Bartolome Collection

The Flower Girl, 1665-70. Artist: Bartolome Esteban Murillo
The Flower Girl, 1665-70. Painting held at the Dulwich Picture Gallery, London. From A History of Painting, Volume III by Haldane MacFall [T. C. and E. C. Jack, London & Edinburgh, 1911]

The Good Shepherd, 20th century. Creator: A. H. Ritchie
The Good Shepherd, 20th century

Bartolome Leonardo de Argensola, after an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain, pub. 1791
3473250 Bartolome Leonardo de Argensola, after an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain, pub. 1791; (add.info.: Bartolome Leonardo de Argensola, 1562 - 1631)

The Conquest of the Moluccas Islands
3499738 The Conquest of the Moluccas Islands; (add.info.: The Conquest of the Moluccas Islands, by Bartolome Juan Leonardo de Argensola (1562-1631). Spanish priest, poet and historian

Bartolome Carranza, sometimes called de Miranda or de Carranza y Miranda, after an etching in Retratos de Los Espanoles
3473248 Bartolome Carranza, sometimes called de Miranda or de Carranza y Miranda, after an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain, pub

Bartolome Esteban Murillo, After an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain, pub. 1791
3473249 Bartolome Esteban Murillo, After an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain, pub. 1791; (add.info.: Bartolome Esteban Murillo, 1617 - 1682. Spanish Baroque painter)

Bartolome de Las Casas , 1484 to 1566. Spanish Dominican Friar, historian, theologian, Bishop of chiapas, Mexico
2915317 Bartolome de Las Casas , 1484 to 1566. Spanish Dominican Friar, historian, theologian, Bishop of chiapas, Mexico, philisopher, jurist and defensor of the Mexican Indians

The Crucifixion, ca. 1675. Creator: Bartolome Esteban Murillo
The Crucifixion, ca. 1675

Saint Michael Triumphs over the Devil, 1468, (1946). Creator: Bartolome Bermejo
Saint Michael Triumphs over the Devil, 1468, (1946). The saint, in golden armour and holding a crystal shield, swings his sword above Satan, as the paintings patron, Antoni Joan, lord of Tous

San Bartolome de Tirajana, Gran Canaria, Spain

Adoration of the Magi (Epiphany) by Bartolome Bermejo

Saint Rose of Lima (1586-1617), circa 1670
Saint Rose of Lima (1586-1617). Christian mystical religious, member of the Third Order of Saint Dominic. Portrait by Bartolome Esteban Murillo (1617-1682), circa 1670. Detail

The Magdalene, ca. 1650, by Bartolome Esteban Murillo
Bartolome Esteban Murillo (1617-1682). The Magdalene, ca.1650. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Spain, Galicia. Ourense province, Ganade (San Bartolomeu de Ganade). General view of the church of the village. Date: 2011

Bartolome Esteban Murillo (engraving)
816185 Bartolome Esteban Murillo (engraving) by English School, (19th century); Private Collection; (add.info.: Bartolome Esteban Murillo (1617-1682)

Bartolome Esteban Murillo, Spanish Baroque painter, 1618-1682. Lithograph after a drawing by HVH from Portraits of the most celebrated painters of all the schools, Ackermann, London, 1827

Annibale Carracci, Italian painter 1560-1609. From a self portrait. Lithograph after a drawing by HVH from Portraits of the most celebrated painters of all the schools, Ackermann, London, 1827

Bartolome de las Casas (chromolitho)
963844 Bartolome de las Casas (chromolitho) by French School, (19th century); Private Collection; (add.info.: Bartolome de las Casas, Spanish historian and Dominican friar.); © Look and Learn

The Good Shepherd, (black and red chalk)
659179 The Good Shepherd, (black and red chalk) by Murillo, Bartolome Esteban (1618-82); 33.6x23.3 cm; Private Collection; (add.info.: The Good Shepherd. Bartolome Esteban Murillo (1618-1682)

BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco Goya
Bartolome Sureda y Miserol, c. 1803/1804

Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco Goya
Therese Louise de Sureda, c. 1803/1804

The Vision of St Anthony of Padua, 1652. Creator: BartolomeEsteban Murillo
The Vision of St Anthony of Padua, 1652

St Justa, three-quarter length, turned to right, holding two pots and a palm, 1840-1860

Don Andres de Andrade y la Cal, ca. 1665-72. Creator: Bartolome Esteban Murillo
Don Andres de Andrade y la Cal, ca. 1665-72

Virgin and Child, ca. 1670-72. Creator: Bartolome Esteban Murillo
Virgin and Child, ca. 1670-72

A Knight of Alcantara or Calatrava, ca. 1650-55. Creator: Bartolome Esteban Murillo
A Knight of Alcantara or Calatrava, ca. 1650-55

Murillo, (1617-1682), 1830. Creator: Unknown
Murillo, (1617-1682), 1830. Bartolome Esteban Murillo (1617-1682) Spanish Baroque painter best known for his religious works, his work evolved into a style suiting bourgeois and aristocratic tastes

