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Grotesque ornament panel Stock Photos and Images
RF2HW5784–Art inspired by Grotesque Ornament Panel, 1566, Etching, Sheet (trimmed): 6 7/16 × 9 9/16 in. (16.3 × 24.3 cm), Prints, Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAMBER–Grotesque Ornament Panel. Artist: Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (trimmed): 6 7/16 × 9 9/16 in. (16.3 × 24.3 cm). Series/Portfolio: Livre de Grotesques. Date: 1566. Museum: Metropolitan Museum of Art, New York, USA.
RM2DMK2JD–Grotesque Figure, Filippo Marchionni, Italian, 1732–1805, Pen and ink on paper, Panel decoration. A kneeling male figure sits on top of a larger sculpture of a squatting male figure., Italy, 1550–1625, ornament, Drawing
RM2HJ1JEY–Grotesque Ornament Panel 1566 Jacques Androuet Du Cerceau French. Grotesque Ornament Panel 338721
RM2DMBP27–Grotesque Panel with Dolphins, Lucas van Leyden, Netherlandish, ca. 1494–1533, Engraving on laid paper, Acanthus scrolls; above center, a head. Below, a bucranium. Either side, dolphins with acanthus tails. In cartouche, writing., Netherlands, 1527, ornament, Print
RM2DMTJGK–Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522, Antonio Salamanca, Italian, ca. 1500 - 1562, Engraving on laid paper, Vertical rectangle fully decorated with symmetrical grotesque. At top, cameo profiles and horses. Below, a small battle frieze and a pair of bound prisoners., Italy, ca. 1507, ornament, Print
RM2BF3B8K–Design for Grotesque Panel. Design for panel with grotesques. At center, three medallions, the largest at center. Moulded oblong frame with a bottom ornament. Grotesques in the style of Bérain.
RM2DMC6NP–Design for Grotesque Panel, Graphite, pen and ink, brush and watercolor on paper, Design for panel with grotesques. At center, three medallions, the largest at center. Moulded oblong frame with a bottom ornament. Grotesques in the style of Bérain. A medallion with a figure of a setaed old man addressed by a putto is shown in the center over a canopy, under which a figure that may be Venus and two doves are supported by a faun's mask., France and Italy, 1650, interiors, Drawing
RM2BF5AR5–Ornament Panel with Mars. Vertical rectangle fully decorated with symmetrical grotesque. At top, cameo profiles and horses. Below, a small battle frieze and a pair of bound prisoners.
RM2DMM6P6–Grotesque Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork with putti and bears frames a blank oval panel., Italy, early 17th century, ornament, Drawing
RM2WGY4J0–Grotesken, Jean cushion of Oude (Awarded to), c. 1550 - C. 1599 drawing Design for a panel painting with grotesken. In the foreground a flute saat. Fontainebleau paper. ink pen / brush ornament grotesque
RM2DMGRDJ–Project for a Ceiling, Graphite, pen and ink on paper, Portion of a ceiling shown divided into small panels, each with a grotesque. At the corner, a square panel with a classical figure. In the opposite corner, a roundel with an eagle., Italy, ca. 1780, ornament, Drawing
RM2DMEJBN–Grotesque Design, Charcoal, pen and ink, brush and watercolor on paper, A grotesque design surrounds a strapwork escutcheon. At bottom, two dogs on their hind legs reach for garlands hanging from trophies. Flanking the blank central panel are two figures., Italy, early 17th century, ornament, Drawing
![Italian Renaissance ceiling and wall painting, (1898). 'Fig 1: Tympanum from the Sala Ducale in the Vatican at Rome. Figs 2-5: Details from the Loggie of Raffaelle ibid. Fig 6: Severey above the fountain-hall of the Villa di Papa Giulio at Rome. Figs 7 and 8: Plafond-borders in the same Villa. Figs 9 and 10: Pilaster-panels from a chapel in S. Maria Aracelli at Rome. Fig 11: Arch-panel from the cloister of the monastery S. Maria sopra Minerva at Rome'. Plate 57 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898] Stock Photo](https://c8.alamy.com/comp/2AG0HN1/italian-renaissance-ceiling-and-wall-painting-1898-fig-1-tympanum-from-the-sala-ducale-in-the-vatican-at-rome-figs-2-5-details-from-the-loggie-of-raffaelle-ibid-fig-6-severey-above-the-fountain-hall-of-the-villa-di-papa-giulio-at-rome-figs-7-and-8-plafond-borders-in-the-same-villa-figs-9-and-10-pilaster-panels-from-a-chapel-in-s-maria-aracelli-at-rome-fig-11-arch-panel-from-the-cloister-of-the-monastery-s-maria-sopra-minerva-at-rome-plate-57-from-quotthe-historic-styles-of-ornamentquot-translated-from-the-german-of-h-dolmetsch-bt-batford-london-1898-2AG0HN1.jpg "Italian Renaissance ceiling and wall painting, (1898). 