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Civita vecchia Stock Photos and Images
RMWTCT77–Etching of the port of Civita Vecchia in Italy. Etchings (views in Italy) by William Marlow (1740-1813).
RM2E24448–Etching of the port of Civita Vecchia in Italy. Etchings (views in Italy) by William Marlow (1740-1813).
RM2A2P2NB–Franz Edmund Weirotter, Austrian, 1730-1773, View at Civita Vecchia, 18th century, etching printed in black ink on laid paper, Image: 5 1/4 × 8 3/8 inches (13.3 × 21.3 cm
RF2HW50AG–Art inspired by Scene in a Tavern at Civita Vecchia, 1858, Pen and black ink, Sheet: 6 15/16 x 8 3/4 in. (17.6 x 22.2cm), Drawings, Jean-Baptiste Carpeaux (French, Valenciennes 1827–1875 Courbevoie, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HT895C–The French Army Landing at Civita-Vecchia, April 25, 1849, from Souvenirs d’Italie: Expédition de Rome, 1851.
![Civita Vecchia, [in Italy], 1858. 'Two piers, formed of massive marble blocks, stretch out from the shore into the blue waters of the Mediterranean, and, with the assistance of a small breakwater, constructed of irregular pieces of rock, and thrown up at the entrance between their extremities, form the small harbour of Civita Vecchia...The port of Civita Vecchia was founded by Trajan between a.d. 106 and a. d. 114...During the decline and fall of the Roman Empire the harbour of Civita Vecchia was suffered to fall into decay, and it was not until the establishment of the Papal sovereignty that Stock Photo](https://c8.alamy.com/comp/2RRJ8AT/civita-vecchia-in-italy-1858-two-piers-formed-of-massive-marble-blocks-stretch-out-from-the-shore-into-the-blue-waters-of-the-mediterranean-and-with-the-assistance-of-a-small-breakwater-constructed-of-irregular-pieces-of-rock-and-thrown-up-at-the-entrance-between-their-extremities-form-the-small-harbour-of-civita-vecchiathe-port-of-civita-vecchia-was-founded-by-trajan-between-ad-106-and-a-d-114during-the-decline-and-fall-of-the-roman-empire-the-harbour-of-civita-vecchia-was-suffered-to-fall-into-decay-and-it-was-not-until-the-establishment-of-the-papal-sovereignty-that-2RRJ8AT.jpg "Civita Vecchia, [in Italy], 1858. 'Two piers, formed of massive marble blocks, stretch out from the shore into the blue waters of the Mediterranean, and, with the assistance of a small breakwater, constructed of irregular pieces of rock, and thrown up at the entrance between their extremities, form the small harbour of Civita Vecchia...The port of Civita Vecchia was founded by Trajan between a.d. 106 and a. d. 114...During the decline and fall of the Roman Empire the harbour of Civita Vecchia was suffered to fall into decay, and it was not until the establishment of the Papal sovereignty that Stock Photo")
RM2RRJ8AT–Civita Vecchia, [in Italy], 1858. 'Two piers, formed of massive marble blocks, stretch out from the shore into the blue waters of the Mediterranean, and, with the assistance of a small breakwater, constructed of irregular pieces of rock, and thrown up at the entrance between their extremities, form the small harbour of Civita Vecchia...The port of Civita Vecchia was founded by Trajan between a.d. 106 and a. d. 114...During the decline and fall of the Roman Empire the harbour of Civita Vecchia was suffered to fall into decay, and it was not until the establishment of the Papal sovereignty that
RMRX57BM–The French Army Landing at Civita-Vecchia, April 25, 1849, from Souvenirs d'Italie: Expédition de Rome. Denis Auguste Marie Raffet (French, 1804-1860); printed by Auguste Bry (French, 19th century); published by Chez Gihaut Frères (French, 19th century). Date: 1851. Dimensions: 164 × 351 mm (image); 242 × 402 mm (primary support); 402 × 569 mm (secondary support. Lithograph in black on buff wove China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
RF2B76PN3–Civita Vecchia Outer Breakwater, on coasts as part of coastal defense, protect an anchorage, the effects of weather and long, shore drift, vintage
RF2B93700–Franz Edmund Weirotter, Austrian, 1730-1773, View at Civita Vecchia, 18th century, etching printed in black ink on laid paper, Image: 5 1/4 × 8 3/8 inches (13.3 × 21.3 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RFC6M2CJ–Civitavecchia, in Lazio, Italy, during the 1890s, vintage engraving. Old engraved illustration of Civitavecchia.
