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Published by München Piper 1943, 1943
Book First Edition Signed
4°, 37 S. und 100 Tafeln. Orig.-Halbleinen. Erste Ausgabe. 1.-10. Tausend.- Vorsatz mit kurzer Widmung des Herausgebers an Günter Busch, den ehemaligen Leiter der Kunsthalle Bremen und seine Frau.- Einband lichtrandig, Vorsatz mit Besitzvermerk. Gutes Exemplar.
First edition, one of approximately 300 copies; quarter broadsheets (311 x 205mm); 80 plates on a single uniform stock of unwatermarked laid paper; etchings with burnished aquatint, many with drypoint and/or burin (fine impressions printed in sepia, printing with great contrasts and bright highlights, the aquatint just beginning to show a little wear on some plates, with the scratch on plate 45, with wide margins, some pale spotting mainly on the first few pages, otherwise in very good condition; black morocco binding by Lebrun, signed on the spine and dated Paris 1844 on the rear cover, tooled in gilt with the Self-Portrait of plate 1 and the name of the artist on the front cover, the motif and title of plate 32 on the back cover, marbled endpapers; within a matching red morocco box, with the name of the artist, the title and the name of the binder on the spine, the inside with a black and gilt morocco inlay showing all the tools used for the binding. The complete set of eighty etchings with burnished aquatint, drypoint and engraving, 1797-1798, on laid paper. A very good set from the first edition, published by the artist in an edition of approximately three hundred copies. With Los Caprichos, Goya for the first time made his visions of the more sinister side of Spanish society and the human soul in general accessible to a wider audience, beyond his small group of friends and patrons. Goya was commercially ambitious, and set himself an enormous undertaking, prepared over several years and based on hundreds of drawings. Harris has estimated that he produced 300 sets (i.e. 24,000 impressions) of the Caprichos, making it at the time the largest series of prints ever conceived by a single artist. But the bitter reality was that perhaps only some thirty sets of this first and only lifetime edition were sold. In 1803, the artist gave the plates and the remaining impressions to the King, presumably to escape the wrath of the Inquisition. A crushing failure at the time, in hindsight Los Caprichos is the pivotal work of Goya's entire oeuvre. In one grandiose, dark symphony he unleashes his unsparing satirical sense and his wild imagination, plate after plate, tied loosely together by related motifs and laconic, often mysterious titles. The only plate without an engraved title is perhaps the most famous of all: the artist, overcome by sleep, with his head resting on a table, is surrounded by creatures of the night: owls, bats, a cat and a lynx. On the front of the table the following words appear vaguely out of the aquatint surface: El sueño de la razon produce monstruos. The phrase is ultimately untranslatable, as sueño can mean both 'sleep' and 'dream'. This ambiguity does Reason dream up monsters or do monsters arise as Reason sleeps? is characteristic of the entire series. Having first conceived it as the title page, Goya changed his mind and placed it as plate 43 right in the middle of the series, dividing the series roughly into two parts. The first part is largely devoted to satires of courtship and prostitution, mocking the vanities and pretensions of the young and old. It is in the nightmarish second part that the monsters arise, witches and demons fly, and goblins awake. Beyond the mere evocation and critique of superstition and witchcraft, the precise meaning of these later plates is even more cryptic. Concealed through visual puns, word play and allusions to proverbs, they often ridicule the idle and ruling classes, the clerics and the nobility. Wickedly satirical and subversive as the Caprichos are in their imagery and content, they also represent a technical revolution. Having previously created a number of competent yet ultimately conventional etchings after Velazquez, Goya in this series suddenly and completely mastered the aquatint method. In particular through his use of blank paper for glowing highlights among dense shades of grey and black, he created images of dramatic and disturbing beauty. What makes Los Caprichos one of the greatest unified series of images ever produced, is not just his extraordinary draughtsmanship or his technical mastery, nor his sharp satirical wit, but the intensity of his imagination and the depth of his humanity.
Published by HarperCollins Publishers, New York, 2005
ISBN 10: 0060752459ISBN 13: 9780060752453
Seller: Idler Fine Books, Las Vegas, NV, U.S.A.
Book First Edition Signed
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. John Lucas (Author photo); Francisco Goya (illustrator). 1st Edition. First printing of the stated first edition. Signed by Mark Doty directly on the title page. Book and dust jacket in fine, as new condition. Signed by Author(s).