'Fig 1: Tympanum from the Sala Ducale in the Vatican at Rome. Figs 2-5: Details from the Loggie of Raffaelle ibid. Fig 6: Severey above the fountain-hall of the Villa di Papa Giulio at Rome. Figs 7 and 8: Plafond-borders in the same Villa. Figs 9 and 10: Pilaster-panels from a chapel in S. Maria Aracelli at Rome. Fig 11: Arch-panel from the cloister of the monastery S. Maria sopra Minerva at Rome'. Plate 57 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898] Stock Photo")
RM2AG0HN1–Italian Renaissance ceiling and wall painting, (1898). 'Fig 1: Tympanum from the Sala Ducale in the Vatican at Rome. Figs 2-5: Details from the Loggie of Raffaelle ibid. Fig 6: Severey above the fountain-hall of the Villa di Papa Giulio at Rome. Figs 7 and 8: Plafond-borders in the same Villa. Figs 9 and 10: Pilaster-panels from a chapel in S. Maria Aracelli at Rome. Fig 11: Arch-panel from the cloister of the monastery S. Maria sopra Minerva at Rome'. Plate 57 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
RM2DMRGD2–Design for Candelabrum and Panel of Grotesques, Pen and brown ink on paper, lined, At left, a double baluster candelabrum in profile with ram's head and sphinx on pedestal. At right, a grotesque design shows sphinxes, harpies, roosters and satyrs with hourglass entwined with vine tendrils., Italy, early 16th century, ornament, Drawing
RF2B9CGHY–December, with the Sign of Capricorn December with the sign of the Capricorn, Nine months with the signs of the zodiac: December with the sign of the capricorn. Is part of a group of decorations with grotesques from the house of J.A. Brentano on the Herengracht. Probably made after designs by Giambattista Maderna, other concepts (with signs or personifications of the planets together with zodiacal signs), ornament, grotesque, Jan Kamphuijsen, 1790 - 1791, panel, oil paint (paint), h 335 cm × w 30 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. C
RM2DMDN33–Grotesque with Deities. Plate 04 “Juno,” 2nd state, René Boyvin, French, 1525 - 1625, Léonard Thiry, Flemish, 1550, Black ink on white paper, Vertical rectangle. Grotesque panel with Juno as central figure standing on a cloud. Around in a grotesque design, - balustrades, draperies, figures, masques, winged animals , ect., France, ca. 1540, ornament, Print
RMRENMEF–Ornament with Mask. Dated: 1550. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Heinrich Aldegrever.
![. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. 84 MEXICO AXD CENTRAL. AMERICA or built up out of several nicely fitted blocks of stone. Grotesque faces also occur. In the later styles, decoration consists largely of "mask panels,'' which are grotesque front view faces arranged to fill rectangular panels, but there is an increasing amount of purely geometric ornament. The masked panels represent in most instances a highly elab- orated serpent's face which sometimes carries the. Pig. 22. Mask Panel over Doorway at Xkichmook. Yucatan. sp Stock Photo](https://c8.alamy.com/comp/REKRM2/ancient-civilizations-of-mexico-and-central-america-indians-of-mexico-indians-of-central-america-84-mexico-axd-central-america-or-built-up-out-of-several-nicely-fitted-blocks-of-stone-grotesque-faces-also-occur-in-the-later-styles-decoration-consists-largely-of-quotmask-panels-which-are-grotesque-front-view-faces-arranged-to-fill-rectangular-panels-but-there-is-an-increasing-amount-of-purely-geometric-ornament-the-masked-panels-represent-in-most-instances-a-highly-elab-orated-serpents-face-which-sometimes-carries-the-pig-22-mask-panel-over-doorway-at-xkichmook-yucatan-sp-REKRM2.jpg ". Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. 84 MEXICO AXD CENTRAL. AMERICA or built up out of several nicely fitted blocks of stone. Grotesque faces also occur. In the later styles, decoration consists largely of "mask panels,'' which are grotesque front view faces arranged to fill rectangular panels, but there is an increasing amount of purely geometric ornament. The masked panels represent in most instances a highly elab- orated serpent's face which sometimes carries the. Pig. 22. Mask Panel over Doorway at Xkichmook. Yucatan. sp Stock Photo")
