a child with a spoon in his hand, his eyes wide open, behind him are the faces of his parents in the shadows, his father gaunt and eyeless, with his hand around his neck, and a window cutout on the left. Erwerbslos [Unemployed] is part of a woodcut triptych series titled Proletariat. The other two prints, Hunger and Kindersterben [Children's Death], depict social ills experienced by Germany's unemployed in the interwar period. This striking woodcut is from an edition by Kollwitz's exclusive publisher at the time, Galerie Emil Richter in Dresden. There were eight states of the print, with variations to the child's head, this being variant state VIII.b according to Klipstein. This print is seldom seen available outside of institutional collections. Born in Königsberg, Kollwitz began studying art as a teenager and worked in a realist mode, depicting the proletariat. Her father was a radical Social Democrat, and her mother's father was Julius Rupp, a Lutheran pastor who was dismissed from the Church for dissenting from their policies and later founded the Free Protestant Congregation in Königsberg. Though trained in painting, Kollwitz moved through several techniques in her career, including etching, lithography, and sculpture. She made a total of 275 prints, including a collection of self-portraits. Kollwitz was the first woman to be elected to the Prussian Academy of Arts and to receive honorary professor status. She taught there until Nazi Party authorities forced her to resign after she signed the Dringender Appell, an appeal by the Internationaler Sozialistischer Kampfbund (ISK) to defeat the Nazis in advance of the 1932 election. Kollwitz was a committed socialist and pacifist, and her two most famous series, The Weavers and The Peasant War, depicted the effects of poverty, hunger, and war on the working class. She also often found inspiration in her husband's medical clinic for people in need, where she also had her studio. Other motifs in her work include suffering and death, both evident in the present work, which hauntingly depicts the consequences of war for the working class. In the interwar period, during which time Kollwitz was at the height of her fame, she employed her signature style and the populist reproducibility of the print medium to advance her social causes. The present work is part of the 1926 series titled Proletariat. The series was Kollwitz's fourth print cycle and her second series in woodcut where the artist employed dense fields of black to frame the subjects so that they appear as though they are emerging from total darkness. The three figures here are radically simplified; the artist carved only just enough of the woodblock to give the figures light and form. The method lends a strong, emotional graphic impact that matched the desperation of German workers and their families. Knesebeck, 215/X/a (v. b); Klipstein, The Graphic Works of Käthe Kollwitz (NY: 1955), 206-208, VIII. b; Sowie, 222.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 10 x 16 inches. Very Good+. Protected by transparent sheet and mat board. Study of a woman for Zertretene (Downtrodden).As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 21 x 17¾ inches. Very Good+. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 23 x 17¾ inches. Very Good+. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 10 x 8 inches. Very Good+. Protected by transparent sheet and mat board. Drawing for plate 2 of Ein Weberaufstand (the weaver's revolt), Kollwitz' first cycle of etchings and received critical acclaim.As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 11 x 16 inches. Very Good+. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 23 x 16¾ inches. Very Good+. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 21 x 16 inches. Very Good+. Protected by transparent sheet and mat board. The emotional strength of Kollwitz' art, even in her more tender moments, gives her prints an inescapable power. The combination of the line, texture and tonal ink creates a three dimensional quality. Kollwitz' work was the expression of human experience; her sympathy with the terrible deprivations of the poor lead her to the politics of the left. Yet her art was never political-it was of heartfelt human emotion. The genuine joy and comfort of the relationship between mother and child is the clear message of this lithograph.As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 17¾ x 20 inches. Very Good+. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 22 x 16¾ inches. Very Good+. Protected by transparent sheet and mat board. The subject of this drawing is based on a scene from ?A Tale of Two Cities? by Charles Dickens.As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 15 x 21 inches. Very Good+. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 23¾ x 17¾ inches. Very Good+. Protected by transparent sheet and mat board. A study for the 1919 etching and aquatint ?Mutter?As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 22¾ x 17 inches. Very Good+. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.This drawing is a study for the 1910 etching Überfahren.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 22¾ x 17 inches. Very Good+. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.This portrait of an unknown working class women demonstrates the conflict faced by all employed women in the modern era, the struggle between the requirements of their profession and their role in the family. As a wife and mother, Kollwitz sympathized with such women even though she was one of the lucky few that could afford a domestic servant to help her around the house. This allowed her to work on her art in the mornings and spend time with her family in the evenings. On one hand, Kollwitz expressed the desire to be free of her domestic ties in order to be able to focus more intensely on art. However she also appreciated feeling needed by her husband and two sons. Courageous but strained working class women frequently appeared as subjects in Kollwitz' art.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 22 x 16¾ inches. Very Good+. Protected by transparent sheet and mat board. A study for the woodcut Die Eltern from Kreig (War) cycle.As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
Published by Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]., 1927
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Large format facsimile of the original drawing 23 x 15 inches. Very Good+. Protected by transparent sheet and mat board. A study for plate 2 from Bauernkreig (Peasant's War) cycle.As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [k??t? k?lv?t?s]), (8 July 1867 ? 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.
