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![Propaganda Maps. Levinksy (Vladislav & Mirinov S. E.), Europe in 1915 (in Russian), Moscow [1915], a Russian edition of L](https://cdn.globalauctionplatform.com/ece7a675-1a63-4184-be1d-b06d01192e4b/c3e17fc4-e55f-446f-9e1d-b08200e58d67/468x382.jpg)
Lot 242
Propaganda Maps. Levinksy (Vladislav & Mirinov S. E.), Europe in 1915 (in Russian), Moscow [1915], a Russian edition of Levinsky's Polish version of a Franch satirical war map, which had been originally published in Paris in 1914, some spotting and creasing, occasional repaired marginal closed tears, trimmed to the neatline, 420 x 560 mm, together with a coloured lithographic Russian satirical postcard of Europe with individual countries satirised with faces, title in Russian, 140 x 175 mm, with Muller (E.). Europe [1914], a black and white satirical postcard of Europe with the country's leaders shown in profile, 90 x 135 mm, plus Krotowski (Stephan). Africa circa 1919, a German propaganda colour postage stamp of the continent of Africa showing a grotesque top hat-wearing monster representing Great Britain, reaching out to grasp German West Africa (now Namibia), 610 x 42 mm, and Neumont (Maurice, after). Taises-Vous! Méfiez-vous! La Pieuvre Germanique a des tentacules partout (Be Quiet! Don't Trust anyone! The German Octopus has its tentacles everywhere), circa 1915, a French propaganda colour postage stamp of Europe showing the German octopus with its tentacles in France, 40 x 43 mmQTY: (5)
Lot 321
AN OPENWORK JADE COURT HAT FINIAL, YUAN TO MING DYNASTYChina, 1279-1644. Densely carved and pierced with three egrets strutting amid a network of entwined lotus stems bearing blossoms, furling leaves, and pods, each element meticulously carved in the round and neatly incised with fine details. The translucent stone of a pale celadon tone with gray shadings as well as scattered dark and russet inclusions. The slightly concave base pierced with four apertures for mounting.Provenance: English trade.Condition: Good condition with expected old wear and some nibbling here and there. The stone with natural inclusions and fissures, some of which have developed into small hairline cracks. Remnants of old varnish, mostly to the inner sections of the carving.Weight: 74.9 gDimensions: Height 5.2 cm Auction result comparison: Type: Closely relatedAuction: Sotheby's New York, 15 September 2018, lot 1421Price: USD 15,000 or approx. EUR 16,500 converted and adjusted for inflation at the time of writingDescription: An openwork jade court hat finial, Ming dynastyExpert remark: Compare the closely related subject and manner of carving with similar openwork. Note the size (5.4 cm).Auction result comparison: Type: Closely relatedAuction: Sotheby's London, 7 November 2012, lot 394Price: GBP 16,250 or approx. EUR 29,000 converted and adjusted for inflation at the time of writingDescription: A carved white jade hat finial Yuan/Ming dynastyExpert remark: Compare the closely related subject and manner of carving with similar openwork. 元至明鏤空玉雕帽頂珠中國，1279-1644年。鏤空雕刻三隻白鷺，在交錯荷葉之間悠閑戲耍，荷花盛開，蓮蓬高聳，精心圓雕，細節精緻。半透明的淺青色玉，帶有灰色斑紋以及分散的深色和黃褐色內沁。略凹的底座上有四個孔可用於固定。 來源：英國古玩交易。 品相：狀況良好，有磨損、刻痕，玉石帶有天然内沁和裂隙，有的已發展成細小的裂紋。内部有清漆殘留。 重量：74.9 克 尺寸：高5.2 厘米 拍賣結果比較： 形制：非常相近 拍賣：紐約蘇富比，2018年9月15日，lot 1421 價格：USD 15,000（相當於今日EUR 16,500） 描述：清十八世紀玉鏤雕路路連科圖冠頂 專家評論：比較非常相近的主題、雕刻風格，以及鏤空雕刻。請注意尺寸 (5.4厘米)。 拍賣結果比較： 形制：非常相近 拍賣：倫敦蘇富比，2012年11月7日，lot 394 價格：GBP 16,250（相當於今日EUR 29,000） 描述：元/明白玉鏤雕「一路連科」紋帽頂 專家評論：比較非常相近的主題、雕刻風格，以及鏤空雕刻。
Lot 34