Published by Wien, Phaidon-Verlag,, 1937
Seller: Alte Bücherwelt, Perg, Austria
Book First Edition
4°, Leinen. EA. Francisco de Goya, Die Schrecknisse des Krieges 85 Radierungen wiedergegeben in Originalgröße Eingeleitet von Ernst H. Buschbek, Olwd+OU, hrsg Phaidon-Verlag, Wien, 1937 EA, 4°, 13 S Einleitungstext+85 Radierungen, gebräunt u. kl. Randlässuren d. Schutzumschlages fachgem. hinterlegt, guter Zustand. Sprache: Deutsch Gewicht in Gramm: 1250.
Published by Espasa Calpe,, Madrid, 1928
First Edition
Tela editorial. Condition: Bueno. 1ª ed. 48x38.5 (apaisado). Unas 100pp. en papel couché, con 288 reproducciones. Tela editorial. Cajos reforzados; muy buen ejemplar. . Español.
Published by Dover Publications, 1969
ISBN 10: 0486223841ISBN 13: 9780486223841
Seller: Collectors' Bookstore, Antwerpen, Belgium
Book First Edition
Paperback. Condition: New. First Edition. First Edition thus, as good as new. Los Caprichos by Francisco Goya. Published by Dover Publications in 1969. Paperback ISBN:9780486223841. Collectible item in excellent condition.
Published by Harry N. Abrams, New York, 1965
ISBN 10: 0810901498ISBN 13: 9780810901490
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. The Library of Great Painters. 1st ed. 168pp. Near fine/near fine copy, now preserved in mylar jacket protector.
Published by Club francais du livre, 1963
Seller: librairie philippe arnaiz, Isle sur la sorgue, France
First Edition
Bon état (BE) interieur propre. in4 a l'italienne. 1963. reliure pleine toie editeur. 210 pages. Bon état.
Published by Zürich, Verlag Hans-Rudolf Lutz, 1970
Seller: Antiquariat Uhlmann, Zürich, Switzerland
First Edition
Brosch. 8°, 36 S., 1 lose, zweimal gefaltete Tafel mit 3 Abb. Einband min. gebrauchsspurig. Erstausgabe.
Published by Club francais du livre, 1963
Seller: librairie philippe arnaiz, Isle sur la sorgue, France
First Edition
Bon Etat intérieur propre legèrerement insolé. in4 a l'italienne sous emboitage. 1963. reliure editeur. 2 volume(s). LA TAUROMAQUIA. Les 33 eaux-fortes du tirage original suives de 11 planches inédites avec 15 epreuves d'etat 42 esquisses preparatoires et 7 dessins et gravures divers. Introduction etude et presentation par Enrique Lafuente Ferrari. Bon état.
Published by Dover Publications, New York, 1969
Seller: Studio Bibliografico Michelotti, Massa e Cozzile, PT, Italy
First Edition
4° bross. edit. figur. pp. (8), con 33 tavole incise fuori testo (tratte dalla prima ediz. del 1816) della serie Tauromachia, e aggiunte altre 10 tavole supplementari non pubblicate (a grandezza originale), e altre 5 tavole raff. i Tori di Bordeaux" (ridotti del 32%).
Published by Wien Otto Lorenz () 1938, 1938
Book First Edition
4° 33 S., 96 Tafeln u. 10 farbige montierte Abbildungen auf Tafeln. Orig.-Leinen mit goldgeprägtem Titel u. goldgeprägter Deckelillustration. Erste Ausgabe.- Besitzvermerk (Günter Busch) auf Vorsatz, schwach gebräunt. Gutes Exemplar.
Published by Torino: Giulio Einaudi Editore, 1953, 1953
Seller: °ART...on paper - 20th Century Art Books, Lugano, Switzerland
Association Member: ILAB
Book First Edition
Soft cover. Condition: Very Good. 1st Edition. 8° - 409pp - Color & B/w reproductions. Goya's novel by Antonina Vallentin (1893-1957) Polish-born biographer, art critic, editor and translator. Francisco de Goya y Lucientes (1746-1828)Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. First edition, text in Italian language. Original boards. In Very good condition.