RMREKRM2–. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. 84 MEXICO AXD CENTRAL. AMERICA or built up out of several nicely fitted blocks of stone. Grotesque faces also occur. In the later styles, decoration consists largely of "mask panels,'' which are grotesque front view faces arranged to fill rectangular panels, but there is an increasing amount of purely geometric ornament. The masked panels represent in most instances a highly elab- orated serpent's face which sometimes carries the. Pig. 22. Mask Panel over Doorway at Xkichmook. Yucatan. sp
RM2B6RYF5–Grotesken Design for a panel painting of grotesques. In the foreground a flute playing sater. Manufacturer : artist: Jean Coussin the Elder (attributed to) artist: anonymous (rejected attribution) Place manufacture: Fontainebleau Date: ca. 1550 - ca. 1599 Physical features: pen in gray, brush in brown-gray. Washed tekening. Material: paper Ink Technique: pen / brush dimensions: sheet: 244 mm × H 203 b mm Subject: ornament grotesque
RM2WE6217–Panel with vase and terms, Edward Pearce, 1647 print A panel with grotesken. Two terms flank a vase in the middle. Left and right pedestals with fantasy animals. London paper etching ornament grotesque. vase ornament
RM2HJ3TMM–Architectural ornament panel mid-16th century Spanish These panels display a distinctively Spanish version of the 'grotesque' ornamental style seen in the more Italinate carvings that embellish the patio from Vélez Blanco of which this stairway is a part.. Architectural ornament panel 193206
RM2WE74C1–Panel with Vrouwenbuste, Edward Pearce, 1647 print A panel with grotesken. Two terms flank a female bust in the middle. A vase above that. Around various images of landscapes, masks and animals. London paper etching ornament grotesque. chest, bust - AA - female human figure. vase ornament
RF2B9CGHR–September with the Sign of Libra September with the Sign of Libra, Nine months with the signs of the zodiac: September with the sign of the Libra. Is part of a group of decorations with grotesques from the house of J.A. Brentano on the Herengracht. Probably made after designs by Giambattista Maderna, September, other concepts (with signs or personifications of the planets together with zodiacal signs), ornament, grotesque, Jan Kamphuijsen, 1790 - 1791, panel, oil paint (paint), h 329.5 cm × w 28.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance.
RM2DMDKRF–Decorative Frame; verso: Frieze with Pageant, Charcoal, pen and ink on paper, Frame with grotesque decoration. At top center, child and lion masks flanked by half figures of armless mermaids with acanthus tails. Below, escutcheons, trophies, and birds. Blank central panel. Double framing lines. Verso: A figure seated below a canopy in a wagon drawn by cows., Italy, early 17th century, ornament, Drawing
RMRX507M–Ornament with a Palmette. Sebald Beham; German, 1500-1550. Date: 1520-1550. Dimensions: 39 x 92 mm (image/plate); 41 x 94 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute.
RM2DMCFXE–Ornamental Panel Surmounted by the Crowned Head of a Woman and Two Peacocks, plate 6 from the Livre de Diverses Grotesques peintes dans le Cabinet et Bains de la Reyne Regente, au Palais Royale, Michel Dorigny, 1617 – 1665, Simon Voüet, 1590 – 1649, Etching with engraving on white laid paper, Consists of two images on one sheet: a grotesque panel with a medallion as centerpiece, carried by two figures, surmounted by female mask; the grotesque design composed predominantly of wreath and floral scroll motifs., France, France, 1647, ornament, Print
![. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. M MEXICO AND CENTRAL AMERICA or built up out of several nicely fitted blocks of stone. Grotesque faces also occur. In the later si vies,decoration consists largely of "mask panels," which are grotesque front view faces arranged to till rectangular panels, but there is an increasing amount of purely geometric ornament. The masked panels represent in most instances a highly elab- orated serpent's face which sometimes carries the. Fig. 22. Mask Panel over Doorway at Xkichmook. Yucatan. Stock Photo](https://c8.alamy.com/comp/REKR6R/ancient-civilizations-of-mexico-and-central-america-indians-of-mexico-indians-of-central-america-m-mexico-and-central-america-or-built-up-out-of-several-nicely-fitted-blocks-of-stone-grotesque-faces-also-occur-in-the-later-si-viesdecoration-consists-largely-of-quotmask-panelsquot-which-are-grotesque-front-view-faces-arranged-to-till-rectangular-panels-but-there-is-an-increasing-amount-of-purely-geometric-ornament-the-masked-panels-represent-in-most-instances-a-highly-elab-orated-serpents-face-which-sometimes-carries-the-fig-22-mask-panel-over-doorway-at-xkichmook-yucatan-REKR6R.jpg ". Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. M MEXICO AND CENTRAL AMERICA or built up out of several nicely fitted blocks of stone. Grotesque faces also occur. In the later si vies,decoration consists largely of "mask panels," which are grotesque front view faces arranged to till rectangular panels, but there is an increasing amount of purely geometric ornament. The masked panels represent in most instances a highly elab- orated serpent's face which sometimes carries the. Fig. 22. Mask Panel over Doorway at Xkichmook. Yucatan. Stock Photo")
RMREKR6R–. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. M MEXICO AND CENTRAL AMERICA or built up out of several nicely fitted blocks of stone. Grotesque faces also occur. In the later si vies,decoration consists largely of "mask panels," which are grotesque front view faces arranged to till rectangular panels, but there is an increasing amount of purely geometric ornament. The masked panels represent in most instances a highly elab- orated serpent's face which sometimes carries the. Fig. 22. Mask Panel over Doorway at Xkichmook. Yucatan.
RM2WG6HJF–Ornamental panel with grotesken, 1500 - 1536 print Ornamental panel with grotesque motifs, including putti, saters, a hippocampus and diabolical beings. Italy paper engraving ornament grotesque. cupids: 'amores', 'amoretti', 'putti'. satyr(s) (in general). sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster)
RMR2K3XP–Horizontal Panel with a Central Palmette, Two Dolphins, and Meandering Tendrils. Artist: Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). Dimensions: Sheet: 1 9/16 x 3 11/16 in. (4 x 9.4 cm). Date: 1531-50. Museum: Metropolitan Museum of Art, New York, USA.
RM2DMCDF3–Ornamental Panel Surmounted with a Head Flanked by Foliage, plate 11 from the Ornamental Panel Surmounted with a Head Flanked by Foliage, from the Livre de Diverses Grotesques peintes dans le Cabinet et Bains de la Reyne Regente, au Palais Royale, Michel Dorigny, 1617 – 1665, Simon Voüet, 1590 – 1649, etching with engraving on laid paper, Grotesque panel with oval medallion held by four figures as centerpieces surmounted by female head flanked by floral scrolls. Grotesque design composed of wreath and floral scroll motifs., France, 1647, ornament, Print
RM2DMC34Y–Two Projects for Painted Grotesque Decorations of a Ceiling, Charcoal, pen and ink, brush and greyish-brown watercolor on laid paper., Horizontal rectangle. The wave band is drawn on both sides, fret bands are indicated as decorations of the central frames. Below, in the center of the rhomboidal panel is an ooblong tablet support by the wings of a half-figure. Rinceaux bars spring with vases from which branches rise, forming a half circular panel. Enclosed are two birds and a hanging gem. Below are two winged tigers.
![. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. 84 MEXICO AXD CENTRAL AMERICA or built up out of several nicely fitted blocks of stone. Grotesque faces also occur. In the later styles, decoration consists largely of "mask panels,'' which are grotesque front view faces arranged to fill rectangular panels, but there is an increasing amount of purely geometric ornament. The masked panels represent in most instances a highly elab- orated serpent's face which sometimes carries the. Fig. 22. Mask Panel over Doorway at Xkichmook. Yucatan. spe Stock Photo](https://c8.alamy.com/comp/RN7454/ancient-civilizations-of-mexico-and-central-america-indians-of-mexico-indians-of-central-america-84-mexico-axd-central-america-or-built-up-out-of-several-nicely-fitted-blocks-of-stone-grotesque-faces-also-occur-in-the-later-styles-decoration-consists-largely-of-quotmask-panels-which-are-grotesque-front-view-faces-arranged-to-fill-rectangular-panels-but-there-is-an-increasing-amount-of-purely-geometric-ornament-the-masked-panels-represent-in-most-instances-a-highly-elab-orated-serpents-face-which-sometimes-carries-the-fig-22-mask-panel-over-doorway-at-xkichmook-yucatan-spe-RN7454.jpg ". Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. 84 MEXICO AXD CENTRAL AMERICA or built up out of several nicely fitted blocks of stone. Grotesque faces also occur. In the later styles, decoration consists largely of "mask panels,'' which are grotesque front view faces arranged to fill rectangular panels, but there is an increasing amount of purely geometric ornament. The masked panels represent in most instances a highly elab- orated serpent's face which sometimes carries the. Fig. 22. Mask Panel over Doorway at Xkichmook. Yucatan. spe Stock Photo")
RMRN7454–. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. 84 MEXICO AXD CENTRAL AMERICA or built up out of several nicely fitted blocks of stone. Grotesque faces also occur. In the later styles, decoration consists largely of "mask panels,'' which are grotesque front view faces arranged to fill rectangular panels, but there is an increasing amount of purely geometric ornament. The masked panels represent in most instances a highly elab- orated serpent's face which sometimes carries the. Fig. 22. Mask Panel over Doorway at Xkichmook. Yucatan. spe
RM2DN32JA–Plate 26, from Grotteßco: in diverßche manieren, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel. In center, an ovoid with Hercules battling Nessus., France, 1564, ornament, Print
RM2WE71NP–Panel with Portrait in Medallon, Edward Pearce, 1647 print A panel with grotesken. In the middle a portrait in an ornamented medallion, flanked by two vases with flowers. A garland above that. At the bottom a sacrificial scene and bass reliefs. London paper etching ornament grotesque. ornament medallion. flowers in a vase
RMREWY61–November, with the Sign of Sagittarius. November with the sign of Sagittarius. Painter: Jan Kamphuijsen. Designer: Giambattista Maderni (possibly). Dating: 1790 - 1791. Measurements: h 332 cm × w 28 cm. Museum: Rijksmuseum, Amsterdam.
![. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. 84 MEXICO AND CENTRAL AMERICA or built up out of several nicely fitted blocks of stone. Grotesque faces also occur. In the later styles, decoration consists largely of "mask panels," which are grotesque front view faces arranged to fill rectangular panels, but there is an increasing amount of purely geometric ornament. The masked panels represent in most instances a highly elab- orated serpent's face which sometimes carries the. Fig. 22. Mask Panel over Doorway at Xkichmook. Yucatan. Stock Photo](https://c8.alamy.com/comp/RN3WH8/ancient-civilizations-of-mexico-and-central-america-indians-of-mexico-indians-of-central-america-84-mexico-and-central-america-or-built-up-out-of-several-nicely-fitted-blocks-of-stone-grotesque-faces-also-occur-in-the-later-styles-decoration-consists-largely-of-quotmask-panelsquot-which-are-grotesque-front-view-faces-arranged-to-fill-rectangular-panels-but-there-is-an-increasing-amount-of-purely-geometric-ornament-the-masked-panels-represent-in-most-instances-a-highly-elab-orated-serpents-face-which-sometimes-carries-the-fig-22-mask-panel-over-doorway-at-xkichmook-yucatan-RN3WH8.jpg ". Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. 84 MEXICO AND CENTRAL AMERICA or built up out of several nicely fitted blocks of stone. Grotesque faces also occur. In the later styles, decoration consists largely of "mask panels," which are grotesque front view faces arranged to fill rectangular panels, but there is an increasing amount of purely geometric ornament. The masked panels represent in most instances a highly elab- orated serpent's face which sometimes carries the. Fig. 22. Mask Panel over Doorway at Xkichmook. Yucatan. Stock Photo")
RMRN3WH8–. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. 84 MEXICO AND CENTRAL AMERICA or built up out of several nicely fitted blocks of stone. Grotesque faces also occur. In the later styles, decoration consists largely of "mask panels," which are grotesque front view faces arranged to fill rectangular panels, but there is an increasing amount of purely geometric ornament. The masked panels represent in most instances a highly elab- orated serpent's face which sometimes carries the. Fig. 22. Mask Panel over Doorway at Xkichmook. Yucatan.