AN IMPERIAL JADE, GILT-BRONZE, AND RUBY-INLAID 'LOTUS AND BATS' HAT STAND, QIANLONG PERIODChina, 1736-1795. Of slender form, the round and domed base with a key-fret (leiwen) band along the edge below a design of fruiting peaches, all set beneath a ring of lotus leaf lappets which encircle the stem of the hat stand. The gilt-bronze stem decorated with numerous bats amid swirling clouds in high relief, all between two bands of neatly inlaid ruby-matrix (corundum) cabochon inlays. The translucent white jade with beautiful hues of apple green and lavender as well as russet veins and icy inclusions.Provenance: From an old private collection in Portland, Oregon, USA, and thence by descent in the same family.Condition: Very good condition with expected old wear, two of the cabochon inlays are missing from the stem, few minuscule nicks to the bronze and the jade. The stone with natural inclusions and fissures, some of which may have developed into hairline cracks. The fitting to the underside of the base, that connects the jade with the bronze, is partially lost but stable.Weight: 712 gDimensions: Height 23.9 cm Hat stands were used in the private quarters of the Emperor and members of the Imperial family. At the Qing Court, the type of hat one wore was very important and, when not in use, these signifiers of rank and status were displayed on suitably decorative stands and perfumed at the same time.The bulb of the lotus, with its leaves finely curling towards the center, is hollow. This is where the fragrant materials would have been placed. The lid is superbly carved to resemble the lotus pods and pierced multiple times, so that the odors originating from the fragrant materials may evaporate, thus perfuming the hat resting above with rich aromas.The jade lid is attached to the hat stand by a gilt-bronze chain secured to the inside, so that it cannot be lost.Literature comparison: Compare a carved red lacquer hat stand, 29.8 cm high, dated to the Qianlong period, at Christie's New York, 14 September 2018, lot 1233. Compare a pair of canton enamel yellow-ground hat stands, 32.5 cm tall, dated to the 18th century, at Christie's Hong Kong, 29 May 2013, lot 2166. Compare an imperial yellow-ground famille rose 'nine dragons' hat stand, 27.3 cm tall, dated to the Daoguang period, at Christie's London, 8 November 2016, lot 80. Compare a cloisonne enamel and gilt-bronze hat stand, 28 cm tall, dated to the Qianlong period, at Bonhams London, 13 May 2021, lot 57. Compare an imperial gilt-bronze hat stand, 49 cm tall, dated to the Qianlong period, at Bonhams London, 7 November 2013, lot 67.Auction result comparison: Type: RelatedAuction: Christie's New York, 19 September 2006, lot 98Price: USD 90,000 or approx. EUR 125,000 converted and adjusted for inflation at the time of writingDescription: A rare pair of imperial white jade cloisonne enamel and gilt-bronze hat stands, Qianlong periodExpert remark: Note this lot consists of two hat stands. Note the size (31.4 cm).Auction result comparison: Type: RelatedAuction: Christie's London, 10 May 2016, lot 34Price: GBP 31,250 or approx. EUR 52,000 converted and adjusted for inflation at the time of writingDescription: A rare inscribed celadon jade and zitan 'nine dragon' hat stand, dated by inscription to the cyclical year of Dingji of the Qianlong period, corresponding to 1737 and of the period Expert remark: Note the size (27 cm). 乾隆御製白玉鎏金鑲寳蓮花帽座中國，1736-1795年。白玉雕刻帽架和底座，中間鎏金銅支柱。帽架成盛開蓮花狀，花瓣與蓮蓬細節逼真，蓮蓬鏤空雕刻，有蓋可打開，裏面可放置熏香，蓋子用鎏金銅鏈繫住；底座緣有一個雷紋帶，淺浮雕芭蕉葉紋和桃子。鎏金銅支柱上浮雕祥雲蝙蝠圖案，兩端鑲嵌紅寶石。半透明的白色翡翠，具有美麗的蘋果綠和淡紫色色調，帶有赤色紋理和白色絮狀物。 來源：美國奧爾良波特蘭私人舊藏，在同一家族保存至今。 品相：狀況極好，有磨損，柄部丟失兩顆鑲嵌物，青銅和玉石上有一些微小的刻痕，具有天然內沁和裂隙的石料，其中一些可能發展成細裂；連接玉石和青銅的底座底部的配件部分丟失，但很穩定。 重量：712 克 尺寸：高 23.9 釐米 在清宮，帽子的類型非常重要，在不使用時，都會放置在帽座上，並且熏香。由于平台拍品叙述的长度限制，我们移除了中文叙述，完整中文叙述请至www.zacke.at查看