Published by Phaidon, London, 1957
Seller: David Bunnett Books, London, United Kingdom
First Edition
HARDCOVER. 1st Edition. Heavy, large 8vo. in blue buckram, gilt lettering to spine and front cover, 184pp on thick art paper, 18 tipped-in colour plates (most mounted on stiff card leaves), numerous illustrations in text, etc. (collated complete) CONDITION: An extremely well preserved FINE very clean and tight copy (tiny ink name to front blank fly-leaf, end-papers slightly foxed or tanned) in a very slightly edge-nicked and edge-rubbed but otherwise FINE complete Dust Jacket (looks very presentable in its removable transparent protector). An uncommonly nice copy ] __NOTE Due to size, weight or for insurance purposes delivery to some destinations outside the UK may cost more than the shipping price shown above. Orders made by card will be completed only after you have approved any such extra cost._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.
4° 2 Bll., 277, (1) S. mit zahlr. Abbildungen im Text, 116 Tafeln. Orig.-Karton m. Orig.-Umschlag. Erste Ausgabe, hervorragend illustriert.- Rücken mit Fehlstellen, Block leicht gelockert. Unaufgeschnittenes breitrandiges Exemplar, in den Stegen leicht gebräunt.- Édition originale, dos abimé.
Published by Erlangen : K. Müller, 1958
Seller: art4us - Antiquariat, Bonn, Germany
Book First Edition
Kl.-8°, goldgeprägt. OPp. Condition: Wie neu. Numerierte Erstauflage v. 500 Ex. 8 ungez. Bl. : 81 S. Abb., 12 ungez. Bl.; Erläuterungen in Rückentasche Exemplar-Nr. 164; tadellos erhalten; sehr selten M-04-103 Aufgrund der EPR-Regelung kann zur Zeit in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei. Bitte beachten Sie: Auf Grund der vorgegebenen Versandkosten von AbeBooks / ZVAB kann es bei Büchern über 1 kg oder bei mehrbändigen Werken zu höheren Versandkosten kommen. Please note: Due to the shipping costs specified by AbeBooks / ZVAB, there may be higher shipping costs for books over 1 kg or for multi-volume works. Sprache: Deutsch Gewicht in Gramm: 90.
Condition: Near fine. First edition of Delteil's two-part fully illustrated catalogue raisonnée of Goya's etchings and engravings, bound in a single volume. 12.25'' x 9.5''. Later beige cloth with gilt-lettered black morocco spine label. Original paper wrappers bound in. Printed by Frazier-Soye. 289 black and white plates by Goya, with 3 additional plates of doubtful attribution. Text in French. Minimal wear to cloth. Light soil and small closed tears to original front cover and rear endpapers.
Publication Date: 1868
Seller: LIBRERIA ANTICUARIA MARGARITA DE DIOS, MADRID, Spain
Association Member: LANCE
First Edition
Condition: Muy bien. 1 Edición. Materia: Grabado calcográfico Goya. El San Francisco de Paula. Año: 1868. Descripción: Primera edición, impreso en papel grueso y en tinta negra. Titulado en la parte superior izquierda con CARI[TAS]" y firmado en la esquina inferior izquierda con "Goya f.t" Técnica: Aguafuerte y puntaseca. Conservación: Buena impresión, limpio y buen estado. Medidas: 130 x 95 mm (plancha), 500 x 360 mm (papel). Análisis artístico:San Francisco de Paula está dispuesto con el rostro ladeado sin llegar a estar de perfil. Su cabeza se cubre con una tela, los ojos miran al alto y en el rostro de piel ajada sobresale la pronunciada nariz y la abundante barba que le cubre buena parte del pecho, al tiempo que con una mano sujeta el bastón. Goya ha construido el fondo oscuro con trazos cortos y horizontales continuos que delimitan la aureola del santo que queda en blanco, lo mismo que su barba. La túnica que le cubre la cabeza y el cuerpo se realizan mediante el mismo procedimiento de trazos insistentes y muy próximos. Este recurso denota una mayor destreza en el uso de la técnica del aguafuerte que ya había empleado anteriormente, aunque con mayor timidez. Referencias: T., Harris, Goya: Engravings and Lithographs. Vol. II, Alan Wofsy Fine Arts, San Francisco, 1983, p. 2 y 5. RSS1".
Published by Art Institute of Chicago, 1941
First Edition
Softcover. First Edition; First Printing. Book condition is Very Good in wraps. Text is clean and unmarked, illustrated throughout. ; Large 8vo 9" - 10" tall.