RM2DN33AX–Plate 21, from Grotteßco in diverßche manieren (Various Grotesques), Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel. In center, Mercury stands on a Pegasus., France, 1564, ornament, Print
RMW588X5–September with the Sign of Libra September with the Sign of Libra, Nine months with the signs of the zodiac: September with the sign of the Libra. Is part of a group of decorations with grotesques from the house of J.A. Brentano on the Herengracht. Probably made after designs by Giambattista Maderna, September, other concepts (with signs or personifications of the planets together with zodiacal signs), ornament, grotesque, Jan Kamphuijsen, 1790 - 1791, panel, oil paint (paint), h 329.5 cm × w 28.5 cm
RM2WH0MDW–December, with the Sign of Capricorn, Jan Kamphuijsen, 1790 - 1791 painting Nine months with the signs of the zodiac: December with the sign of the Capricorn. Is part of a group of decorations with grotesken from the house of J.A. Brentano on the Herengracht. Probably made of designs by Giambattista Maderna. panel. oil paint (paint) December other concepts (+ with signs or personifications of the planets together with zodiacal signs). ornament grotesque
RMREWNAD–September, with the Sign of Libra. September with the sign of Libra. Painter: Jan Kamphuijsen. Designer: Giambattista Maderni (possibly). Dating: 1790 - 1791. Measurements: h 329.5 cm × w 28.5 cm. Museum: Rijksmuseum, Amsterdam.
RMW588X3–December, with the Sign of Capricorn December with the sign of the Capricorn, Nine months with the signs of the zodiac: December with the sign of the capricorn. Is part of a group of decorations with grotesques from the house of J.A. Brentano on the Herengracht. Probably made after designs by Giambattista Maderna, other concepts (with signs or personifications of the planets together with zodiacal signs), ornament, grotesque, Jan Kamphuijsen, 1790 - 1791, panel, oil paint (paint), h 335 cm × w 30 cm
RM2DN32HJ–Plate 29, from Grotteßco: in diverßche manieren, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel. In center, a warrior with a bow has just shot an arrow at a bird., France, 1564, ornament, Print
RM2DMA2AE–Juno, Plate 1, from the Judgement of Paris, Adriaen Collaert, Flemish, ca. 1560 – 1618, Engraving on off-white laid paper, Vertical panel with Juno in a landscape in a medallion at center. The figure, wearing a crown and holding a scepter, is seen from behind and looks back over his right shoulder. Surrounding the medallion, a dark background with grotesque ornament, including a soldier under a canopy at bottom center., Netherlands, ca. 1590, figures, Print
RM2DN32J9–Plate 27, from Grotteßco: in diverßche manieren, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel. In center, a woman riding on a camel holds a crown and a laurel bough., France, 1564, ornament, Print
RM2WH0ME2–September, with the Sign of Libra, Jan Kamphuijsen, 1790 - 1791 painting Nine months with the signs of the zodiac: September with the sign of the scales. Is part of a group of decorations with grotesken from the house of J.A. Brentano on the Herengracht. Probably made of designs by Giambattista Maderna. panel. oil paint (paint) September other concepts (+ with signs or personifications of the planets together with zodiacal signs). ornament grotesque
RMREWN44–December, with the Sign of Capricorn. December met het teken van de Steenbok. Painter: Jan Kamphuijsen. Designer: Giambattista Maderni (possibly). Dating: 1790 - 1791. Measurements: h 335 cm × w 30 cm. Museum: Rijksmuseum, Amsterdam.
RM2DN32J4–Plate 28, from Grotteßco: in diverßche manieren, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel. In center, ovoid shows winged figure standing between a smoking brazier and a vase of flowers., France, 1564, ornament, Print
RM2WGAEE1–Three vertical panels with leaf ornament and figures, After 1634 - Before 1667 print Three vertical panels with leaf ornament and figures. In the middle panel an oval medallion containing the personification of hope. Print is part of an album. Paris paper etching ornaments art. ornament grotesque. Hope, 'Spes'; 'Speranza divina e certa' (Ripa) one of the Three Theological Virtues
RMREXHC6–January, with the Sign of Aquarius. January with the Sign of Aquarius. Painter: Jan Kamphuijsen. Designer: Giambattista Maderni. Dating: 1791. Measurements: h 334.5 cm × w 34.5 cm. Museum: Rijksmuseum, Amsterdam.