Lot 53
AN INSIDE-PAINTED GLASS 'FISH AND INSECTS' SNUFF BOTTLE, BY ZHOU LEYUAN, CHINA, DATED 1890Expert's note: According to Hugh Moss, “Zhou Leyuan began to paint this subject of fish and insects with a grassy rock bank quite early in his career, but most of the subject date from 1891 and 1892, the last two full years of production when it obviously became a popular part of his repertoire. Although Zhou repeated subjects, he never repeated compositions, every single bottle being re-thought as a work of art, unlike most of his contemporary artists who were largely decorative and repeated both subjects and compositions frequently. This is the form the subject generally takes in these later years, with the grassy bank wrapped around the bottle, but this is an early version of the classic subject."Of flattened form, the rounded rectangular body supported on a rimmed oval foot, rising to a slightly flared cylindrical neck with a flat lip. Powerfully painted bold rocks next to a meandering stream with some celestial eye goldfish and a catfish, and buzzing dragonflies and beetles above.Inscription: To one side, signed 'Zhou Leyuan' and dated 'In the first Autumn month of 1890'. One red seal, 'Yuanyin'.Provenance: Hugh Moss Ltd., Hong Kong, November 1997. Collection of Dr. Elsa R. Graser, Baltimore, USA, acquired from the above. Collection of Cynthia G. Locke, inherited from the above and thence by descent. The base with an old collector's label, '3445'. A copy of the original invoice from Hugh Moss Ltd., Hong Kong, dated 8 November 1997, stating a purchase price of USD 5,000 or approx. EUR 8,800 (converted and adjusted for inflation at the time of writing), accompanies this lot. Also with a copy of a letter written and signed by Hugh Moss, addressed to Elsa Graser, dated 10 November 1997, noting that Zhou Leyuan is Moss's favorite inside painting artist and in his opinion “incredibly better than most of the others." Hugh Moss (b. 1943) is an author, dealer, artist, lifelong collector, and enthusiast of Chinese art, and the foremost authority on Chinese snuff bottles. Elsa R. Graser was a teacher of Latin and English and one of the first women on the faculty of the Baltimore Polytechnic Institute. An avid collector of snuff bottles, she served as editor of the Journal of the International Chinese Snuff Bottle Society. Her daughter Cynthia Graser Locke (1923-2019) also collected snuff bottles and lived in Duxbury, Massachusetts.Condition: Very good condition with minor wear and slight fading of colors and seal.Stopper: Aquamarine, neatly carved in 'Beijing' style in the shape of an official's hat, complete with integral finial and collar Weight: 32.8 g Dimensions: Height including stopper 68 mm. Diameter neck 15 mm and mouth 6 mm. Zhou Leyuan is the founder of the popular Beijing school of painting. His career spanned the period from 1881 to 1893. Every single artist of the first phase of the school owed a considerable debt to Zhou, and most began their careers by copying his style and signing his name. Some even devoted most of their careers to producing copies of his work. Hugh Moss has described Zhou Leyuan as “the single most important artist in the entire field of inside-painted snuff bottles".Auction result comparison: Type: Closely related Auction: Bonhams Hong Kong, 28 November 2011, lot 4Price: HKD 100,000 or approx. EUR 16,500 adjusted for inflation at the time of writing Description: An inside-painted glass 'Shen Zhou inspired' snuff bottle, Zhou Leyuan, the Studio of Thirty-six Memorials, probably Beijing, dated 1891Expert remark: Compare the closely related composition, form, and size (6.89 cm).Auction result comparison: Type: Closely related Auction: Bonhams Hong Kong, 25 May 2011, lot 121Price: HKD 84,000 or approx. EUR 14,000 adjusted for inflation at the time of writing Description: An inside-painted glass 'goldfish' snuff bottle, Zhou Leyuan, dated 1890Expert remark: Compare the closely related composition, form, and size (6.2 cm). 