Published by Albert Skira, New York, 1955
Book First Edition
Hardcover. Condition: Very Good. 1st Edition. 1st printing (1955). 150pp. VG+ book in VG lightly edgeworn jacket with a couple of small closed tears, rear top edge slightly worn, now preserved in mylar jacket protector.
Published by Albert Skira, New York, 1955
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. 1st printing (1955). 150pp. Near Fine/Near Fine copy, in plain card slipcase.
Published by Madrid: Prado & 1941, 1928
Seller: Antiquariat Dr. Lorenz Kristen, Berlin, Germany
First Edition
broschiert/ Taschenbuch. 10 p. & 100 laminas; 9 & 84 laminas. Orig. Broschurbände in den orig. Schubern (etwas berieben und bestoßen, der Schutzumschlag von Band 2 mit einem Einriß, sonst gute und saubere Exemplare). 4°. First edition. 2999 gr.
Published by Royal Academy of Arts, London, 1963
Seller: David Bunnett Books, London, United Kingdom
First Edition
SOFTCOVER. 1st Edition. 4to in stiff glossy card covers, brief text, mainly nicely printed b/w plates on glossy art paper CONDITION: An extremely well preserved FINE very clean and tight unmarked copy (hint of tanning to leaves) ] ._ To see more of our Art Monographs etc type DbbARTIST in the Keywords search box ._We Ship in PROTECTIVE CARD PARCELS.
Published by Alhambra, CA.: Borden Publishing Company, 1969, 1969
Seller: °ART...on paper - 20th Century Art Books, Lugano, Switzerland
Association Member: ILAB
Book First Edition
Soft cover. Condition: Very Good. 1st Edition. Gr.4° - unpaginated - B/w reproductions of Francisco de Goya y Lucientes (1746-1828) Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries and throughout his long career was a commentator and chronicler of his era. First edition, Text in English translated from Spanish by S. Longstreet. Original boards. In very good condition.
Published by Praha: SNKLHU,, 1956
Seller: °ART...on paper - 20th Century Art Books, Lugano, Switzerland
Association Member: ILAB
First Edition
Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. Gr.4° - 40pp - b/w reproductions. First Czech edition (3300 copies). Good condition.
Condition: Very good plus. First edition thus, featuring the drawings of Goya beautifully reproduced in a two-volume set, with introduction and notes by Prado Director Francisco Javier Sánchez Cantón. Two volumes, 13.75'' x 9.5'' each. Text in Spanish. Original quarter beige cloth with red boards; plates mounted to front covers of both volumes. Vol. I: plates 1-215; vol. II: plates 216-466. Ink owner name. Light wear and scuffing to boards.
Published by Harry Abrams, 1962
Seller: Barberry Lane Booksellers, Bar Harbor, ME, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Near Fine. Ferrari, Enrique Lafuente (ed.) (illustrator). 1st Edition. 1st ed. - Brown Cloth boards with very bright gilt tilte on cover and spine - stamped white titling also - DJ is near fine with very minor rubbing at head of spine and foot of cover - book is almost unread - beautiful plates throughout.
Published by Faber, London., 1963
Seller: Dennys, Sanders & Greene, Tunbridge Wells, KENT, United Kingdom
First Edition
Hardcover. Dust Jacket Condition: Dust jacket. First Edition. 137 colour illustrations, 56 pages of full colour plates, with detail reproductions of specific paintings, some pull outs to give a sense of scale. The pages are beautifully bright throughout; a tightly bound and very well presented copy. Striking dj curling slightly at top and bottom, one 1.5cm closed tear to top edge, minor wear to bottom edge at front, very small nicks to dj at tail of spine. All held in one orange slip case, slightly grubby along one edge, solid, VG+. Book is fine, except one faint black spot to the top of upper board, hardly noticeable. Dj, VG+.
Published by Les Editions du Balancier, Paris, 1932
Seller: Cole & Contreras / Sylvan Cole Gallery, Sitges, BCN, Spain
Signed
A PRISTINE SET OF ONE OF HERMANN-PAUL'S UNCONTESTED MASTERPIECES. A suite of twelve stunning color woodcuts, each depicting a phase of Goya's life. ONE OF ONLY 48 COPIES PRINTED, ALL ON JAPON NACRE, AND SIGNED BY HERMANN-PAUL. Folio. Loose as issued in original wraps and folding case. FINE AND BRIGHT, LIKE NEW. Extremely rare.
