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Down to the Well

4.8 4.8 out of 5 stars 15 ratings

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Audio CD, August 8, 2000
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Track Listings

1 Down to the Well
2 Burning the Church House Down
3 Marina Takes Her Aim
4 Promise Road
5 Time for the Sun to Rise
6 Deuce and A Quarter
7 Jimmy Reed is the King of Rock N' Roll
8 Water or Gasoline
9 Great Southern
10 Pueblo Dog
11 Oil City Girl
12 "Shoes" (Walk All Over God's Heaven)

Editorial Reviews

Product Description

Kevin Gordon is one of the leading lights of the East Nashville alternative country/roots rock scene. His debut album garnered critical raves and was a radio success. Down to the Well, Kevin's second album, delivers a rocking set of evocative, often haunting songs produced by noted roots rocker Bo Ramsey.

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Armed with a thick, sneering voice and a pocketful of vivid, gritty songs, Kevin Gordon builds on the success of his 1998 debut, Cadillac Jack's #1 Son. He searches desolate streets, endless highways, seedy rooms, and back alleys to find his lost-soul characters, much like Steve Earle, Bruce Springsteen, and fellow Louisiana native Lucinda Williams, who guests on the opening track. Gordon's stories would be genuine enough just on the basis of the events and emotions portrayed, but he loads them all with precise details and graphic imagery that makes them stick even more. The "red door on a green Cadillac," the "pencil-lead-gray afternoon," the "orange lingerie" on a "hundred-dollar whore," the "rusted rails like the ribs of the skeleton," the "steam-ghosts" that "float from the road," the "feeling stingin' like a new tattoo"--each serves to intensify his tales. Gordon's Southern mixture borrows from country, rock, blues, and soul, and as memorable as his songs are, it's his dripping voice that truly allows them to pierce. --Marc Greilsamer

Product details

  • Language ‏ : ‎ English
  • Product Dimensions ‏ : ‎ 5.6 x 0.4 x 4.9 inches; 3.59 ounces
  • Manufacturer ‏ : ‎ Shanchie Records
  • Item model number ‏ : ‎ 6049
  • Original Release Date ‏ : ‎ 2000
  • SPARS Code ‏ : ‎ DDD
  • Date First Available ‏ : ‎ January 13, 2007
  • Label ‏ : ‎ Shanchie Records
  • ASIN ‏ : ‎ B00004TE0Q
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.8 4.8 out of 5 stars 15 ratings

Customer reviews

4.8 out of 5 stars
4.8 out of 5
15 global ratings

Top reviews from the United States

Reviewed in the United States on August 15, 2023
This is a great album, Kevin Gordon is the real deal.
Reviewed in the United States on August 30, 2001
This is a nearly perfect record, and it gets better each time you listen to it. Kevin Gordon expertly crafts a folk'n'roll sound -- folk music spirit and rock'n'roll rhythm -- to conjure up vivid pictures of anxious characters on a bruised American landscape. Unlike some Americana artists, Gordon's roots are a whole lot deeper than the most recent Steve Earle or Lucinda Williams CD -- the "down to the well" image in the album's title and opening cut, for example, is taken from a Lead Belly song -- and he has a balladeer's command of the storytelling art. Yet the band rocks expertly, drawing on blues and rockabilly influences without being overwhelmed by them. I suppose that at moments, especially on "Promise Road," which sounds more like intentional homage than accidental echo, Gordon does come across a tad unsettlingly like a Dixie-fried Bruce Springsteen. But (a) all things considered, there are worse failings, and (b) he's too much his own man to do that very often. Anyway, Springsteen would, I'm sure, be proud to have written "Jimmy Reed Is the King of Rock'n'Roll," a mostly acoustic folk blues and the most powerful song written about a blues musician in a long time, recalling, and matching, masterpieces like James Talley's "Bluesman" and Dylan's "Blind Willie McTell." And one can only marvel at Gordon's ability to write (with Gwil Owen) a train song, "Great Southern," that manages to avoid any of the genre's cliches. Down to the Well is as accomplished as any recording to come out of the Americana movement, and Gordon is as gifted as any artist in it. If, like me, you found Earle's and Williams's most recent CDs something of a letdown, Gordon's is a sure cure for that disappointment.
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Reviewed in the United States on May 13, 2021
East Nashville sound at it's best!
Reviewed in the United States on October 12, 2001
Interesting that many reviewers compare Kevin Gordon to Steve Earle. I actually find him much closer to John Hiatt (post Bring the Family) in style. Excellent songwriter who I think is an album (uhh, CD) away from knocking us out with a classic. The first cut, "Down to the Well" with Lucinda Williams is amazing as is the last 30 seconds of "Burning the Church House Down." I'd like to see a bit less of the rockabilly that shows up on a few cuts and more focus on his own sound which comes through loud and clear on "Marina Takes Her Aim" and "Down to the Well." Overall, a solid effort by an emerging star.
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Reviewed in the United States on January 8, 2013
I stumbled across several tunes recently by Gordon and took a flyer by buying the entire album. Glad I did. Kevin is now one of my favorite alt country performers. His insightful lyrics are delivered with abandon and soul. The production is excellent,