1890年周樂元款內畫《蜻蜓與魚》料器鼻煙壺由于平台拍品叙述的长度限制，我们移除了中文叙述，完整中文叙述请至www.zacke.at查看
Lot 66
AN EXCEPTIONALLY LARGE PAINTED POTTERY FIGURE OF A BACTRIAN CAMEL AND A SOGDIAN RIDER, TANG DYNASTYExpert's note: The present lot is extremely rare for its exceptional size of 104 cm, with exceedingly few other examples of comparable height recorded in private or public collections.China, 618-907. Powerfully modeled, the large camel with its head turned to the left, the animal with a wild expression marked by protruding eyes, flaring nostrils, and the wide-open mouth with the tongue extended. The Sogdian rider wearing a fur coat and tall cap, his right arm raised to goad the camel, his mustachioed face with a stern expression as he sits on several rolled mats beneath the red saddle blanket with a dog propping himself up on his leg. The camel further ladened with a saddle bag and two flasks, as well as the yield of a hunt, a slain wild goat, tied to the saddle.Provenance: From a noted private collection in Aix-en-Provence, France. Condition: Some restorations and touch-ups as generally expected from Tang dynasty excavations. Losses, fissures, and encrustations. Drilled holes from sample-taking. Overall, very good condition and displaying magnificently.Scientific Analysis Report: A thermoluminescence analysis report issued by QED Laboratoire, Reference QED1346/FC-0101, dated 20 November 2013, sets the firing date of two samples as consistent with the suggested period of manufacture in Tang dynasty. A copy of the report accompanies this lot.Weight: 35.2 kg Dimensions: Height 104 cm The rider with fur coat and peaked hat represents a Sogdian merchant. A similar hat is worn by a small Tang bronze figure of a Sogdian dancer, included in the exhibition Monks and Merchants: Silk Road Treasures from the Northwest China, Asia Society Museum, New York, 2001-2, and at present on view in the Norton Museum of Art, Palm Beach, Florida, which is discussed and illustrated in the catalog, no. 82. Compare also a standing pottery figure of a similarly attired foreigner, excavated from a tomb of AD 724, illustrated in Treasures of a Nation, Beijing, 1999, pp. 216f, and a camel drover with a pointed hat, depicted together with his animal on a brick from one of the Dunhuang caves in Gansu province, included in The Exhibition of Ancient Art Treasures of the People's Republic of China, Tokyo National Museum, 1979, cat. no. 75.The highly animated depiction of the camel is reminiscent of the running camels from the hunting scenes painted on the walls of Crown Prince Zhuang Huai's tomb in Qianxian near Xi'an, Shaanxi province. The two-humped Bactrian camel was an exotic beast known in China from the Han dynasty, when it was first introduced as a form of tribute offered by the tribes of Turkestan and Central Asia. Prized for their ability to survive extreme hardships of heat, cold, and lack of water when travelling across the desert, camels came to symbolize the freely-flowing trade established along the Silk Road and thus the wealth and cosmopolitan nature of the Tang