"Fear" high-quality facsimile in giclée print with white border on 250g Schwarzwaldmühle art print cardboard (30x21cm) based on a lithograph published in the magazine "kriegszeit" in Berlin in 1914.
Seller: Kunsthandel & Antiquariat Magister Ruß, Lechbruck, Germany
Art / Print / Poster
"Self-portrait" high-quality facsimile in giclée print on 250g Schwarzwaldmühle art print cardboard (20,05x28cm) based on a print published in Berlin in 1948.
Published by Wien., 1962
Seller: Antiquariat Weinek, Salzburg, Austria
Art / Print / Poster
OPlakat [ca. 59 x 42 cm]. Leichte Randläsuren, gerollt. Sprache: deutsch.
Published by Office des Nations Unies, Geneve, 2001
Seller: Dendera, London, United Kingdom
Art / Print / Poster
No Binding. Condition: Good. Exhibition poster printed on heavy paper 30 x 42cm. Good with some creasing.
Publication Date: 1920
Seller: Antiquariat Joachim Lührs, Hamburg, Germany
Art / Print / Poster
Druck auf leichtem Karton. Knesebeck 162. Verso typographisch bezeichet. - In rund 120 Selbstbildnissen, Zeichnungen und Druckgraphiken, begleitete Käthe Kollwitz ihr Leben von der jungen Studentin bis zur Greisin. Insbesondere nach dem Tod ihres Sohnes Peter im Jahr 1914 entstanden Blättern einer intensiven Selbstbefragung nach dem »Warum«. Diese Bilder stellen ein erschütterndes Abbild ihrer selbst dar. - Verso an der linken Blattkante Reste alter Montierung. Sprache: Deutsch 23 x 20,5 cm (Darstellung). 32,3 x 24 cm.
Published by 1897, 1897
Seller: Galerie Joseph Fach GmbH, Oberursel im Taunus, Germany
Art / Print / Poster
Condition: sehr guter Zustand. Radierung, 1897, auf festem chamoisfarbenem Velin. 27,6:14,5 cm. Im Unterrand die eingestochene Schrift Original-Radierung von Käthe Kollwitz". - Ausgabe der Gesellschaft für vervielfältigende Kunst, Wien", als Originalbeilage in Die graphischen Künste" 1903 erschienen. Literatur: Klipstein 38 III c (von d). Käthe Kollwitz studierte 1886-1887 in Berlin bei K. Stauffer-Bern (1857-1891), 1887 in Königsberg bei E. Neide (1843-1908) und 1888-1890 in München bei L. von Herterich (1856-1932). 1891 angeregt durch M. Klinger (1857-1920) Hinwendung zur Graphik. Seit 1898 war sie Mitglied der Berliner Sezession, ab 1913 der Freien Secession" und Mitbegründerin des ersten Frauenkunstverbandes". 1898-1903 Lehrtätigkeit an der Künstlerinnenschule Berlin. 1899 erhielt sie in Dresden die Kl. Goldmedaille für den Zyklus Weberaufstand". 1904 ging sie nach Paris, um an der Académie Julian zu studieren. 1907 reiste sie nach Florenz. 1909 Beginn bildhauerischer Arbeiten. 1919 Aufnahme als erste Frau in die Preußische Akademie der Künste und Professur, dort ab 1928 Leiterin des Meisterateliers für Graphik. 1929 Verleihung des Ordens Pour le Mérite" in der Klasse Wissenschaften und Künste. 1933 wurde sie durch die Nationalsozialisten zur Aufgabe ihrer Lehrtätigkeit gezwungen und ihre Arbeiten aus dem öffentlichen Raum entfernt, zudem erhielt sie Ausstellungsverbot. 1942 Aufenthalt in Nordburg, 1943 Zerstörung ihrer Berliner Wohnung, womit zahlreiche ihrer Arbeiten zerstört wurden, 1944 Reise nach Moritzburg bei Dresden. Im Mittelpunkt ihres Schaffens stehen sozialpolitische und gegen den Krieg gerichtete Themen.
