Skip to content

Find the images you need to make standout work. If it’s in your head, it’s on our site.

See pricing
Blog Home Designer 5 Ways to Design Using Only Black in Your Next Project

5 Ways to Design Using Only Black in Your Next Project

Minimalist Black is a Creative Trend to watch for in 2020. Here are 5 ways you can pull it off in your next visual design project.

Feeling gothy? Addicted to dark mode? Do you salivate at each new release of the world’s blackest paint? We have some tips for you on using one of 2020’s creative trends: Minimalist Black.

Contrast is one of the foundational principles of design — to play light off of dark, or black, in order to make things pop.

But, what if you embraced the dark side completely and had no need for the light? Make a bold statement with these five tips for all-black designs. (Okay, we do include some colors because black makes them even cooler.)

But first! How color savvy are you? Take this quiz and find out:


1. Abstract Black Patterns and Backgrounds

To use black for a patterned background, or even a focal design element, we turn to abstract shapes. You can use any geometric arrangement and simply rely on your design skills.

Black patterned background
Black with a patterned background works with any geometric arrangement. (Image via Panimoni.)

The pattern imposes a classy starkness, which can showcase anything from minimalist abstraction to cubism to representationalism — and all points in between.

Use an abstract black pattern as a background to showcase a title or headline. Or use it as a standalone element to anchor a layout. Make the pattern something that will attract the right audience no matter what you’re designing — such as a concert flyer, an invitation, or any format wherein design for design’s sake can be the focus.

Black patterns as design elements
A black pattern as design element with a big whitespace buffer can cut through a lot of environmental noise.
(Pattern via Panimoni; background via oneinchpunch.)

Minimalist designs communicate their messaging with drastic efficiency. Don’t confuse minimalism with laziness or a lack of creativity though — it’s a bit more complicated than just getting away with as little as possible. Minimalism is about removing what’s unnecessary in order to make what remains more important, so you have to make sure what exists is indeed what should exist — and no more. Every element counts that much more when you remove all the fluff.


2. Shades of Black

What we see as black sometimes depends on what accompanies it in a design. We can use shades of very dark gray to establish multiple black tones in a single image. Shades are handy when 100 percent black is too dense or creates too much void.

Shaded shapes
These shaded shapes support the design without clashing with it. (Image via Plasteed.)

For blocks of type with a slabby, sans-serif font, like Futura Bold, using a shade of gray works wonders on dark layouts, creating depth and interest. Even with thin-faced type, grays make for easy-reading when paired with a sans-serif copy font.

Gray text in black design
This text set in white would stand out too much in this design, which is not the goal. There is enough contrast using 25 percent gray.
(Image via Mykolastock.)

Another example of effective shades is using darker shades on a black background. These can create a moody look that’s inviting without being too starkly, or stodgily, “black and white.”

Gray vs. white text
See the difference here between using white, above, and 95 percent black on the bottom. The dark gray keeps the vibe darker, and it’s still legible.

While white-on-black has its place, experiment with percentages of black by adjusting the K value in the color palette. Don’t be afraid to go up to 95 percent — you’ll start seeing drastic contrast as high as 80 percent.


3. Try Rich Black vs. 100% K

In print, most of the time, black isn’t just black. Even though the color mixing system CMYK is specifically for color printing, rarely does a solid coat of black (the K in CMYK) get printed. Instead, printers use rich black.

Rich black is a mix that uses all the CMYK colors to ensure better coverage and opacity using less ink. Instead of using a coat of black (the K in CMYK) thick enough to prevent paper from showing through, we use a mix of all the colors, which doesn’t need to be as thick.

Rich black
Rich black saves ink by layering all four colors in the CMYK color mixing system.

You can use rich black to create different tones of black. For instance, warm black would include more red and yellow in the mix. Cool black has more blue.

warm black vs. cool black
In this image, you can see the difference between warm black and cool black. (Image ilker GENC.)

This works in digital design as well. Instead of using straight-up black, try using a warm or cool rich black. In Illustrator, open the Color window and set the color space to CMYK in the option menu.

CMYK color settings in Adobe Illustrator

4. Use Minimal Color on Black

I know I said these were going to be tips on only the darkest tones, but adding just a little color can make a bold statement. Setting a small amount of color on black is like turning your Ampeg to 10 and playing the opening bassline to “Fascination Street.” When the little guitar chimes in (the color in this gothy analogy) it’s much bigger.

Minimal use of color with black design
A minimalist image can communicate a lot when you include a very small element of color. (Image via Photographee.edu.)

Smart use of color can have a big impact in a simple design. A little bit of color can look huge — or at least make a big statement — and actually accentuate the details in the darker shades of a layout based on minimalist black.

Color use in black design
Smart color use in a minimalist black palette can make a bold statement. (Image via Cagkan Sayin.)

“Pops” of color can be abstract, too, and they can add depth to the patterns where you see them.

Pops of color in black design
The color in this image represents a very small percentage of the total real estate, but it’s very effective, and it gives the rest of the image more depth.
(Image via VAlex.)

5. Depth Effects

Another way you can adhere to the darker side of minimalist black design is to use some effects to create depth. Even on elements that are the same shade or total black, you can use shadows and glows to put them in different positions on the visual plane.

Photoshop's Outer Glow
Subtle use of Photoshop’s Outer Glow layer effect means we can use these blobs in black, on a black background.

Another way to work with effects is in Adobe Illustrator. Here, we’ll cut some angled, faceted patterns apart and apply gradients to impart a sort of glossy sheen. In the example below I criss-crossed the black background using the Line tool. As-is, the cut-up pattern is bland and flat.

Angled patterns
Cut some angled patterns into the image using Adobe Illustrator.

For the image below, I changed the lines to black to make them less distracting, and I added a subtle gradient to each shape. The lightest swatch on the gradient is 96 percent on the grayscale, with the darkest 100 percent. It’s subtle, but we’re not looking to create a 3D spiderweb.

Angled patterns with black gradients
Changing the lines to black and adding some gradients creates a subtle but effective difference.

This is just another way to add variation to an abstract pattern. You can use gradients like this or add them to bigger shapes for your own creations.

Abstract pattern poster design

Looking for more design tips and tricks? Check out these articles.

License this cover image via Panimoni.

Recently viewed

Share this post

Recently viewed