2 Chronicles 1:3 Artwork

"So Solomon, and all the congregation with him, went to the high place that was at Gibeon; for there was the tabernacle of the congregation of God, which Moses the servant of the LORD had made in the wilderness." - 2 Chronicles 1:3

Explore 2 Chronicles 1:3 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

2 Chronicles‬ ‭5‬:‭14‬ so that the priests could not stand to minister by reason of the cloud: for the glory of the LORD had filled the house of God.

An envisioning of a biblical scene from 2 Chronicles 5:14. The priests are captured as unable to stand due to a dense, celestial cloud emanating divine radiance and symbolizing the glory of the Lord. The cloud's ethereal touch fills every corner of the house of God, indicating the Lord's presence in a profound and intense manner. This imagery should reflect a respectful and devotional sentiment towards Christianity. Render this scene in a watercolor medium without the usage of any text or words.

2 Chronicles‬ ‭5‬:‭14‬ so that the priests could not stand to minister by reason of the cloud: for the glory of the LORD had filled the house of God.

2 Chronicles‬ ‭5‬:‭14‬ so that the priests could not stand to minister by reason of the cloud: for the glory of the LORD had filled the house of God.

Illustrate a scene that captures the essence of 2 Chronicles 5:14. Show a majestic ancient temple, its interior gleaming with an ethereal luminosity that signifies 'the glory of the Lord'. The light is so overwhelming that the priests, cloaked in traditional garbs, find it difficult to stand. The style should be reminiscent of watercolor paintings inspired by early 19th-century art movements. The atmosphere is reverent, portraying deep devotion to Christianity. Exclude any text or words from the image.

2 Chronicles‬ ‭5‬:‭14‬ so that the priests could not stand to minister by reason of the cloud: for the glory of the LORD had filled the house of God.

Amos 2:15 - "Neither shall he stand that handleth the bow; and he that is swift of foot shall not deliver himself: neither shall he that rideth the horse deliver himself."

Visual representation of Amos 2:15 - "Neither shall he stand that handleth the bow; and he that is swift of foot shall not deliver himself: neither shall he that rideth the horse deliver himself." Imagine the image showing three characters: (1) an Asian male archer unable to stand steady with his bow, (2) a Black male runner at high speed, as if attempting escape, yet impossible to outrun his fate, and (3) a Middle-Eastern male rider unable to control his horse, in a state of distress. This image is situated in a context of ancient times, providing an ethereal, atmospheric depiction of this biblical verse in the medium of a digitally-created artwork.

Amos 2:15 - "Neither shall he stand that handleth the bow; and he that is swift of foot shall not deliver himself: neither shall he that rideth the horse deliver himself."

1 Peter 2:1 - "Wherefore laying aside all malice, and all guile, and hypocrisies, and envies, and all evil speakings,"

1 Peter 2:1 - "Wherefore laying aside all malice, and all guile, and hypocrisies, and envies, and all evil speakings,"

1 Peter 3:8 - "Finally, be ye all of one mind, having compassion one of another, love as brethren, be pitiful, be courteous:"

Visual representation of the verse 1 Peter 3:8, 'Finally, be ye all of one mind, having compassion one of another, love as brethren, be pitiful, be courteous.' The image encapsulates a feeling of unity and mutual compassion. People of diverse descents and genders are showcased in harmony, exemplifying love and understanding. The scene is created using vivid colors and fluid shapes, hinting at the style commonly seen in digital art.

1 Peter 3:8 - "Finally, be ye all of one mind, having compassion one of another, love as brethren, be pitiful, be courteous:"

2 Chronicles 26:23 - "So Uzziah slept with his fathers, and they buried him with his fathers in the field of the burial which belonged to the kings; for they said, He is a leper: and Jotham his son reigned in his stead."

2 Chronicles 26:23 - "So Uzziah slept with his fathers, and they buried him with his fathers in the field of the burial which belonged to the kings; for they said, He is a leper: and Jotham his son reigned in his stead."

2 Chronicles 6:24 - "¶ And if thy people Israel be put to the worse before the enemy, because they have sinned against thee; and shall return and confess thy name, and pray and make supplication before thee in this house;"

2 Chronicles 6:24 - "¶ And if thy people Israel be put to the worse before the enemy, because they have sinned against thee; and shall return and confess thy name, and pray and make supplication before thee in this house;"

2 Chronicles 15:9 - "And he gathered all Judah and Benjamin, and the strangers with them out of Ephraim and Manasseh, and out of Simeon: for they fell to him out of Israel in abundance, when they saw that the LORD his God was with him."