Published by Real Academia de Nobles Artes de San Fernando, Madrid, 1864
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.
First Edition
Complete set of 18 etchings with aquatint and drypoint, 1816-24, on heavy wove paper, richly printed impressions from the First Published Edition of three hundred copies, with the lithographic title page on heavy wove paper, without watermarks. Plate sizes: 9 1/2 x 14 inches. Sheet sizes: 12 x 17 1/2 inches. Quarter morocco over 19th century marble paper boards. Spine lettered gilt First edition, one of 300 copies, of Goya's print series, completed in the years between 1815 and 1824. The original series comprised 22 plates. These copper plates were left with Goya's son Xavier on his departure from Spain in 1824. The plates remained hidden until Xavier's death in 1854. After which time, 18 of the plates passed through two different owners before they came to the Royal Academy of San Fernando in 1862, where they were published in this first, posthumous edition in 1864. Four remaining plates were discovered in Paris in the early 1870s, and were eventually published in the periodical, L'Art, in 1877. Evidence suggests that Goya started work on this series in 1815 and continued until 1819. When he left Spain and the absolutist regime of King Fernando VII for exile in Bordeaux, France, in 1824, he effectively left the proofs of Los Proverbios in wooden boxes in Spain, and never returned to them. Although Goya almost certainly intended to publish the series, it was never published in his lifetime. The first edition, published by the Real Academia de Nobles Artes de San Fernando, Madrid, in 1864 was at the time titled Los Proverbios (Proverbs). It quickly became apparent that the mysterious scenes depicted by Goya were not illustrating proverbs at all, but in 1864 the proofs Goya had produced in his lifetime were not known, nor was his title for them, Los Disparates (Follies). The series was made in a very particular political and personal context for Goya, at a time when he was not in the court's favour anymore, the new King Fernando VII preferring the court painter Vicente López (1772-1850) to him. Goya had confined himself to his house and focused on a world of his own, fully aware of the political situation and events around him but artistically removed from the demands of the court. The works also came at the end of the War of Independence (the Peninsular War, 1808-1814), the horrors of which the artist had unapologetically explored in one of his other great print series, Los Desastres de la Guerra. This context allowed Goya's fierce imagination to develop in Los Proverbios, in a work stunningly modern for its time. Deltiel 202-219; Harris 248-265.
Published by New York; Basel : The Macmillan Company: Holbein-Verlag, 1954
Seller: MW Books, New York, NY, U.S.A.
First Edition
First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dust wrapper (price-clipped), now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. Physical description; 48 pages, 48 plates : illustrations (some color) ; 25 cm. Subjects; Drawing, Spanish. Romanticism : nineteenth century Spanish drawing. 1 Kg.
Published by Geneva : Albert Skira Under The Patronage Of The Royal Academy Of Fine Arts Of San Fernando, 1955
Seller: MW Books, New York, NY, U.S.A.
First Edition
First Edition. Fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. In plain cardboard slipcase. ; 149 pages; Description: 149p. colour illus., colour plates ; 36 cm. Tipped in color plates including 1 fold-out plate of the view of the cupola as a whole. Subjects: Goya -- Frescos -- Spanish Art -- History and criticism. 3 Kg.
Published by New York; Basel : The Macmillan Company: Holbein-Verlag, 1954
Seller: MW Books Ltd., Galway, Ireland
First Edition
First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dust wrapper (price-clipped), now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. Physical description; 48 pages, 48 plates : illustrations (some color) ; 25 cm. Subjects; Drawing, Spanish. Romanticism : nineteenth century Spanish drawing. 1 Kg.
Published by Geneva : Albert Skira Under The Patronage Of The Royal Academy Of Fine Arts Of San Fernando, 1955
Seller: MW Books Ltd., Galway, Ireland
First Edition
First Edition. Fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. In plain cardboard slipcase. ; 149 pages; Description: 149p. colour illus., colour plates ; 36 cm. Tipped in color plates including 1 fold-out plate of the view of the cupola as a whole. Subjects: Goya -- Frescos -- Spanish Art -- History and criticism. 3 Kg.
Published by Princeton Univ. Press, Princeton, 1953
Seller: Royoung Bookseller, Inc. ABAA, Ardsley, NY, U.S.A.