Court.Literature comparison:A related large painted pottery group of a camel and foreign rider, dressed in a fur coat and wearing a large pointed hat, excavated from the tomb of Wang Chen (buried 679), Chengzhi, Shaanxi province in 1954 and now in the Museum of Chinese History, Beijing, is illustrated by Li Jian (ed.), The Glory of the Silk Road, Art from Ancient China, The Dayton Art Institute, 2003, p. 170, pl. 85.Auction result comparison: Type: Closely related Auction: Sotheby's New York, 15 September 2015, lot 258 Estimate: USD 180,000 or approx. EUR 210,000 converted and adjusted for inflation at the time of writing Description: A magnificent painted pottery camel with Sogdian rider and hunting owl, early Tang dynasty Expert remark: Compare the closely related modeling with a similarly animated camel and Sogdian rider, who however is holding a hunting owl in his hand. Note the related size (99.1 cm).唐代彩繪胡人騎駱駝陶俑由于平台拍品叙述的长度限制，我们移除了中文叙述，完整中文叙述请至www.zacke.at查看
Lot 4
Bobby Smith scoring the second goal of his hat-trick signed 16x12 inch black and white print. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Lot 452
A LATE 19TH CENTURY/ EARLY 20TH CENTURY YELLOW METAL NOVELTY BROOCH AND COMPASS unmarked, designed as a straw boater hat, with blue enamel ribbon, inscribed Princess Royal, the glazed compartment to verso set with a compass, with a hinged steel pin and C-scroll clasp, with a safety chain and pin. 2cm diameter, 4.9 gramsgood overall, wear commensurate with age, minor loss to enamel and tarnishing to gold, compass needs attention, assessed as a minimum of 9ct gold.
Lot 1086
Sanbenito (Büßergewand) sowie Ketzerhut, Spanien, im Stil des 17. Jhdts. Aus Leinen genähtes Büßergewand (sog. "Sanbenito") und Ketzerhut mit aufgemalter Teufelsgestalt und (späterem) Seidenfutter. Auf dem Gewand vorderseitig Darstellung eines brennenden Kopfes über rotem Kreuz sowie eine Urteilsinschrift in Spanisch, auf der Rückseite ein rotes Andreaskreuz. Dazu eine große weiße Kerze. Länge (Sanbenito) 87 cm.Von der Inquisition verurteilte Häretiker mussten als Strafe stets, manchmal gar lebenslänglich, einen Sanbenito tragen. Der flammende Kopf weist jedoch auf ein schweres Verbrechen hin, wofür das Opfer lebendig verbrannt werden sollte. Solche Sanbenitos wurden nach der Urteilsvollstreckung öffentlich in Kirchen aufgehängt. A Spanish sambenito (penitent's shirt) and a heretic hat in the style of the 17th century A Spanish sambenito (penitent's shirt) and a heretic hat in the style of the 17th centuryAus Leinen genähtes Büßergewand (sog. "Sanbenito") und Ketzerhut mit aufgemalter Teufelsgestalt und (späterem) Seidenfutter. Auf dem Gewand vorderseitig Darstellung eines brennenden Kopfes über rotem Kreuz sowie eine Urteilsinschrift in Spanisch, auf der Rückseite ein rotes Andreaskreuz. Dazu eine große weiße Kerze. Länge (Sanbenito) 87 cm.Von der Inquisition verurteilte Häretiker mussten als Strafe stets, manchmal gar lebenslänglich, einen Sanbenito tragen. Der flammende Kopf weist jedoch auf ein schweres Verbrechen hin, wofür das Opfer lebendig verbrannt werden sollte. Solche Sanbenitos wurden nach der Urteilsvollstreckung öffentlich in Kirchen aufgehängt. Condition: II - III
Lot 11
Sweet painted figure of a young girl dressed up in a yellow dress, hat, and scarf. In hues of earthy orange, yellow, tan and brown. Anri metal logo emblem affixed to base. Design John Sands backstamp. Sarah Kay engraved to back of base. Artist: Sarah KayDimensions: 3.75"L x 2.75"W x 7"HEdition Number: 142/2000 Manufacturer: AnriCountry of Origin: ItalyCondition: Age related wear.