RM2ANE9YG–The encyclopdia britannica; a dictionary of arts, sciences, literature and general information . urnished by Cherbourg and Holyheadbreakwaters, the inner breakwater at Portland, and thebreakwaters at Marseilles, Genoa, Civita Vecchia, Naples,Trieste and other Mediterranean ports. The very ex-posed breakwater at Alderney was commenced on thisprinciple about the middle of the 19th century; and theouter breakwaters at Leghorn and St Jean de Luz have super-structures founded at low water on concrete-block mounds. The long, detached breakwater sheltering the series of basinsformed by wide projectin
RFEWA097–Civitavecchia, in Lazio, Italy, during the 1890s, vintage engraving. Old engraved illustration of Civitavecchia.
RM2AHPAFG–Denis Auguste Marie Raffet. The French Army Landing at Civita-Vecchia, April 25, 1849, from Souvenirs d’Italie Expédition de Rome. 1851. France. Lithograph in black on buff wove China paper laid down on ivory wove paper
RM2B6PW3E–Gezicht op de haven te Civitavecchia Civita-Vecchia (titel op object) Op het water liggen schepen en boten. Rechts staat een versterkt bouwwerk en groepen figuren met goederen aan de waterkant. Genummerd: 36. Manufacturer : uitgever: Maillet (vermeld op object)prentmaker: anoniemPlaats manufacture: uitgever: Parijsprentmaker: Frankrijk Dating: voor 1744 - na 1760 Physical kenmerken: ingekleurde ets Material: papier waterverf Techniek: etsen / penseel Dimensions: plaatrand: h 247 mm × b 404 mm Subject: sea (seascape) (+ landscape with figures, staffage)sailing-ship, sailing-boatrowing-boat, can
RM2JG4BE7–Plan du Port de Civita Vecchia. Star oriented shaded coasts indicates Veriles and batimetric probes expressed in meters
RM2HJ4EWM–Scene in a Tavern at Civita Vecchia 1858 Jean-Baptiste Carpeaux French. Scene in a Tavern at Civita Vecchia 334224
RM2M5RGF7–A new map of the upper part of Italy containing ye principality of Piemont ye Dutchies of Savoy, Milan, Parma, Mantua, Modena, Tuscany, the dominions of ye Pope &c. the republiques of Venice, Genoe, Lucca &c : to His Most Sacred Majesty George II. King of Great Britain, France and Ireland, Elector of Brunswick-Luneburg &c. this Map is most humbly dedicated. Relief shown pictorially. Insets: Venice -- Mantua -- Milan -- Turin -- Genoa -- Placenza -- Parma -- Modena -- Florenza -- Rome -- The town and port of Civita Vecchia -- Italy and the adjacent dominions about it &c. Includes notes and 'A p
RM2G44WK1–View of the harbor in Civitavecchia; Civita vecchia. There are ships and boats on the water. On the right is a strengthened structure and groups of figures with goods on the waterfront. Numbered: 36.
RM2AJ641X–History of Rome and of the Roman people, from its origin to the Invasion of the Barbarians; . ,v.t^^. Civita-Vecchia ; Harbour of Centum Cellœ (Restoration, Bibl. nationale). be erected to preserve the remembrance of these great works.Trajan proposed, like Caesar, to drain the Pontine Marshes, andDion speaks of stoned causeways which he constructed there; butthe levels were badly taken, and the Ponte Maggiore^ throughwhich the waters were to flow off, did not afford a sufficient outletfor them. He seems to have resuscitated, by sending a colonythere, the antique city of Lavinium, where the con
RM2AJ4751–The country of The ring and the book . Caponsacchi visited Pompiliaafter she had left the convent and had returned to thehouse of the Comparini in the Via Vittoria is a recklessfiction. There is, on the other hand, every assurancethat the priest never left Civita Vecchia between thetime of his banishment to that town and the fatal dayin January when the murders were committed. 6. With regard to the last-named point, it wasadmitted that the decree of banishment of the priest wasworded as follows: September 24, 1697. GiuseppeMaria Caponsacchi of Arezzo, for complicity in flightand running away o
RMMW9NJ8–. English: Étienne Rey. Voyage Pittoresque en Grèce et dans le Levant fait en 1843-1844, vols Ι-ΙΙ, Lyon, Louis Perrin, MDCCCLXVII (1867) . between 1843 and 1844. Étienne Rey (1789–1867) Alternative names Etienne Rey Description French painter and university teacher French painter Date of birth/death 1789 1867 Authority control : Q23900264 VIAF: 8532657 ISNI: 0000 0000 6685 5854 ULAN: 500108204 LCCN: no00007442 GND: 131908278 WorldCat 132 Civita-Vecchia - Rey Etienne - 1867
