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I wish Gemein had provided a fuller explanation of what he means by "energy." Say I listen to the Sarabande of Bach's cello suite in c-minor. One line, played softly, no counterpoint. Is that a "tremendous amount of energy"? How so? Or choose something from the solo violin pieces if you want to bypass his point about bass vs mid and treble frequencies. I'm not saying he's wrong, just that I wish he'd provided more info on what he means.