Lot 116
Elegantly finished in glossy style, this figurine depicts a young boy drumming while dressed in a striking blue coat and hat. Royal Copenhagen figurine #3647. Royal Copenhagen backstamp. Artist: Adda BonfilsDimensions: 2.5"L x 2.5"W x 4"HIssued: 20th CenturyManufacturer: Royal CopenhagenCountry of Origin: DenmarkCondition: Age related wear.
Lot 141
Glazed figure of a boy in a white shirt, green hat and lederhosen, with his hands in his back pocket. Bing & Grondahl backstamp. Limited Edition, Figurine of the Year 1991. Dimensions: 2.75"L x 2.5"W x 7.5"HEdition Number: 154/5000 Manufacturer: Bing & GrondahlCountry of Origin: DenmarkCondition: Age related wear.
Lot 19
Sweet painted figure of a young girl dressed up in a yellow dress, hat, and scarf. In hues of earthy orange, yellow, tan and brown. Anri metal logo emblem affixed to base. Design Valentine backstamp. Sarah Kay engraved to back of base. Includes Hangtag. Artist: Sarah KayDimensions: 3.75"L x 2.75"W x 7"HEdition Number: 1121/4000 Manufacturer: AnriCountry of Origin: ItalyCondition: Age related wear.
Lot 220
Limited edition bone china that is part of the Cries Of London Collection. Depicts lady in a green and white dress with purple flower pattern along the bottom with matching hat; carrying a basket of oranges and lemons.Coalport backstamp. This item has no reserve. Artist: J. BromleyDimensions: 5.5"L x 4.5"W x 9"HIssued: 1996Edition Size: 1438 of 9500Manufacturer: CoalportCountry of Origin: EnglandCondition: Age related wear.
Lot 231
Introducing the rare Cardel Italy Lady with Pet Figurine, distinguished by its B316 numbering. This enchanting piece depicts a lady adorned in a vibrant lime-yellow dress with a black bodice and gloves, complemented by a charming hat. Adding to its allure, a squirrel-like creature graces her skirt. Hand-painted, this figurine captures the essence of the 1950s with its unique style and intricate detailing. Dimensions: 9"L x 7.5"W x 11"HIssued: 20th CenturyCountry of Origin: ItalyCondition: Age related wear. Small chip on hat brim.
Lot 240
Hand painted set featuring a young girl wearing a white gown with pink hat and a boy dressed in a renaissance attire. Florence Ceramics backstamp. Pinkie measures: 4.5"L x 4.75"W x 11.5"H. Blue boy measures: 4.75"L x 3.75"W x 12"H. Manufacturer: Florence CeramicsCountry of Origin: Pasadena, CaliforniaCondition: Age related wear.
Lot 28
Pleasant painted figure of a young boy in a floppy hat holding a bucket, feeding chickens. In hues of earthy orange, yellow, blue, tan and brown. Anri metal logo emblem affixed to base. Design Valentine backstamp. Sarah Kay engraved to back of base. Dimensions: 3.5"L x 2.75"W x 6.5"HEdition Number: 705/2000 Country of Origin: ItalyCondition: Age related wear.
Lot 48
Painted figure of a young boy in a hat with a bird perched on the brim pulling his pockets showing they are empty. In hues of earthy orange, blue, tan and brown. Anri backstamp. J Ferrandiz engraved to back of base. Dimensions: 3"L x 2"W x 6.75"HManufacturer: AnriCountry of Origin: ItalyCondition: Age related wear.
Lot 8
Endearing painted figure of a young girl in a festive hat feeding a fawn. In hues of earthy orange, red, blue, tan and brown. Anri metal logo emblem affixed to base. J Ferrandiz engraved to back of base. Dimensions: 3.25"L x 2.25"W x 6"HEdition Number: 52/3000 Manufacturer: AnriCountry of Origin: ItalyCondition: Age related wear.