First Edition
Hardcover. Goya Y Lucientas, Francisco (illustrator). First edition. 224, XIV. 22 x 15 cm. Second volume houses 216 full page black and white plates. Catalogue of the Caprichos. Bibliography. Index. Interior contents of both volumes as new. Orig. yellow cloth housed in publisher's very good pictorial slipcase.
Published by The Macmillan Company; Holbein-Verlag, 1954
Book First Edition
Condition: Good. 4to., 25cm, pp.51 + b/w frontispiece and 48 black/ white and red/ white plates. First English edition. Cream paper boards with brown lettering to spine and upper board. Sunning to board edges, corners lightly bumped. Scant foxing to gutters of endpapers and top edge. Illustrated DJ - price-clipped, worn at corners and edges, with a small tear (0.5cm) to tail. But still a neat, pleasing copy for its age.
Published by London : Horizon, 1947
Seller: MW Books, New York, NY, U.S.A.
First Edition
First Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description; xlii pages, 195 pages of plates : chiefly illustrations ; 29 cm. Subjects; Goya, Francisco 1746-1828 Drawings. Goya, Francisco 1746-1828 Notebooks, sketchbooks, etc. Drawing Spain Madrid ; Catalogs. Drawing, Spanish 18th-19th centuries ; Catalogs. Drawing, Spanish 18th-19th centuries Catalogs. Museo del Prado Art collections ; Catalogs. 1 Kg.
Published by London : Horizon, 1947
Seller: MW Books Ltd., Galway, Ireland
First Edition
First Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description; xlii pages, 195 pages of plates : chiefly illustrations ; 29 cm. Subjects; Goya, Francisco 1746-1828 Drawings. Goya, Francisco 1746-1828 Notebooks, sketchbooks, etc. Drawing Spain Madrid ; Catalogs. Drawing, Spanish 18th-19th centuries ; Catalogs. Drawing, Spanish 18th-19th centuries Catalogs. Museo del Prado Art collections ; Catalogs. 1 Kg.
Published by München : F. Bruckmann, 1923
Seller: MW Books, New York, NY, U.S.A.
First Edition
First Edition. Poor copy in the original stiff-card wrappers; wear and tear as with age. Text remains in fine condition and without blemish. Physical description; xi, 273, [1] pages, 1 leaf, 261 pages of illustrations (including portraits, facsimile) 28 cm. Notes; "Kritisches Verzeichnis der Werke Goyas": pages 173-262. "Literaturverzeichnis": pages 263-264. Subjects; Goya, Francisco (1746-1828). Goya y Lucientes, Francisco José de (1746-1828). Goya y Lucientes, Francisco José de. Goya, Francisco 1746-1828 Criticism and interpretation. Genres; Bibliography. Bildband. Biography. Illustrated. 2 Kg.
Published by München : F. Bruckmann, 1923
Seller: MW Books Ltd., Galway, Ireland
First Edition
First Edition. Poor copy in the original stiff-card wrappers; wear and tear as with age. Text remains in fine condition and without blemish. Physical description; xi, 273, [1] pages, 1 leaf, 261 pages of illustrations (including portraits, facsimile) 28 cm. Notes; "Kritisches Verzeichnis der Werke Goyas": pages 173-262. "Literaturverzeichnis": pages 263-264. Subjects; Goya, Francisco (1746-1828). Goya y Lucientes, Francisco José de (1746-1828). Goya y Lucientes, Francisco José de. Goya, Francisco 1746-1828 Criticism and interpretation. Genres; Bibliography. Bildband. Biography. Illustrated. 2 Kg.
Published by Díaz-Casariego Editor, 1965
Seller: Libros Angulo, Madrid, MADRI, Spain
Book First Edition
Encuadernación de tapa dura. Condition: Bien. 1? Edición. Díaz-Casariego Editor, Madrid, 1965. Arte. Toros. Toreros. Tauromaquia. Colección de un frontispicio y cuarenta estampas en las que se representan los principios, progresos, suertes y actitudes del arte de lidiar los toros. 21 págs.+ 40 hojas de láminas, tela editorial. Edición facsímil, índice descriptivo y notas en francés e inglés. Piel editorial tapa dura con dorados en tapa y lomo de editorial ilustrada. Sin subrayados ni anotaciones. Buen estado de conservación.