2 Chronicles 15:9 - "And he gathered all Judah and Benjamin, and the strangers with them out of Ephraim and Manasseh, and out of Simeon: for they fell to him out of Israel in abundance, when they saw that the LORD his God was with him."

2 Chronicles 26:16 - "¶ But when he was strong, his heart was lifted up to his destruction: for he transgressed against the LORD his God, and went into the temple of the LORD to burn incense upon the altar of incense."

2 Chronicles 26:16 - "¶ But when he was strong, his heart was lifted up to his destruction: for he transgressed against the LORD his God, and went into the temple of the LORD to burn incense upon the altar of incense."

2 Chronicles 18:9 - "And the king of Israel and Jehoshaphat king of Judah sat either of them on his throne, clothed in their robes, and they sat in a void place at the entering in of the gate of Samaria; and all the prophets prophesied before them."

2 Chronicles 18:9 - "And the king of Israel and Jehoshaphat king of Judah sat either of them on his throne, clothed in their robes, and they sat in a void place at the entering in of the gate of Samaria; and all the prophets prophesied before them."

2 Chronicles 32:12 - "Hath not the same Hezekiah taken away his high places and his altars, and commanded Judah and Jerusalem, saying, Ye shall worship before one altar, and burn incense upon it?"

2 Chronicles 32:12 - "Hath not the same Hezekiah taken away his high places and his altars, and commanded Judah and Jerusalem, saying, Ye shall worship before one altar, and burn incense upon it?"

2 Chronicles 17:11 - "Also some of the Philistines brought Jehoshaphat presents, and tribute silver; and the Arabians brought him flocks, seven thousand and seven hundred rams, and seven thousand and seven hundred he goats."

Describe an Ancient Middle Eastern scene showcasing a grand exchange event. Two groups, Philistines and Arabians, are bringing gifts to a central figure, Jehoshaphat. From the Philistines, presents and silver tributes are flowing, while the Arabians are bringing an enormous flock of livestock including 7700 rams and 7700 he-goats. The display of wealth and respect is impressive. The scene features the traditional attire, architecture and landscapes of the period. The style of the image should be digital art.

2 Chronicles 17:11 - "Also some of the Philistines brought Jehoshaphat presents, and tribute silver; and the Arabians brought him flocks, seven thousand and seven hundred rams, and seven thousand and seven hundred he goats."

Romans 2:1-3 - "You, therefore, have no excuse, you who pass judgment on someone else, for at whatever point you judge another, you are condemning yourself, because you who pass judgment do the same things. Now we know that God’s judgment against those who do such things is based on truth. So when you, a mere human being, pass judgment on them and yet do the same things, do you think you will escape God’s judgment?"

An artistic interpretation of Romans 2:1-3, visualizing the theme of judgment amongst human figures. The scene shows one individual, finger raised with a stern expression, appearing to pass judgment on another. The judged figure mirrors the first, reflecting back the same accusatory stance and stern gaze. Above them, an ethereal and potent symbol of truth hovers, echoing God's judgment. This scene is presented in a modern digital art style.

Romans 2:1-3 - "You, therefore, have no excuse, you who pass judgment on someone else, for at whatever point you judge another, you are condemning yourself, because you who pass judgment do the same things. Now we know that God’s judgment against those who do such things is based on truth. So when you, a mere human being, pass judgment on them and yet do the same things, do you think you will escape God’s judgment?"

2 Chronicles 32:4 - "So there was gathered much people together, who stopped all the fountains, and the brook that ran through the midst of the land, saying, Why should the kings of Assyria come, and find much water?"

Produce a digital art style depiction of a scene based on the verse '2 Chronicles 32:4'. The scene should include a large gathering of people from various descents. They are busily stopping all the fountains and a brook that runs through the middle of the land. Their faces carry an expression of determination, as they question: 'Why should the kings of Assyria come, and find much water?' The surrounding land should be arid, underscoring their hard work and their collective act of defiance.

2 Chronicles 32:4 - "So there was gathered much people together, who stopped all the fountains, and the brook that ran through the midst of the land, saying, Why should the kings of Assyria come, and find much water?"

2 Chronicles 34:22 - "And Hilkiah, and they that the king had appointed, went to Huldah the prophetess, the wife of Shallum the son of Tikvath, the son of Hasrah, keeper of the wardrobe; (now she dwelt in Jerusalem in the college:) and they spake to her to that effect."