Published by Berlin: Rembrandt-Verlag, [ circa 1930]., 1930
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. 8vo. 68 pp. Soft Cover. Black and white plates throughout. Text in German. Good, rubs, soiling, and toning to the covers, tape holding front and back covers intact, missing some areas of covers, interior sheets toned, but clean and intact. Inscribed in ink ?Dir Peter giun Feichen/Die Gruppe' on inside cover.From the Collection of the Art Historian Peter Selz.
Published by Watson-Guptill Publications, Inc., USA, 1941
Magazine / Periodical First Edition
Single Issue Magazine. Condition: Good. Illustrated by Henle (cover photo) (illustrator). First Edition. 36 pages. Features: A Half-Day in the Studio of Reginald Marsh; Aquatint - a demonstration of the process; Thomas Craig discusses his painting; The Old Master Clinic; Society of Illustrators; It's In the Window - dressers for big stores are mostly young men with a pioneering spirit; and more. Average wear. A sound copy.; 4to - over 9¾" - 12" tall; American Artist Magazine, June 1941: Reginal Marsh Cover Photo Studio of Reginald Marsh; Aquatint - a demonstration of the process; Thomas Craig discusses his painting; The Old Master Clinic; Society of Illustrators; It's In the Window - dressers for big.
Publication Date: 1924
Art / Print / Poster First Edition
Condition: gut. Berlin, Neuer Deutscher Verlag 1924. - Seltene Ausgabe des engagierten Gemeinschaftswerkes. Erste Ausgabe. - Entgegen den Angaben auf dem Titelblatt handelt es sich hier aber um Offset-Lithographien und nicht um Abzüge von den Originalsteinen. "Im Gegensatz zu der im gleichen Verlag und zu gleicher Zeit erschienenen Mappe Hunger ist von dieser Publikation kein Exemplar im großen Format 50.0 x 35.0 cm mit Original-Graphiken bekannt geworden" (Söhn). - Die Mappe enthält Reproduktionen von O. Dix Mahlzeit in der Suppe, G. Grosz Krieg, O. Nagel Krieg, K. Kollwitz Bettelnde, W. Krain o. T., R. Schlichter o. T. und H. Zille Herrliche Zeiten führ ich euch entgegen. - EINBAND: Titel und lose Tafeln in OKart.-Mappe. 36,5 : 25 cm. - ILLUSTRATION: Mit 7 Offset-Lithographien. - ZUSTAND: Vorderdeckel mit kl. Lichtrand, insges. sehr gut erhalten. - LITERATUR: Söhn, R 1. - Dabei: Hunger. 7 Originallithographien. Gesamterlös für die Hungerhilfe. Künstlerhilfe für die Internationale Arbeiterhilfe. Mit 7 Tafeln nach Orig.-Lithographien von O. Dix, G. Grosz, K. Kollwitz u. a. Berlin, Neuer deutscher Verlag 1925. Lose Tafeln in Orig.-Karton-Mappe. 34,5 : 25 cm. - Verkleinerte Auflage im Offsetverfahren. - Titel und 2 Bll. mit sichtbar geklebten Randeinrissen. Mappe mit kl. Lichtrand. - Söhn HDO 430. - Rare edition of the dedicated co-production. First edition. Title and loose plates in orig. boards portfolio. 36.5 : 25 cm. With 7 offset lithographs. - Front board with small trace of sunning, all in all a very well preserved copy. 300 Gramm.