RM2DN32H5–Plate 22, from Grotteßco in diverßche manieren (Various Grotesques), Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel. In center, a classical warrior facing the rear holding his shield, a standard, and a branch., France, 1564, ornament, Print
RM2WH0MDX–November, with the Sign of Sagittarius, Jan Kamphuijsen, 1790 - 1791 painting Nine months with the signs of the zodiac: November with the sign of the Sagittarius. Is part of a group of decorations with grotesken from the house of J.A. Brentano on the Herengracht. Probably made of designs by Giambattista Maderna. panel. oil paint (paint) November other concepts (+ with signs or personifications of the planets together with zodiacal signs). ornament grotesque
RM2DN32HY–Plate 15, from Grotteßco in diverßche manieren (Various Grotesques), Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel with central panel showing Hercules and the bull flanked by terms with suspending creatures from a string., France, 1564, ornament, Print
RM2WE9FEN–Panel with two women and sphinxes, Edward Pearce, 1647 print A panel with grotesken. In the middle, two women with the backs sit together on a dolphin. Left and right a Portico with columns including putti on sphinxes. London paper etching ornament grotesque. sitting figure - AA - female human figure. sphinx (lion/woman); 'Sfinge' (Ripa). cupids: 'amores', 'amoretti', 'putti'
RM2DN33A3–Plate 17, from Grotteßco in diverßche manieren (Various Grotesques), Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel with a representation of Marcus Curtius leaping into the a gulf. On either side, a military trophy., France, 1564, ornament, Print
RM2WGB3BK–Panel with Grotesken and Latwerkpaviljoen, Johannes or Lucas van Doechum, After Cornelis Floris (II), 1556 print Under a dome of Latwerk, crowned by a Herme, a scene is set on a burial. To the right of the dome are people under a pergola. Leaf C from series of 12 magazines, numbered A-m with flat decorations of grotesken with rolling work, saters, garlands, trophies, animals and fantasy scenes Netherlands (possibly) paper etching ornament grotesque
RM2HHAX38–Panel of ornament with a bird-cage in the centre ca. 1500–1510 Nicoletto da Modena Italian Nicoletto da Modena employs an engraving technique and a type of grotesque ornament that suggest this work was executed during his first trip to Rome. During his visit, he toured the newly unearthed Golden House of Nero, which at the time was the primary source for the study of this type of antique decoration. His composition, as in many of his prints, is arranged as a narrow panel and is almost completely symmetrical. Filled with mythical and historical figures, vegetal forms, medallions, armor, hybrid
![Fragment of Ornament Panel with Mars, Nicoletto Da Modena, 1507 print Fragment of ornament panel with mars that is crowned by two fame figures. Two other fame figures write on a tablet. Two prancing horses are led by two men. Two men are tied up. Decoration with fantasy animals and figures, grotesque and plant ornaments. On top of a shield is the text M [ARS] Preliorvm Devs. Italy paper engraving (Story of) Mars (Ares). Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa) Stock Photo](https://c8.alamy.com/comp/2WEABP9/fragment-of-ornament-panel-with-mars-nicoletto-da-modena-1507-print-fragment-of-ornament-panel-with-mars-that-is-crowned-by-two-fame-figures-two-other-fame-figures-write-on-a-tablet-two-prancing-horses-are-led-by-two-men-two-men-are-tied-up-decoration-with-fantasy-animals-and-figures-grotesque-and-plant-ornaments-on-top-of-a-shield-is-the-text-m-ars-preliorvm-devs-italy-paper-engraving-story-of-mars-ares-hunger-fama-good-fame-chiara-fame-ripa-2WEABP9.jpg "Fragment of Ornament Panel with Mars, Nicoletto Da Modena, 1507 print Fragment of ornament panel with mars that is crowned by two fame figures. Two other fame figures write on a tablet. Two prancing horses are led by two men. Two men are tied up. Decoration with fantasy animals and figures, grotesque and plant ornaments. On top of a shield is the text M [ARS] Preliorvm Devs. Italy paper engraving (Story of) Mars (Ares). Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa) Stock Photo")
RM2WEABP9–Fragment of Ornament Panel with Mars, Nicoletto Da Modena, 1507 print Fragment of ornament panel with mars that is crowned by two fame figures. Two other fame figures write on a tablet. Two prancing horses are led by two men. Two men are tied up. Decoration with fantasy animals and figures, grotesque and plant ornaments. On top of a shield is the text M [ARS] Preliorvm Devs. Italy paper engraving (Story of) Mars (Ares). Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)
RM2DN32HM–Plate 25, from Grotteßco: in diverßche manieren, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel. In center, a man with a tower rising from his head holds a horn of plenty in one hand and feater-topped sword in the other., France, 1564, ornament, Print