RM2AJKACK–The pathway of life ; Intended to lead the young and the old into paths of happiness, and to prepare them for a holy companionship with him whose kingdom is as boundless as his love . xijfiiixftiii^ick.. REACHING THE GOLDEN SHORE ON FRAGMENTS OF WRECK. ever off Goodwin Sands, or the Skerries, or Cape Hatteraswas a ship in worse predicament than in the Mediterra-nean hurricane was the grain ship, on which 276 passen-gers were driven on the coast of Malta, five miles from themetropolis of that island, called Civita Vecchia. After atwo weeks tempest and the ship was entirely disabled, andcaptain
RMMX78TH–. English: Étienne Rey. Voyage Pittoresque en Grèce et dans le Levant fait en 1843-1844, vols Ι-ΙΙ, Lyon, Louis Perrin, MDCCCLXVII (1867) . between 1843 and 1844. Étienne Rey (1789–1867) Alternative names Etienne Rey Description French painter and university teacher French painter Date of birth/death 1789 1867 Authority control : Q23900264 VIAF: 8532657 ISNI: 0000 0000 6685 5854 ULAN: 500108204 LCCN: no00007442 GND: 131908278 WorldCat 132 Civita-Vecchia - Rey Etienne - 1867
RM2AJA01A–Harper's New Monthly Magazine Volume 104 December 1901 to May 1902 . any. Here and there we met him again inhis own country. Now it was in thevalley of the Clitumnus, the fairstream where the milk-white herds stillcome to bathe, and where, on the banks,is the temple, now classic in little saveits Virgilian memories, modest perhapsin itself, but borrowing majesty as itstands there between the hills, lording itover the great sweep of well - wateredpasture-land that stretches towards Spo-leto. And again we met him—or fanciedwe did—in Civita Vecchia, for did notVirgil sing the harbors as well as t
RM2AM81P3–Great men and famous women : a series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in history Volume 5 . refused to acknowledge the peace of Aix la Chapelle and to withdraw fromFrance—soured his character and ruined his life. Released from Vincennes,he hurried to the then Papal city of Avignon, where he introduced boxing-matches. England threatened to bombard Civita Vecchia, and Charles had todepart. Whither he went no man knows. There is a Jacobite tract of 1750, pur-portmg to be written by his equerry, Henry Goring. According to this, Charles,Gori
RM2AG45P6–. The illustrated companion to the Latin dictionary and Greek lexicon; forming a glossary of all the words representing visible objects connected with the arts, manufactures, and every-day life of the Greeks and Romans, with representations of nearly two thousand objects from the antique. se, another near Perugia,and a third at Civita Vecchia, theplan of which is givenin the annexed wood-cut, from a MS. byFrancesco di Giorgio,preserved in the publiclibrary at Siena. Theform is a parallelogram, entirelyenclosed by a wall of ten feet highon three of its sides, but having anopening or doorway on
RM2AWJ09P–Lincoln centennial number . erableNovember weather. I crossed France toLyons in the hope of taking a steamerwhich I was told descended the Rhone toAvignon, near Marseilles, at a very re-duced price. But at Lyons I found theservice stopped, so I had to go down in thecars. While loitering at the station it wasqueer to see some twenty or thirty Prus-sian prisoners awaiting a train, calmlylounging about, smoking their peacefulfamily-looking porcelain pipes. At Marseilles I just missed a boatthat went to Civita Vecchia, the point oflanding for Rome, so I had to wait threedays more. I was not the mo
RM2AKYRNT–The pathway of life ..to which is added a biography of DrTalmage . THE ANGEL OF THE SEPULCHRE. ^ ^i^xfKiXKtj^ich^. REACHING THE GOLDEN SHORE ON FRAGMENTS OF WRECK. EVER off Goodwin Sands, or the Skerries, or Cape Hatteraswas a ship in worse predicament than in the Mediterra-nean hurricane was the grain ship, on w^hich 276 passen-gers were driven on the coast of Malta, five miles from themetropolis of that island, called Civita Vecchia. After atwo weeks tempest and the ship was entirely disabled, andcaptain and crew had become completely demoralized, anold missionary took command of the vessel.