The Melon Eaters, c1650, (1946). Creator: Bartolome Esteban Murillo
The Melon Eaters, c1650, (1946). Boys Eating Grapes and Melon, painting in the Alte Pinakothek, Munich, Germany. From " Spanish Painting" by Philip Hendy

St. Anthony of Padua with the Christ Child, mid-late 17th century, (1914). Creator
St. Anthony of Padua with the Christ Child, mid-late 17th century, (1914). Detail from The vision of Saint Anthony of Padua showing St Anthony (1195-1231) carrying the infant Jesus

Fruit-Sellers Counting Their Money, 1618, (1914). Creator: BartolomA Esteban Murillo
Fruit-Sellers Counting Their Money, 1618, (1914). Child street-vendors with a basket of grapes. Painting in the Alte Pinakothek, Munich, Germany

Boys eating Fruit, 1645, (1938). Artist: Bartolome Esteban Murillo
Boys eating Fruit, 1645, (1938). Detail of Boys Eating Grapes and Melon, painting in the Alte Pinakothek, Munich, Germany. Illustration from Spanish Painting, by E Harris

Bartolome Robert (1842-1902), Catalan doctor and politician, major of Barcelona in 1899

Visit to El Escorial by painter Murillo by Bartolome Murillo (1617-1682)

Ecce Homo, by Bartolome Murillo

Children eating melon, painting by Bartolome Murillo

The little beggar (1650?) by Bartolome Murillo

Saint Dominic of Silos enthroned as abbot, by Bartolome Bermejo

Flower Girl, c1800-c1899. Portrait of a flower girl

Two Women at a Window, 1655-1660. Artist: Bartolome Esteban Murillo
Two Women at a Window, 1655-1660. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

St. John and the Lamb, 1660-5, (c1900). Artist: Bartolome Esteban Murillo
St. John and the Lamb, 1660-5, (c1900). Held at The National Gallery, London. From Famous Pictures of the World, c1900

A Spanish Flower Girl, 1665-1670, (c1915). Artist: Bartolome Esteban Murillo
A Spanish Flower Girl, 1665-1670, (c1915). The painting is held by the Dulwich Picture Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

La Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934). Artist: Bartolome Esteban Murillo
La Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934). Immaculate Conception, is a belief of Catholicism which holds that Mary mother of Jesus

Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban Murillo
Ecce-Homo, 1660 - 1670, (c1934). Ecce homo (behold the man), are the Latin words used by Pontius Pilate when he presented Jesus Christ, bound and crowned with thorns

Martirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934). Artist: Bartolome Esteban Murillo
Martirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934). Saint Andrew is tied to the cross on which he will die as an exemplary spectacle: labourers prepare

El Divino Pastor, (The Good Shepherd), 1660, (c1934) Artist: Bartolome Esteban Murillo
El Divino Pastor, (The Good Shepherd), 1660, (c1934). The image of the Good Shepherd was seen as a figure of Christ who saves and cares for his sheep, also an allegory of the Eucharist

La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). Artist: Bartolome Esteban Murillo
La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). A tender domestic scene showing Virgin Mary winding a skein of thread and watching the Christ Child

Jesus y Juan El Bautista Ninos, (Jesus and John the Baptist, children), 1670, (c1934). The infant Christ holds a shell for his cousin John to drink

La Anunciacion, (The Annunciation), 1660, (c1934). Artist: Bartolome Esteban Murillo
La Anunciacion, (The Annunciation), 1660, (c1934). New Testament scene depicting Archangel Gabriels Annunciation to the Virgin Mary, accompanied by a sewing basket and book

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"Bartolome: A Master of Emotion and Devotion" Step into the world Esteban Murillo, a renowned Spanish artist whose works continue to captivate audiences even centuries later. Known for his ability to evoke deep emotions through his paintings, Bartolome's artistry transports viewers into a realm where beauty meets spirituality. One such masterpiece is "The Flower Girl" from 1665-70. In this enchanting piece, Bartolome captures the innocence and purity of youth as he portrays a young girl adorned with flowers. Her delicate features and gentle smile radiate an aura of serenity that touches the soul. Another notable work is "The Good Shepherd, " created in the 20th century by A. H. Ritchie. Inspired by Bartolome's style, Ritchie pays homage to the master by depicting Christ as the compassionate shepherd guiding his flock with love and protection. Bartolome's talent shines once again in "Beggar Boys Playing Dice" from 1675. This painting showcases his ability to capture everyday scenes with remarkable detail while infusing them with profound meaning. The boys' expressions reveal their vulnerability amidst life's uncertainties, reminding us of our shared humanity. In "Saint Rose of Lima, " circa 1670, Bartolome immortalizes this revered saint who dedicated her life to serving others selflessly. Through skillful brushstrokes, he conveys Saint Rose's unwavering devotion and inner strength that continues to inspire believers worldwide. "The Magdalene, " painted around 1650, delves into themes of redemption and forgiveness as it depicts Mary Magdalene seeking solace in her faith after a life filled with sin. Bartolome expertly captures her remorseful gaze and tender touch on her heart—a poignant reminder that everyone deserves compassion and second chances. Traveling across Spain to Galicia province in Ourense reveals another facet of Bartolome's artistry.