RM2WEDP9W–Panel with the Element Earth, Daniël Marot (I), 1712 print In the middle of the top is a crowned cartouche with the Monogram RWR (William Rex), a cartouche with Ceres on her car in a landscape with a house (Het Loo?) In the background at the bottom. From series of 6 sheets, including 4 sheets with the four elements and two sheets on which there are two vertical panels each. print maker: Netherlands (possibly)after own design by: Netherlandspublisher: Amsterdam paper etching vase ornament. ornament grotesque. earth (one of the four elements). (story of) Ceres (Demeter)
RM2HHXCBC–Neptune in a Decorative Frame with Grotesques, from the Judgment of Paris ca. 1580–1600 Adriaen Collaert Netherlandish Plate 2 from a series of six devoted to the figures in the mythological story of the Judgment of Paris. Vertical panel with an older male figure, commonly identified as Neptune, reclining in a landscape in a medallion at center. The seated figure leans on a vase, which lies on its side at right and is shown spilling its contents (water and fish) on the ground. Surrounding the medallion, a dark background with grotesque ornament, including a figure riding an eagle under a canop
RM2DN33DR–Plate 19, from Grotteßco in diverßche manieren (Various Grotesques), Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel. In center, a winged figure stands on a skull and hourglass, blowing two trumpets. She is flanked by two chariots pulled by birds., France, 1564, ornament, Print
RM2HHXC3D–Juno in a Decorative Frame with Grotesques, from the Judgment of Paris ca. 1580–1600 Adriaen Collaert Netherlandish Plate 1 from a series of six devoted to the figures in the mythological story of the Judgment of Paris. Vertical panel with Juno in a landscape in a medallion at center. The figure, wearing a crown and holding a scepter, is seen from behind and looks back over his right shoulder. Surrounding the medallion, a dark background with grotesque ornament, including a soldier under a canopy at bottom center.. Juno in a Decorative Frame with Grotesques, from the Judgment of Paris 425849
RM2FYY755–Rollerwork with six children; Groteske flat decorations with rollerwork; Grotesque; Panel filling. In the middle a fantastic figure in a shellpy ornament, in which and on which six children move. Bye and two saters, each pouring out a pitcher. In den l.o. CB 1554. Rollerwork with a masked figure in a shellful enclosure, and six children. Left and right a Sater wearing a jug. Leaf from series of 6 sheets with grotesque flat decorations with rollerwork, candelabra, saters, fruitsGuirlands, birds and fantasy stations.
RM2DN32HX–Plate 16, from Grotteßco in diverßche manieren (Various Grotesques), Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel with central oval showing two mounted warriors fighting and two dead men below. Above, Moses and Christ. On either side, trophies., Antwerpen, 1564, ornament, Print
RM2DN32HT–Plate, from Grotteßco: in diverßche manieren, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel. In center, two men kneel before a woman sitting in a chariot, over whose head a genius holds a crown; an incense burner stands on a pedestal between the two groups., France, 1564, ornament, Print
RM2DN33C2–Plate 20, from Grotteßco in diverßche manieren (Various Grotesques), Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel. In center, a putto with a whip is pulled in a chariot by four horses. On either side, an eagle on a platform below crossed arrows in a wreath. At left, an elephant with a castle on its back. At right, a camel with a tower. Below, centaurs, dogs and trophies., Antwerpen, 1564, ornament, Print
RM2DMCJXN–Sketches, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on paper, Top left: ceiling decoration with panels and bands. Bottom right: panel decoration with grotesque motifs and escutcheon on top; beneath it are dolphins with crossing tails; a bell hands from the tail of another dolphin farther below. Lower left: a vase in the shape of a column base, filled; a standing man and a kneeling woman are shown in the bottom molding; some accounting figures. On verso: fragment of a written tablet pertinent to a chemical system beginning with Ogio dolce semplice
RM2DMBB9J–Decorative Motifs, Black chalk, pen and ink, bistre on laid paper. On verso: brush and dark brown watercolor washes on laid paper., Vertical rectangle. A scrollwork escutcheon with a bearded mask. At bottom left a panel with two acanthus flowers, symmetrical to a disk motif. At center, an oblong with pointed plant motif over a drapery festoon of a hide. Below it are rampant lions on a grotesque frame motifs with their backs turned to a plint. At right, a painted plant motif with a tent circle with calices. On verso: a male and female satyr support with their heads baskets., Italy, 1580–1600
RM2DN32J6–Title plate, from Grottesco in diversche manieren (Various Grotesques), Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel with the title in an escutcheon: 'Grottesco: in diversche manieren / Zeer Chierln¨ck bequaem en oirboorln¨c / voor Schilders, Glaesschrnüers, Beeldsnüdesr / En al die de Chierln¨cke ornamenten der / Antiquen beminnen, ghemackt bn¨ / Johans vredeman vriese, voth ghegheuen / duer Geraert de Ieûde
Search Results for Grotesque ornament panel Stock Photos and Images (82)
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