Published by New Deutscher Verlag / Willi Munzenberg, 1930
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
Magazine / Periodical First Edition
Soft cover. Condition: Fair. 1st Edition. Pp 121-136 Including Covers. Original Complete Issue. Printed In Red And Black, Many Cartoons, Caricatures, Illustrations. Quite Scarce, Paper Browned, Fragile But Not Particularly Brittle Although Requires Handling With Care (No Casual Reading!). Chipping At Edges, Loss Of A Few Words Of Text On Pp 122 And 136. The Eulenspiegel Was A German Satirical Magazine 1928-1933, At First By The "Eulenspiegel-Verlagsgesellschaft", From Issue 10/1929 By The " Neuen Deutsche Verlag " Of Willi Münzenberg's Newspaper Group. Munzenberg's Declared Goal Was To Provide Bourgeois Press Groupswith A Communist Counterweight. The Berlin Painter Otto Nagel Acted As Publisher And Editor-In-Chief Of The Monthly Issue ; The Journalist Bruno W. Reimann Was Responsible For The Articles From The Second Issue Until His Death In December 1929 . After That, Nagel Also Took Over Reimann's Part. The Title And Back Of The Twelve-Page Booklet Were Designed In Two Colors. In The Years That Followed, The Paper Quality, Format, Printing Technique And Size Of The Magazine Changed Several Times, Until In July 1930 It Had Shrunk To A More Manageable 23.5 × 31.5 Cm And Expanded To 16 Pages (Eight Of Them In Color). The Structure Of The Individual Issues Did Not Follow A Fixed Scheme. In Quantitative Terms, The Caricature Slightly Dominated The Text Contributions With A Share Of 60 To 75 Percent. It Published Poems , Commentaries , Short Stories And Jokes As Well As Pertinent Articles, Sometimes As A Series. On The Picture Level, Illustrations , Picture Stories And Caricatures Played A Role. The Magazine Saw Itself As Political, Proletarian Party, Satirical, ?The Only German Magazine That Openly Fights For The Interests Of The Working Proletariat ?. "Reaction And Philistineism " Were Named As Opponents ("Eulenspiegel" 8/1928). The Berlin Painter Otto Nagel, Editor And Editor Until October 1931, Was Largely Responsible For The Design. The Main Authors Are Slang , Erich Weinert And F. Bernhard ; The Most Frequently Represented Draftsmen Otto Bittner ("Bi"), Alfred Beier-Red , Josef Sauer , Alois Erbach , Charles Girod , Günter Wagner ("Gü"), Karl Holtz , Kurt Werth And Heinrich Zille. In Addition, Especially In The First Year, There Were Caricatures From China, Russia, France, Hungary, England And Other Countries, Which Preferably Appeared In The "Eulenweltspiegel" Series. In Addition To Käthe Kollwitz , George Grosz And Rudolf Schlichter And In The Literary Field Kurt Tucholsky (Under The Pseudonym Arno Nadel), From Whom Contributions From The "Weltbühne" Were Mainly Taken, Were Among The Already Prominent Employees , With Johannes R. Becher And Oskar Maria Graf , Arthur Holitscher , Kurt Kläber , Mynona (Di Salomo Friedländer ) And Ernst Toller .
Published by IBK, Berlin, 1986
Seller: The land of Nod - art & books, Oostende, Belgium
Magazine / Periodical First Edition
Soft Cover. Condition: Fine. First Edition. Text: DE. Approx. 180 p.; ill.; 17 x 24 cm;400 g. Cover slightly soiled. Magazine/Periodical.
Published by Wien, Eigenverlag der Medieninhaber, 1989
Seller: Antiquariat Liber Antiqua, Krems an der Donau, Austria
Magazine / Periodical
Broschiert. Abbildungen, 56 Seiten Großformat, Softcover, Ecken/Kanten bestossen, Einband berieben, leicht verknittert, leicht wellig und fleckig, Buchschnitt mit Lagerspuren, Seiten gebräunt, wellig, sonst eher guter Zustand Altersfreigabe FSK ab 0 Jahre Sprache: Deutsch.
Published by München, "Kunst und Technik" Verlag, 1977
Seller: Antiquariat Liber Antiqua, Krems an der Donau, Austria
Magazine / Periodical
Broschiert. XLVII. Jahrgang, Heft 14, 15.Juli 1977,. Abbildungen, Seite 1409 - 1476 Großformat, Softcover, Ecken/Kanten stark bestossen, Einband berieben, verknittert, wellig und fleckig, Buchschnitt mit Lagerspuren, Seiten gebräunt, wellig, sonst eher guter Zustand Altersfreigabe FSK ab 0 Jahre Sprache: Deutsch.