RM2AKFJTN–Letters to an American familyWith an introdby Lucy WBaxter and original drawings by Thackeray . by Genoa & Leghornto Civita Vecchia,kilt a postillion on the road toRome, and missed being robbed only by a day;the next day people were stopped and my girlswere quite disappointed at our not enjoying theadventure. I had a hundred louis with me whichwould have made it much more piquante. Do you see that I have a new ruby pen w1?does not write well ? It is capital for this handwhen I sit up, but not for this when I lie down,the posture I am forced to keep by the Doctor.Such a dirty, peevish Irish Doc
![Italy : handbook for travellers . K@ M A| 1 §B@ I € ® M.] /. ^^ pre so da S. P i iE su©i €©irT®awi Trastevere. ROME. V. Right Bank. 331 cent **ViBW of Rome and the environs, for the orientation of whichthis point is admirably adapted (comp. annexed Panorama). Themost important places are enumerated here from right to left, exceptwhere the contrary is stated. To the S. is the Tiber, which iscrossed by the iron-bridge of the railway to Civita Vecchia; beyondit the extensive basilica of S. Paolo Fuori le Mura. Then part ofthe city-wall, in front of it the green Monte Testaccio, the cypressesand t Stock Photo](https://c8.alamy.com/comp/2AKYX4Y/italy-handbook-for-travellers-k@-m-a-1-b@-i-m-pre-so-da-s-p-i-ie-sui-irtawi-trastevere-rome-v-right-bank-331-cent-vibw-of-rome-and-the-environs-for-the-orientation-of-whichthis-point-is-admirably-adapted-comp-annexed-panorama-themost-important-places-are-enumerated-here-from-right-to-left-exceptwhere-the-contrary-is-stated-to-the-s-is-the-tiber-which-iscrossed-by-the-iron-bridge-of-the-railway-to-civita-vecchia-beyondit-the-extensive-basilica-of-s-paolo-fuori-le-mura-then-part-ofthe-city-wall-in-front-of-it-the-green-monte-testaccio-the-cypressesand-t-2AKYX4Y.jpg "Italy : handbook for travellers . K@ M A| 1 §B@ I € ® M.] /. ^^ pre so da S. P i iE su©i €©irT®awi Trastevere. ROME. V. Right Bank. 331 cent **ViBW of Rome and the environs, for the orientation of whichthis point is admirably adapted (comp. annexed Panorama). Themost important places are enumerated here from right to left, exceptwhere the contrary is stated. To the S. is the Tiber, which iscrossed by the iron-bridge of the railway to Civita Vecchia; beyondit the extensive basilica of S. Paolo Fuori le Mura. Then part ofthe city-wall, in front of it the green Monte Testaccio, the cypressesand t Stock Photo")
RM2AKYX4Y–Italy : handbook for travellers . K@ M A| 1 §B@ I € ® M.] /. ^^ pre so da S. P i iE su©i €©irT®awi Trastevere. ROME. V. Right Bank. 331 cent **ViBW of Rome and the environs, for the orientation of whichthis point is admirably adapted (comp. annexed Panorama). Themost important places are enumerated here from right to left, exceptwhere the contrary is stated. To the S. is the Tiber, which iscrossed by the iron-bridge of the railway to Civita Vecchia; beyondit the extensive basilica of S. Paolo Fuori le Mura. Then part ofthe city-wall, in front of it the green Monte Testaccio, the cypressesand t
RM2AJDHJX–Der Stil in den technischen und tektonischen Künsten, oder, Praktische Aesthetik : ein Handbuch für Techniker, Künstler und Kunstfreunde . bindet ihn an die Deckplatte (corona), die einenAbschluss, eine Lösung (Lysis) erhält; darauf folgt das Stylobat,in Form einer Stufe, oder, in reicherer Entwicklung, als fortlau-fendes Säulenpiedestal, das auf den eigentlichen Bau vorbereitet.2 1 Die fortifikatorisclicn Werke zu Verona und Venedig von S. Miehele,das Kastell von Civita Vecchia und viele andere Schöpfungen der Renaissancesind unübertreffliche Vorbilder eines männlich-kriegerischen Baustils
RM2AJ3XXX–Notizie de' professori del disegno da Cimabue in qua : per le quali si dimostra come, e per chi le bell' arti di pittura, scultura, e architettura lasciata la rozzezza delle maniere greca, e gottica, si siano in questi secoli ridotte all' antica loro perfezione . Popolo. La reftaurazione di tutta laChiefa del Popolo. La Porta del Popolo dal cornicione in fu. Le danze da eftate con Loggia di Clemente IX. al Quirinale ì Ornato del Ponte S Angiolo, con Statue. L Arfenale in Civita Vecchia . La Villa de Rofpighofi, nel Piftojefe. L Altare nella Cappella del Giesù de Rofpigliofi , in Piftoja; Il fo