A conceptual portrayal of a moment inspired by an ancient text, specifically 2 Chronicles 34:22. Depict Hilkiah and the king's appointees approaching Huldah, who is recognized as a prophetess in this context. Huldah is positioned in her dwelling within the college in Jerusalem. She is subtly identified as the wife of Shallum who is the son of Tikvath and Hasrah, the keeper of the wardrobe. Express the sense of reverence and urgency as the group narrates their concerns to her. This interpretation is to be portrayed in the style of digital art.

2 Chronicles 34:22 - "And Hilkiah, and they that the king had appointed, went to Huldah the prophetess, the wife of Shallum the son of Tikvath, the son of Hasrah, keeper of the wardrobe; (now she dwelt in Jerusalem in the college:) and they spake to her to that effect."

Colossians 3:1-3 - "If ye then be risen with Christ, seek those things which are above, where Christ sitteth on the right hand of God. Set your affection on things above, not on things on the earth. For ye are dead, and your life is hid with Christ in God."

Generate a digital art depiction of a symbolic interpretation of the Bible verse Colossians 3:1-3. Include elements like a figure signifying Christ, symbolically placed at the right hand side of another figure representing higher power, implying God. Their gaze and attention should be focused on 'things above' indicating the heavens or something celestial. Also incorporate the concept of 'affection', using colors, shapes or patterns to represent this feeling. Below them, illustrate 'earth' depicted as less appealing or attractive to convey the message of the passage. Further incorporate an element representing 'life', hidden or intertwined within the figure of Christ.

Colossians 3:1-3 - "If ye then be risen with Christ, seek those things which are above, where Christ sitteth on the right hand of God. Set your affection on things above, not on things on the earth. For ye are dead, and your life is hid with Christ in God."

1 Chronicles 16:40 - "To offer burnt offerings unto the LORD upon the altar of the burnt offering continually morning and evening, and to do according to all that is written in the law of the LORD, which he commanded Israel;"

Depict a scene inspired by an excerpt from '1 Chronicles 16:40': visualize an ancient altar with burnt offerings, situated in a peaceful morning and evening setting. The setting should be continuously changing from dawn to dusk, symbolizing the continuum of morning and evening. Nearby, scrolls depicting the laws can be seen, underscoring the narrative that following divine commandments is a continuous process. This scene should be in a digitally rendered art style.

1 Chronicles 16:40 - "To offer burnt offerings unto the LORD upon the altar of the burnt offering continually morning and evening, and to do according to all that is written in the law of the LORD, which he commanded Israel;"

2 Corinthians 3:6 - "Who also hath made us able ministers of the new testament; not of the letter, but of the spirit: for the letter killeth, but the spirit giveth life."

Create a digital art representation of 2 Corinthians 3:6 - "Who also hath made us able ministers of the new testament; not of the letter, but of the spirit: for the letter killeth, but the spirit giveth life.". The image should visualize the idea of contrasting concepts - letters that kill and spirit that gives life. The scene should be symbolic and interpretive, with an emphasis on the transformative nature of the spirit.

2 Corinthians 3:6 - "Who also hath made us able ministers of the new testament; not of the letter, but of the spirit: for the letter killeth, but the spirit giveth life."

1 Samuel 3:15 - "¶ And Samuel lay until the morning, and opened the doors of the house of the LORD. And Samuel feared to shew Eli the vision."

Create a digital art interpretation of a historical scene. It depicts young Samuel, a Middle-Eastern boy, laying until the morning in an ancient setting with intricate designs. The moment he opens the large, ornately carved wooden doors of the temple, marked with symbols representing the divine, is captured. His apprehension about revealing a vision to Elder Eli, an elderly Caucasian man clad in simple priestly robes, is also clearly reflected in his body language and expression.

1 Samuel 3:15 - "¶ And Samuel lay until the morning, and opened the doors of the house of the LORD. And Samuel feared to shew Eli the vision."

1 Samuel 8:3 - "And his sons walked not in his ways, but turned aside after lucre, and took bribes, and perverted judgment."

1 Samuel 8:3 - "And his sons walked not in his ways, but turned aside after lucre, and took bribes, and perverted judgment."

Revelation 1:3 - "Blessed is he that readeth, and they that hear the words of this prophecy, and keep those things which are written therein: for the time is at hand."

Revelation 1:3 - "Blessed is he that readeth, and they that hear the words of this prophecy, and keep those things which are written therein: for the time is at hand."