In an album of superb songs, "Promise Road" stands out as a genuine rock classic.
Reviewed in the United States on August 22, 2017
Great music!!!!
Reviewed in the United States on November 24, 2004
Kevin Gordon justs gets better with each release. I only wish he'd step on it and come out with another. This CD is perfect. Songwriting that sounds to me like short stories and a voice that comes across as having been around forever. So Kevin.. when are you going to finish that song about Joe Light?
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Reviewed in the United States on September 3, 2000
you keep on walkin' up the "Promise Road"...you can't read the signs, there's no destinations, no arrival times, you can do what you want, you can do what you're told..." this body of work is truly a soul-seaching gem of a record. Kevin's songs are full of poetic mystery, gritty hopelessness, weeping guitars and electrifying blues, rock and rockabilly. loaded with great song-writing - amazing guitars -- it's been permanantly playing on my player for weeks...his best work yet.
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Top reviews from other countries

Translate all reviews to English
seven of nine
5.0 out of 5 stars KICKING...
Reviewed in Germany on September 17, 2012
some Monday-Blues away, away. Schon wieder Montag, der Sommer pokert mit dem Herbst um die Herrschaftshoheit
im fortschreitenden Jahr, ein paar Rosen blühen noch, Kastanien fallen bereits, Frohsinn duckt sich vor Senti-
mentalität. (In the heart of the city steht die Intersuff vor der Tür, warum dann so unlustig?)
Was hören in diesem Fall? Hiatt benäselt eindeutig den Indian Summer, McMurtry?
Man hat ja von Sentimentalität gesprochen, nicht von Wasser bis zum Hals...

Aaah ja, gibt es da nicht den Über-Ober-Häuptling im Americana, den der scharf rocken kann wie Schmidts Kater
uuund sanft pföteln wie Holly Golightlys Katerchen? Richtig! Kevin Gordon ist der geeignete Montags-Miesigkeiten-Exorzist,
bläst den geifernden schwarzen Hund mit Drive Richtung Asphalt mit Roots-Rocker -BURNIN THE CHURCH HOUSE DOWN-,
schmissige Rockriffs, ein paar dreckige, heisere Drawls in Gordons Kraftfutter-Stimme. Nr 2 als Auftakt wählen!
Und noch einen Rocker, der vorgebenen Track-Reihenfolge ausweichend, Nr 4 in den Player drücken, -PROMISE ROAD-
melodiöser -Nie Abhörer-, galoppiert so los, dass Springsteen um headbanging nicht rumkommen wird, Kevin und
Joe McMahan an der E, Bo Ramsey an der A, Colin Linden hat co-geschrieben, -keep on walking up the promised road-,
verdammt, warum klappt das nur immer so mit dem Klischee im Americana Land?

Schieber wetzenden Paaren käme nun Rauh-Ballade -TIME FOR THE SUN TO RISE- nicht ungelegen, Earl King Johnson
hats geschrieben und wird auf nachher vertagt, ein Rocker zumindest muss zuvor noch her, oder ein Rockn Roller,
in etwa -DEUCE AND A QUARTER-, fetzende E-Guitars und ein klimperiges Boogie-Woogie-Piano, der Blues des Hörers
zieht sich peu a peu in die Swamps zurück, da könnt man nun gaanz vorsichtig doch ne Ballade an sich ranlassen,
-MARINA TAKES HER AIM-, uuihh, traurig, fast schon wieder zu traurig, Bo Ramsey an Slide vertraurigt das noch mehr,
und das will nicht fröhlicher werden mit Kevins kehliger Stimme und Lyrics über broken glass in -JIMMY REED IS
THE KING OF ROCKN ROLL-, auch der Rockn Roll hat seine düsteren Kammern und Ecken. Dass der schwarze Hund nun
auch noch nen Verbündeten im PUEBLO DOG- hat, das dehnt man besser nicht aus, da hätte doch Lucinda co-singen
sollen, hätt sie allemal raffen können als sometimes Depri-Tante...?