RM2CEYYD4–. Italian journeys / by W.D. Howells ; with one hundred and three illustrations by Joseph Pennell.. The Sea Gate. Civita Vecchia fjjgtt. iSfr luwiv ^Ss^iaBMi The Flower Market, Padua At Padua
RM2CEP693–. A classical and topographical tour through Greece, during the years 1801, 1805, and 1806. I do the happy termination of it toMons. Granet. To them I accordingly inscribe my work; and it ismy earnest wish that it may record our friendship when the shadesof the long night shall have closed over our remains ! As soon as the order for our release arrived at Civita-Vecchia, thegeneral called upon us; and, as if to make amends for his late insult-ing conduct, invited us to dinner; and we were not sorry that he thusgave us an opportunity of declining any civility from a man fromwhom we had so latel
RM2CEYWK1–. Italian journeys / by W.D. Howells ; with one hundred and three illustrations by Joseph Pennell.. The Sea Gate. Civita Vecchia fjjgtt. iSfr luwiv ^Ss^iaBMi The Flower Market, Padua At Padua. HOSE of my readers who have frequentedthe garden of Doctor Rappaccini no doubtrecall with perfect distinctness the quaintold city of Padua. They remember itsmiles and miles of dim arcade over-roofingthe sidewalks everywhere, affording excellent opportunityfor the flirtation of lovers by day and the vengeance ofrivals by night. They have seen the now vacant streetsthronged with maskers, and the Venetian P
RM2CH6BX0–. An illustrated and descriptive guide to the great railways of England and their connections with the Continent . ?5^ etr^ zJ it NAPLES. t The line of railway that runs from Marseilles clings to the borders of theMediterranean, past Nice and its adjacent health resorts, past Genoa andits palaces, past Leghorn and its commercial life, past Civita Vecchia toRome. Here and there are breaks in this long line. At Genoa, for example,the branches shoot off for Milan and Turin, whilst at Leghorn they linktogether Pisa and Florence, Bologna and Venice; thus the whole of thegreat cities, memorable from
RM2CH6GC7–. An illustrated and descriptive guide to the great railways of England and their connections with the Continent . f which containpaintings and decorations. In passing up from Civita Vecchia for Rome,from the railway may be seen the Alban Mountains and Sabine Hills. Forsome distance the train skirts the city walls until it at length passes throughan opening, and enters Rome. 354 FLORENCE. The Italians have a love for designating their favourite cities with petnames, and thus Florence is referred to by them as the Fairest City inthe World. It lies in the valley of the Arno, surrounded by charmi
RM2CEWBXJ–. Italian journeys / by W.D. Howells ; with one hundred and three illustrations by Joseph Pennell.. vita V The Sea Gate, Civita Vecchia The Flower Market, Padua Corner of the Salone, Padua, decorated Arms ....An Arcaded Street, PaduaOn the River, Padua .The Market, PaduaArqua: Petrarchs Town . The Tomb of Petrarch, Arqua The Castle of the Obizzi . Bassano: the Bridge . Pisa: the Four Fabrics The Arno at Pisa Trieste : the Harbour . The Cathedral, Trieste A Hilly Street, Trieste The Castle of Miramare Bassano .... The Piazza, Bassano . On the Brenta at Bassano Possagno .... The Piazza, Treviso
RM2CF0273–. Italian journeys / by W.D. Howells ; with one hundred and three illustrations by Joseph Pennell.. ForzaMaggiore li pp3 The Harbour of Alexander, Civita Vecchia landscape, that we reached Civita Vecchia as undecidedas we had left Rome. On the one hand, there hadbeen the land, soaked and sodden; wild, shagged withscrubby growths of timber and brooded over by sullenclouds, and visibly inhabited only by shepherds, leaningupon their staves at an angle of forty-five degrees, andlooking, in their immovable dejection, with their legswrapped in long-haired goat-skins, like satyrs that hadbeen conver
Search Results for Civita vecchia Stock Photos and Images (77)
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