1 Thessalonians 3:7 - "Therefore, brethren, we were comforted over you in all our affliction and distress by your faith:"

Visual representation of the verse 1 Thessalonians 3:7 - "Therefore, brethren, we were comforted over you in all our affliction and distress by your faith:". Explore the idea of comfort, affection, and faith in the digital realm. Add depth by incorporating elements that depict the alleviation of affliction and distress through brotherhood. Have warm, soothing colors dominate the scene, lending an overall sensation of comfort. Depict the essence of faith with suitable iconography, but ensure the overall effect is not overly religious but emphasizes humanity, connection, and the power of belief.

1 Thessalonians 3:7 - "Therefore, brethren, we were comforted over you in all our affliction and distress by your faith:"

1 Samuel 3:7 - "Now Samuel did not yet know the LORD, neither was the word of the LORD yet revealed unto him."

1 Samuel 3:7 - "Now Samuel did not yet know the LORD, neither was the word of the LORD yet revealed unto him."

2 John 1:6 – "And this is love: that we walk in obedience to his commands."

Create an image embodying the passage from 2 John 1:6 – 'And this is love: that we walk in obedience to his commands.' The scene should be depicted in a Renaissance art style, evoking the key characteristics: well-balanced compositions, refined elegance, and a focus on real human emotion.

2 John 1:6 – "And this is love: that we walk in obedience to his commands."

2 Chronicles 36:8 - "Now the rest of the acts of Jehoiakim, and his abominations which he did, and that which was found in him, behold, they are written in the book of the kings of Israel and Judah: and Jehoiachin his son reigned in his stead."

Illustrate a historical scene inspired by the biblical passage 2 Chronicles 36:8. The image should represent a symbolic transition of power from one ruler to his son, surrounded by the acts and abominations of the former. The scene is set against the backdrop of ancient Israel and Judah, indicating history's documentation in the so-called 'book of the kings'. The former ruler's questionable deeds stand apart as juxtaposed by his son's ascension to the throne. Present this image in the digitized visual style reminiscent of early, pre-1912 digital art forms.

2 Chronicles 36:8 - "Now the rest of the acts of Jehoiakim, and his abominations which he did, and that which was found in him, behold, they are written in the book of the kings of Israel and Judah: and Jehoiachin his son reigned in his stead."

2 Chronicles 30:22 - "And Hezekiah spake comfortably unto all the Levites that taught the good knowledge of the LORD: and they did eat throughout the feast seven days, offering peace offerings, and making confession to the LORD God of their fathers."

An image representing the scene from 2 Chronicles 30:22 in the Bible. Depict King Hezekiah, a Middle-Eastern man, speaking kindly to a group of diverse Levites who are understood to be the teachers of the Lord's knowledge. These Levites should include men of varying descents such as Caucasian, Black, and South Asian. The group is partaking in a feast for seven days feeling an ambiance of peace offerings; where there's plentiful food and drink. In the background, they are making a confession to the Lord, their creator. The entire image should have a modern digital art aesthetic.

2 Chronicles 30:22 - "And Hezekiah spake comfortably unto all the Levites that taught the good knowledge of the LORD: and they did eat throughout the feast seven days, offering peace offerings, and making confession to the LORD God of their fathers."

Colossians 3:1 - "If ye then be risen with Christ, seek those things which are above, where Christ sitteth on the right hand of God."

Colossians 3:1 - "If ye then be risen with Christ, seek those things which are above, where Christ sitteth on the right hand of God."

1 Corinthians 3:12 - "Now if any man build upon this foundation gold, silver, precious stones, wood, hay, stubble;"

A detailed digital art style illustration that depicts the scene from 1 Corinthians 3:12. Visualize a man building upon a foundation, using different materials. These materials symbolically include gold, silver, precious stones, wood, hay, and stubble. Express the contrast between the valuable materials like gold, silver, and precious stones and the less valued ones like wood, hay, and stubble. Maintain a balance between keeping the imagery relevant to the biblical times and the modern interpretation of the text.

1 Corinthians 3:12 - "Now if any man build upon this foundation gold, silver, precious stones, wood, hay, stubble;"

1 Samuel 17:3 - "And the Philistines stood on a mountain on the one side, and Israel stood on a mountain on the other side: and there was a valley between them."

1 Samuel 17:3 - "And the Philistines stood on a mountain on the one side, and Israel stood on a mountain on the other side: and there was a valley between them."

1 Corinthians 3:5 - "Who then is Paul, and who is Apollos, but ministers by whom ye believed, even as the Lord gave to every man?"

1 Corinthians 3:5 - "Who then is Paul, and who is Apollos, but ministers by whom ye believed, even as the Lord gave to every man?"