Lot 267
ENGLISH SCHOOL, 18TH CENTURY (4)Portrait miniature of a lady with a pouf and wearing a pink dress on ivory (ref. DRCE7TB5) 3.7cm in a frame with paste surround together with two other 18th century portrait miniatures; A young man with a black hat, on ivory (ref. FQTF33WN), 3.5cm, in a frame with a paste surround; A woman in a blue and white dress, on ivory (ref. H1MMVVVT), in a frame set with sapphires; and a miniature of Gibraltar Relieved, on ivory (ref. VQB8JCZL) 3.5cm (4)
Lot 319
GERMAN SCHOOL, 18TH CENTURYPortrait of lady wearing a black hat oil on panel 12.5 x 10.5cmCondition reportFine craquelure.Surface appears a little uneven and pitted in places when seen in a raking light.Small surface abrasion to upper centre edge.Some surface dirt.An opaque varnish prevents any conclusive readings under uv light.
Lot 495
SIDNEY HAROLD METEYARD (BRITISH, 1868-1947)Would I were dead! Would I were dead! signed with monogram (lower right) coloured chalks, watercolour and bodycolour 46 x 29cm Provenance Films of the Mind: British Fantasy Art and Illustration, Sotheby's, London, 30th October 1997, lot 114; The Seymour Stein CollectionCondition reportTwo pale white lines visible forming a right angle to lower right corner to left of curtain.A very small bit of pastel lifting on the hat he's wearing.Otherwise appears in generally good condition.
Lot 223
A group of three Meissen figures comprising an 18th Century group of cherub traders with bolts of cloth and barrels, crossed swords and dot mark, 13cm (some damage and losses); a late 19th figure of a satyr playing the bagpipes, crossed swords mark and incised numerals, 16cm [minor losses]; and a figure of a girl fruit seller, crossed swords mark, early 20th century, 14cm [small flat chip to hat] 3.
Lot 45
A collection of Folk Rock LPs to include (1) Steeleye Span - Storm Force Ten (1977 UK Press); (2) Steeleye Span - Portfolio (1988 UK Press); (3) Steeleye Span - Parcel Of Rogues (1973 UK Press); (4) Steeleye Span - Commoners Crown (1975 UK Press); (5) Steeleye Span - Now We Are Six (1974 UK Press); (6) Steeleye Span - All Around My Hat (1975 UK Press); (7) Steeleye Span - Original Masters (1977 UK Press); (8) Steeleye Span - Below The Salt (UK Repress Press); (9) Steeleye Span - Individually & Collectively (1972 UK Press); (10) Steeleye Span - Live At Last (1978 UK Press); (11) Steeleye Span - Almanac (1973 UK Press); (12) Steeleye Span - Ten Man Mop OR Mr. Reservoir Butler Rides Again (UK Reissue Press); (13) Strawbs - Bursting At The Seams (1973 UK Press, RECORD CONDITION POOR); (14) Strawbs - Burning For You (1977 UK Press); (15) Strawbs - Strawbs By Choice (1974 UK Press); (15) Strawbs - Deadlines (UK Press); (16) Strawbs - Just A Collection Of Antiques & Curious (1970 UK Press); (17) Lindisfarne - Dingly Dell (1972 UK Press); (18) Lindisfarne - Finest Hour (UK Press); (19) Lindisfarne - Fog On The Tyne (UK Press); (20) Lindisfarne - Roll On, Ruby (1973 UK Press); (21) Lindisfarne - Back And Fourth (1978 UK Press); (22) Steeleye Span - Rocket Cottage (1976 US Press); (23) Steeleye Span - Sails Of Silver (1980 UK Press) All conditions Vary from Good to Very Good (UNLESS NOTED) with generally Good Plus to Very Good Sleeves. (23)
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97856 item(s)/page