Published by Jano, Barcelona, 1965
Seller: Librería Torres-Espinosa, MADRID, MADRI, Spain
First Edition
1ª edición. 49x34. Estuche en símil piel editorial. 52 hojas. Buen papel de alto gramaje. Edición especial, limitada y numerada, en homenaje a la Feria Mundial de Nueva York. Ejemplar nº 745.Firmado por Juan Belmonte, Curro Meloja y Vázquez Díaz, Miguel García de Sáez y Manuel Fraga Iribarne. Comentarios a las láminas y los 40 grabados. Estuche con pérdidas en el lomo. Buen estado por lo demás. IMPORTANTE. Lea Nuestras Condiciones de Venta y Gastos de Envío.
couverture souple. - Jazz, Paris Mai 1929, 24,5x31,5cm, agrafé. - Edition originale de ce numéro. Taches marginales sur les plats, agréable état intérieur. La revue "Jazz" célèbre pour la qualité de ses illustrations et de ses photographies, fut fondée en 1929 par Titaÿna avec pour rédacteur en chef Carlo Rim, et parut mensuellement entre décembre 1928 et mars 1930, soit 15 numéros plus 2 suppléments. Contributions de Titaÿna "Bagdad", Ilya Ehrenbourg "Slovaquie, Marcel Zahar "Centenaire du bec de gaz", Carlo Rim "Rues, Pierre Scize "Le cinéma". Numéro orné d'Illustrations de Carlo Rim, Honoré Daumier, Eugène Delacroix, Francisco de Goya, Paul Gavarni ainsi que de nombreuses photographies de Germaine Krull, Laszlo Moholy Nagy, Ilya Ehrenbourg, Achay, Plicka. [ENGLISH DESCRIPTION ON DEMAND].
Published by Albert Messein, 1909
Book First Edition
Couverture rigide. - Albert Messein, Paris 15 janvier 1909-15 décembre 1909, 22x25cm, 12 livraisons reliées en quatre volumes. - « Akademos restera donc une création éphémère, geste précurseur qui marquera l'histoire du mouvement homosexuel et le début du xxe siècle. » Édition originale complète des 12 livraisons de cette luxueuse et éphémère revue fondée et dirigée par Jacques d'Adelswärd-Fersen, un des rarissimes exemplaires sur japon, seuls grands papiers, comportant quatre états des gravures en couleurs. Reliures en demi-percaline sable, pièces de titre en maroquin brun, plats de papier marbré, dos et couvertures conservés pour chaque numéro, bel exemplaire à toutes marges. Notre exemplaire comporte bien les quatre états en couleurs réservés aux exemplaires de luxe, tirés sur divers papiers, de chacune des 23 héliogravures d'esthétique Arts & Crafts, symboliste, Renaissance, Art Nouveau et antique, d'après Maxwell Armfield, Henri Saulnier Ciolkowski, Léonard Sarluis, Bernardino Luini, Giovanni Antonio Bazzi, Gustave Moreau, Raphaël, Léonard de Vinci, Pollaiolo, le Corrège, Piero de la Francesca, Rubens, Jose de Ribera, Francisco Goya, Mederhausem Rodo, Cardet, et des statues et stèles du musée de Naples et d'Athènes. L'élégante maquette de couverture est signée George Auriol, maître de la typographie Art Nouveau. Contributions de Laurent Tailhade, Émile Verhaeren, Renée Vivien, Colette Willy, Joséphin Peladan, Jean Moréas, Henri Barbusse, Arthur Symons, Jacques d'Adelswärd-Fersen, J. Antoine-Orliac, Paterne Berrichon, Jules Bois, Jean Bouscatel, Tristan Derème, Léon Deubel, André du Fresnois, Maurice Gaucher, René Ghil, Henri Guilbeaux, J.-C. Holl, Tristan Klingsor, Ernest La Jeunesse, Gabriel de Lautrec, Abel Léger, Legrand-Chabrier, Louis Mandin, Filippo Tommaso Marinetti, Francis de Miomandre, John-Antoine Nau, Maurice de Noisay, Julien Ochsé, Edmond Pilon, Ernest Raynaud, André Salmon, Valentine de Saint-Point, Robert Scheffer, Tancrède de Visan. Très bel exemplaire sur japon, d'une extrême rareté, de la première revue homosexuelle française. Ce n'est qu'en 1869 qu'apparaît le terme « homosexuel », dans les échanges épistolaires entre les journalistes et juristes allemands Karl Heinrich