Da kratzt sie nun doch noch mit im Opener und Titeltrack, wieder Colin Linden als Co-Writer, Joe McMahan an Stahlsaiten-A.
So zwischen L-M und Up-Tempo ist man sich nicht ganz klar darüber ob monday nun funday geworden ist oder
tuesday nicht auch noch bluesday wird, man wird sehen und hören. Kann Kevin Gordon nix dafür, er ist
ein Guter. Die Sunday Shoes zieht ein anderer an im County, der verehrt übrigens den Gordon wie dolle.

Line Up:

Kevin Gordon - vocals, e guitar
Joe McMahan - e and a guitar
David Jaques - bass
Bryan Owings - drums
Kevin McKendree - keys
Paul Griffith - percussion, drums
Ron Eoff - pedals
Bo Ramsey!, selber Urgetüm, - e and a guitar, slide
Lu-Lu - vocals

Bo Ramsey, Kevin Gordon und Joe McMahan habens produziert in Nashville - so klingt das hier aber nicht, und
wenn, dann wie von der shady side of town
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Catero
5.0 out of 5 stars Urgestein
Reviewed in Germany on February 1, 2012
....genau das ist es: das Urgestein jeder Americana Sammlung. Wer die nicht hat, hat in diesem Segment nichts!

Das macht sich alleine schon am Titelstück "Down to the well" fest. Vermutlich einer der am meisten gecoverten Basic-Roots-Americana-Tracks. Wer hat's gespielt? Eric Brace & Peter Cooper, die Enzyklopädisten des Americana, Blackie and the Rodeo Kings - klar dass Colin Linden seine Finger nicht davon lassen konnte, schließlich hat er dieses Meisterwerk ja mitgeschrieben! Wie einige andere Tracks auch.

Dabei belässt es die Aufnahme nicht alleine bei diesem einen Ausnahmeohrwurm! Das geht weiter mit dem Rocker "Burning the Church House Down", um gleich die grandiose Ballade "Marina Takes Her Aim" anzuschließen! Und Blues gibt's selbstverständlich auch noch mit "Jimmy Reed..." und dann....

Und wer ist nicht alles an dieser Aufnahme beteiligt?! In beliebiger Reihenfolge: Lucinda Williams, Joe McMahan, Bo Ramsey, David Jaques, Paul Griffith. Dabei bestimmen die beiden Gitarristen, McMahan und Ramsey, neben der charakteristischen Gordon Stimme, klar den Sound, machen ihn zum Rootsrock mit Bluesuntergrund par excellence, haben das Ganze zusammen mit Gordon auch noch produziert.

Anmerken muss ich, dass ich mich nun schon seit Jahren wundere, dass Lucinda den Song tatsächlich nie eingespielt hat!(?)
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Wolfgang Reitzammer
4.0 out of 5 stars Geheimtipp!!
Reviewed in Germany on June 9, 2015
Manche halten ihn für einen ewigen Geheimtipp, für „Americas best kept secret” - davon kann er sich natürlich nichts kaufen. Dennoch lässt Kevin Gordon nicht locker, der mal in Iowa Poetik studiert hat, dann aber ab 1990 lieber Musik machen wollte und in East Nashville eine zentrale Basis fand. Das kompetente deutsche Taxim-Label hat damals versucht, seine frühe LP „Carnival Time“ in Deutschland bekannt zu machen, leider nur mit bescheidenem Erfolg. Mittlerweile ist mit „Gloryland“ sein neuestes Album er­schienen, doch hier soll die Rede von seinem „Klassiker“ aus dem Jahr 2000 sein. Es war die Zeit der intensiven Zu­sammenarbeit mit Bo Ramsey, der seinerseits wieder Pro­duzent für Lucinda Williams war. Somit fiel es nicht schwer, Lucinda für ein Duett bei dem Titelsong zu gewinnen: „Aint goin down to the well no more / Believe I had my fill /Worked that ground til I done got sore / Aint goin back down to the well”. Der Song ist zusammen mit dem kanadischen Blues-Folkie Colin Linden entstanden, hat inzwischen Kult-Statut, und wurde schon mehrfach gecovert. Ansonsten bieten die 12 Songs sprachlich originelle Stories, die das eigene Leben oder die Geschichten von Außenseitern thematisieren. Die Musik ist songorientierter Americana-Roots-Rock - etwa in einer Kategorie wie John Hiatt, David Olney, Stephen Bruton oder Kevin Welch. Zentrales Element aller Songs ist die subtile, verletzlich klingende Stimme von Kevin Gordon und die Gitarre seines Mitstreiters Joe McMahan. Vielleicht findet Kevin Gordon doch noch die Aner­kennung, die er eigentlich verdient hat, jedenfalls wünschen wir ihm nicht die Textzeile aus seinem Song „Pueblo Dog“: „Aint got a Dollar, aint got no plan / Pueblo dog sleeps in the sand“.