Ulrichs et Karl-Maria Kertbeny. Leurs écrits attestent des premières tentatives de décrire l'attraction physique envers le même sexe, non pour condamner l'acte, mais pour faire accepter une autre forme de sexualité aux yeux de la société. En effet, si les relations homosexuelles sont un élément constitutif des sociétés humaines depuis l'origine, elles ont longtemps été abordées sous l'angle unique de la relation charnelle. Stigmatisé, l'acte sexuel inverti est tour à tour codifié, toléré ou sévèrement condamné à travers les époques et les cultures, mais jamais interprété sous l'angle d'une attirance exclusive. Ainsi, la France, premier pays à dépénaliser l'homosexualité, supprime en 1791 le « crime de sodomie » dans le Code pénal, mais il faudra attendre la seconde partie du XIXe siècle pour qu'émerge la conscience d'une véritable identité homosexuelle comme le décrit Michel Foucault dans son Histoire de la sexualité : « L'homosexuel du XIXe siècle est devenu un personnage : un passé, une histoire et une enfance, un caractère, une forme de vie ; une morphologie aussi, avec une anatomie indiscrète et peut-être une physiologie mystérieuse. Rien de ce qu'il est au total n'échappe à sa sexualité. Partout en lui, elle est présente [.] Elle lui est consubstantielle, moins comme un péché d'habitude que comme une nature singulière. Il ne faut pas oublier que la catégorie psychologique, psychiatrique, médicale de l'homosexualité s'est constituée du jour où on l'a caractérisée [.] moins par un type de relations sexuelles que par une certaine qualité de la sensibilité sexuelle, une certaine manière d'intervertir en soi-même le masculin et le féminin. L'homosexualité est apparue comme une des figures de la sexualité lorsqu'elle a été rabat.
Published by Doubleday & Company, Inc., 1956
Seller: Losaw Service, Lenox Dale, MA, U.S.A.
Book First Edition
Soft cover. Condition: Good. 1st Edition. Paperback has stains and worn edges. Pages are bright and unmarked, clean plates, good binding.
Published by Insel, Wiesbaden, 1953
Seller: Antiquariat Johann Forster, Friedenweiler, BW, Germany
First Edition
Farbiger OPpbd., Condition: sehr gut erhalten. (s. Foto). Wiesbaden, Insel, 1953. 8°. Farbiger OPpbd., sehr gut erhalten. (s. Foto). Insel - Bücherei Nr. 570. Sprache: de.
Published by Leipzig: Insel Verlag,, 1964
Seller: Altstadt-Antiquariat Nowicki-Hecht UG, Leer, NDS, Germany
Association Member: GIAQ
Book First Edition
Condition: Sehr gut. EA, 41.-56. Tsd.,. Erste Ausgabe 1/B. Titelblatt ohne "32 Bildtafeln". ÜP J-333. Besitzereintrag mit Bleistift (radierbar), sonst sehr guter Zustand. /insel Sprache: Deutsch Gewicht in Gramm: 200 8°, gebunden, illustrierter Original-Pappband,
Published by Leipzig: Insel Verlag,, 1964
Seller: Altstadt-Antiquariat Nowicki-Hecht UG, Leer, NDS, Germany
Association Member: GIAQ
Book First Edition
Condition: Sehr gut. EA, 41.-56. Tsd.,. Erste Ausgabe 1/B. Titelblatt ohne "32 Bildtafeln". ÜP J-333. Sehr guter Zustand. /insel 04 sh Sprache: Deutsch Gewicht in Gramm: 200 8°, gebunden, illustrierter Original-Pappband,
Published by Wiesbaden: Insel Verlag,, 1953
Seller: Altstadt-Antiquariat Nowicki-Hecht UG, Leer, NDS, Germany
Association Member: GIAQ
Book First Edition
Condition: Sehr gut. EA, 1.-30. Tsd.,. ÜP J-168. Priv. Widmung auf Vorsatz, sonst sehr gut. /insel Sprache: Deutsch Gewicht in Gramm: 200 8°, gebunden, illustrierter Original-Pappband,
Published by The Folio Society, London, 1971
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First edition. Selected and introduced by Philip Troutman. Folio. Illustrated. Fine in modestly torn very good original unprinted dustwrapper.